Category: Artists (Page 153 of 262)

“World Series of Pop Culture” accidentally sums up everything wrong with music industry

A funny thing happened a couple days ago on VH1’s World Series of Pop Culture, and every record label in the world should be scared to death because of it.

In a match-up between Almost Perfect Strangers 2.0 and Remo-Leen-Teen-Teen, the last two contestants, Almost Perfect Strangers’ Lucien and Remo-Leen’s Warren, faced off to decide which team would advance to the semifinals. The category was “Party Like It’s 2006,” and host Pat Kiernan would read a couple lyrics to a pop song, and Lucien and Warren had to name the artist. The songs were by artists like Justin Timberlake, Christina Aguilera, Shakira and Paris Hilton, all pretty big names.

They didn’t get a single one right.

Think about that for a second. Those songs are only a year old, and these guys, both very knowledgeable trivia buffs, had already forgotten every single one of them. And to drive the point home further, neither one of them was even embarrassed about it. In fact, after the third or fourth missed answer, Lucien laid it out on the table. “I don’t mean to sound like an old fogey, but today’s songs are terrible!”

The audience erupted with applause.

This, to me, is the most awesome thing that possibly could have happened.

Blame illegal downloading all you want, music industry goons, but the real reason you’re losing so much money has less to do with downloading – after all, sales were never higher than when Napster was at its peak – and more to do with the fact that you’re not releasing music worth owning. A few other questionable business decisions also contributed to the decay, such as:

– Allowing your product to be used as a loss leader in order to lure people into stores that don’t specialize in, and therefore place no real emphasis on, music
– Raising the price of your product to nearly $20 per CD, despite the fact that manufacturing costs have gone down
– Completely forsaking artist development, focusing instead on short-term gains

Record labels survived the tough times in the past by having strong back catalogs that could pull in some extra coin when the current crop doesn’t pan out. If the labels think they’re hurting now, what do they think things will be like five or ten years from now, when the back catalog is Paris Hilton, R. Kelly and Fall Out Boy? By missing every question in that category, Lucien and Warren inadvertently summed up everything that is wrong with music today: simply put, the music industry lost respect for its own product, and eventually, so did everyone else.

What’s this…? A TCA posting on ESDMusic…?!?

Sure, why not a crossover…?

BET is running a new series entitled “Hip Hop vs. America,” and on the panel for the show was none other than the legendary Public Enemy front-man, Chuck D. The show focuses on the different sides of the hip-hop genre, and the social responsibility that its performers have to those who are listening. Great concept, and I’m psyched to see it…but, still, I had to ask what I knew lots of other wanted to know:

Yours Truly: Chuck, guys like you and KRS-One have taken rap and made political statements and aided it in being taken seriously as an art form. How do you think a show like, say, “Flava of Love” has affected you being taken seriously, I mean, as far as the rap community in general?
Chuck D: I come from a black family, and one thing black folks know, we always got that one in our family. But we take them in as family. Jimmy Carter had Billy Carter. You all remember him, right? It’s just that we outnumber Flava 12-to-one, but you might not draw focus on the other 11 — and Flava is a one-of-a-kind, believe that. He ain’t never ever changed and ain’t gonna change. So, hopefully, more shows — maybe we’ll get 11 guys to have shows that balance out the “Flava of Love.”

Word.

By the way, Chuck said he wasn’t really interested in getting his own show…although he said he did think that Professor Griff would do pretty good with one (though, personally, I have to wonder if that wouldn’t have the potential to be even more damaging to hip-hop’s reputation than Flav’s show)…but he admitted that, if he did get his own show, he’d want it to be a one-on-one interview format. I said, “Oh, kinda like Henry Rollins?” I knew he’d been on Rollins’ show…but, damn, boyee, I didn’t know how much he’d enjoyed it. Chuck just lit up and was, like, “Oh, man, Rollins, I love Henry Rollins, I love him, I love everything he does, and I’d love to do anything like that guy.”

In closing, another writer asked Chuck if he thought Flava would ever find love, and he instantly offered up a laugh and a scoff, saying, “Flava found love. Flava got more love than he know what to do with!”

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