Author: Captain Capm (Page 3 of 118)

Sway: Let It Roll

When it comes to a band like Sway, one knows immediately to expect: comfortably safe country pop that countless other lesser and well-known acts have explored to the nth degree time and again. Lead singer and guitarist Gina Quartaro kicks off the album with the clichéd “Cowgirl Scene” that trots out all the old standards such as do-si-dos, common folk, and hitting the local bars. In the meantime, lead guitarist Perry Martin throws down a lead riff that sounds like it’s been played out in a million songs before this one. Comfy like an old pair of shoes but hardly original. If that’s not enough, the worn-out subject matter continues on the father to son life lessons explored in the title track, and other rote lyrical ideas such as thunderstorms, cold winds blowing, and crying in one’s sleep are spilt like milk on “I’m Over You.” Sway don’t have much of anything “new” to offer, from their unimaginative name to their musical and lyrical ideas. It’s safe to say you’ve heard at least ten other artists of varying quality do this exact same thing. If you need to hear another one do it all again, this may be your meal ticket. (self-released)

Sway home page

Anne Weiss: Concrete World and the Lover’s Dream

Anne Weiss finds herself sitting comfortably in a blues folk style on this new release. On the quieter songs here, her voice often recalls that of Joni Mitchell’s, and at other times it’s gritty and soulful, making a unique contrast. This is well-played, well-produced music, but at times Weiss tries to hit a few notes that her delicate voice can’t quite muster, as on the opening track “Ain’t Got No Reason to Lie to You.” But then she turns it all around with something like “The Song About the Affair That I’m Not Having” and it’s hard not to want to hear more. Of course, there are also some seriously funky grooves on “Special Delivery,” which features beatboxing and a sweet brass arrangement. This is where Weiss becomes her own person and sheds the sounds of others. On the title track and “Write Me a Few of Your Lines,” Weiss hits a bluesy groove that is pretty strong as well, if only her voice didn’t seem to start losing it’s power on the latter track. Overall this is pretty good stuff that’s a refreshing break from the usual thing we hear from artists like Weiss. (Potter Street Records)

Anne Weiss MySpace page

David Lykins: Blurry White Guy

One listen to the first track on David Lykin’s new disc and you get the dreaded feeling that this dude is going to blast his big message at you for the rest of the time it takes to hear the other tunes. “Houston” is big, with the sort of corny all-American flag waving mentality underneath that you can’t quite shake. And Lykins’ voice is booming, making sure you hear it and the messages it has to deliver. “Greetings from the Riviera” is wordy to the point of being distracting – I get that Lykins is going for the singer-songwriter thing here, but his story on this song just isn’t that compelling. So Lykins has stories to tell in his acoustic/rustic/country sort of way, but unfortunately his tales and tunes all start sounding the same fast. “Good News” could be “I’ve Been in Love Before” and vice-versa. “Here’s Your Love Song” is a pretty good classic country weeper and “Day After Valentine” is classic country corn. Undoubtedly Lykins has a good number of fans already. After all, there’s always an audience for this sort of thing. In that essence, Blurry White Guy should be a rousing success. (self-released)

David Lykin MySpace page

Little Man: Of Mind and Matter

I admit that when I first saw the cover art for this disc I was prepared for some sort of bad hippie holdover bullshit from the past. But upon hearing the music, it’s obvious that Little Man has his head squarely in classic glam, pop, bubblegum, and just plain old great rock and roll. “Tarots and Arrows” sounds like a lost “Nuggets” classic, while “Everyone on the Floor” hits on a super Beatles/Raspberries groove. “Talisman” finds Little Man putting on his best T. Rex hat and is actually better than most of the classic tracks from Electric Warrior. On “Get it to Ground,” we finally have a true successor to early ‘70s Bowie that sounds impeccable – both a tribute, but also its own wonderful entity. “Not Quite So High” is good solid rock an “Together on the Long Way Around” hits upon the greatness of Spacehog. That Little Man can do all of these things while making it sound his own is nothing short of spectacular. This is one of those albums you’ll love upon first listen and keep listening to over and over. Absolutely essential. (self-released)

Little Man MySpace page

Fiona Joy Hawkins: Blue Dream

Wow. This disc’s sleeve has so many splashy things on it, such as “Produced by Grammy Award Winner Will Ackerman” and “Guest Performance by Luka Bloom” to gushing quotes from T-Bone Wolk and Bob Ludwig that you get the feeling you should really, really love it before hearing a note. So why, then, is it so damn ho-hum? Ah, maybe because Hawkins is another in a long line of pianists who crank out faceless albums in which to listen while you do other things, like sit in a dentist’s office or work the Sunday crossword puzzle. Listeners are also told that this is “WORLD FUSION PIANO.” That doesn’t really mean anything other than Hawkins is employing other artists to throw some “non-traditional” sounds into her mix. No, this isn’t Richard Clayderman, but it’s about as captivating. And at 22 tracks it’s nothing short of ego overkill. Definitely for a certain type of audience. Could possibly be good to put your newborn babies to sleep at night. (Little Hartley Music)

Fiona Joy Hawkins MySpace page

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