Truth be told, the clip I really wanted to show from Pat Sajak’s short-lived late-night talk show was from when Squeeze appeared to promote their Frank album, but, alas, it’s nowhere to be found on YouTube. (I’ve actually got it on a VHS tape; maybe one of these days I’ll upload it myself.) Still, when I stumbled upon this performance from the great Webb Wilder…his first-ever on network television, if Pat’s intro can be trusted…I couldn’t resist posting it instead. It’s not my favorite of Webb’s tracks – that honor belongs to “Tough It Out” – but the guy’s got a powerful heap of energy in just about everything he’s ever recorded, so I have no complaints about “Hittin’ Where It Hurts” serving as an alternate.
Category: Artists (Page 127 of 262)
Granted, the field of competition isn’t as wide as it used to be, but, still, I can’t imagine the ever-genial Paul would’ve walked off “Live with Regis and Kelly” after being told that he needed to shorten the length of his song.
I’m not saying it’s not a little ridiculous that the show’s producer, Michael Gelman, said that Ringo’s song had to be a mere two and a half minutes or less – that’s a pretty paltry time frame, even for a pop song – but Gelman apparently offered to barter with Ringo and cut down his chat time in favor of giving him more time for a song, and Ringo instead opted to hit the highway. Well, he was probably riding on the high of knowing that he’ll be getting an upcoming episode of “The Late Late Show with Craig Ferguson” all to himself, but, still, it smacks of a bit of a tantrum to me.
I have to say, though, that Dave Stewart – the former Eurythmic who’s serving as Ringo’s current musical director – had the best quote about the matter:
“Four minutes (3 minutes and 40 seconds, actually) seemed like an appropriate amount of time for a former Beatle. Mr. Gelman apparently felt Ringo’s musical legacy should take a back seat to additional banter about the size of Ms. Ripa’s derriere.”
You go, Dave!
If you’ve seen the commercial for the new Apple laptop, the MacBook Air, you’ve heard the new tune by Yael Naim, “New Soul.” Apple successfully used Feist’s “1234” in an ad, and it seems like they’ve tapped another infectious tune for the Air ad. Here’s the YouTube vid:
Looks like that tiny apartment has some unexpected square footage.
I’m not going to sit here and tell you that I buy into the bullshit “rock/sex god” status of James Morrison. I never have and I never will. Then again, I’m not going to sit here and tell you that I don’t own the majority of the Doors’ catalogue (save for those two albums minus Jim), because I do. I think the Doors wrote some good, solid tunes, had a few big missteps, and had a lead singer that went from sex god to drunken bozo in a short time. That said, I think the L.A. Woman album is a classic work through and through, and certainly one of the best albums of the ’70s. Here then is the title track done up all video-like.
UBER.com, along with industry big shots such as Atlantic Records, The Agency Group, Sneak Attack Media and Peer Music Publishing, are launching a contest for unsigned artists and bands called You Bring the Talent. The winner will receive an EP deal with Atlantic, publishing deal with Peer, booking deal with The Agency Group, distribution through ADA from The Rebel Group and a showcase at Hollywood’s House of Blues. To enter, you have to join UBER.com, and upload your band’s music, bio, and photos–then set up a voting module for yourself.
The contest runs until March 31, and your fans can vote once every 24 hours. For more information, please visit www.uber.com/youbringthetalent.
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