Author: Mike Farley (Page 16 of 63)

Solomon’s Seal: The Sea, The Sea

U.S. based British band Minibar has been a fixture on the Los Angeles indie pop scene for the last decade, but yet Minibar has managed to stay under most everyone’s radar. Those who know the band know the slightly smoky and brooding vocals of front man Simon Petty, who is also one heck of a songwriter, and now he gets to prove that point with his debut solo effort, The Sea, The Sea under the moniker Solomon’s Seal. Petty’s obsession with the Smiths is documented in the press materials, and he’s also said to be influenced by the late, great Nick Drake. One thing going for Petty right off the bat is that he doesn’t feel compelled to fake a British accent like other alt-popsters. His vocals bring the songs effortlessly to life – and the songs themselves, with their beautifully sparse production and arrangements, are simply wonderful. The haunting instrumental “Solomon’s Suite” is an odd opener, but then right from the soothing piano and smooth vocals of “A Trick of the Light,” Petty’s artistry just shines. Other standouts are “Sleeping in the Car,” which sounds like a Glen Phillips-Joseph Arthur hybrid, the pretty guitar/vocal of “I Built a Fire,” and the romping, Peter Gabriel-esque “A Part of the River.” (Unshackled 2009)

Solomon’s Seal MySpace Page

twodoggarage: A Gross Display of Penmanship

Here’s the setup: the folks at RPM Challenge dared bands and solo artists to write, record and deliver a finished album in one month. Any number of things could happen under that kind of deadline: pigs could fly, songwriters could lose lots of sleep, and the biggest risk of all – the music could suck. One of the people who took the RPM bait was SoCal based twodoggarage, led by singer and songwriter Alex Kimmell. The band’s debut, Pinboy, was chock full of catchy pop tunes that brought Kimmell out of left field and onto our radar. This one, A Gross Display of Penmanship, with its diverse and interestingly arranged songs, is arguably even better. And further, the more you listen, the more it should grow on even the most skeptical of critics. Kimmell shows versatility galore with catchy ditties like “Something Real” and “Enough,” flowing mid-tempo Glen Phillips-esque tracks such as “Gradually Disappearing” and “Lift Me Up, Carry Me Down.” He even gets truly experimental on super-cool electronic instrumental “Circles” as well as on the rap-infused “The Runner” and spoken-word-meets-fuzz-box title track. Sure, the recording quality is at times bedroom-ish, but Kimmell makes the best of it, as well as the most of his time putting an album together on the fly. (self-released 2009)

twodoggarage MySpace Page

Mikey Wax: Change Again

Being a singer/songwriter today and trying to stand out from the pack is not an easy task. You have to be damn good, and you have to be damn good in the first 30 seconds to hook the listener in. Long Island’s Mikey Wax will hook you in with his debut, Change Again, and he’ll keep you there with melodic stuff that is also a nice mix of uplifting pop/rock and darker, slower-tempo fare. Wax has a breezy way about his songs, which have a modern yet classic feel (think Josh Rouse or Ari Hest) and his slick falsetto is the perfect vehicle to deliver that material. The falsetto is also overused, but if the songs are this good on a debut, it’s easier to let those things slide. And while tracks like “Slow Motion” and “Yes” are driving, mid-tempo hooky songs, Wax is at his brooding best on the more somber material such as “Love Light (Triad)” or “Cedars Bay.” (LABEL: self-released)

Mikey Wax MySpace Page

Pat McGee: These Days (The Virginia Sessions)

Pat McGee has dropped the “Band” from his name and is going it alone, so to speak, in his solo debut and first effort for Rock Ridge Music, These Days (The Virginia Sessions). There is something breezy and easy to enjoy about McGee’s songs – they are delivered in a way reminiscent of ‘70s pop (think Jackson Browne) or akin to in more modern terms, Train or the Fray. McGee has a good, if not spectacular, voice; but as it’s always been, his songs are the driving force of his career, and he’s brought us another batch of good ones here. One of the only negative things you can say about Pat McGee is that much of the material, in melody, tone and arrangement, sounds very similar. But occasionally he steps things up, as he does on These Days with the stunning “Come Back Home,” a track originally written when McGee’s longtime drummer, John C. Williams, left the band, with the sentiment being how a military couple deals with separation during times of war. Sadly and somewhat symbolically, Williams’ younger brother lost his life in Iraq after McGee wrote the song last year. The Tonic-esque “The Hand That Holds You” is also a standout track. (Rock Ridge Music)

Pat McGee MySpace Page

This World Fair: This World Fair

It appears the next incarnation of Aware Records is here, in the form of Los Angeles-based Ping Pong Music. Ping Pong manages Epic Records’ Augustana, and they are bringing us the next wave of very talented baby bands such as This World Fair, the London, and Windsor Drive. The formula of Ping Pong’s bands is similar to Aware, which launched the careers of artists like Train, Vertical Horizon and John Mayer. And that formula is almost a no-brainer – finding talented acts with hooky, melodic songs – but it’s in stark contrast to today’s hipster-driven music industry that mostly relies on gimmicks and fabricated street cred meters. Still, there is always a demand for great bands like This World Fair, and their debut album is an absolute sonic gift to those who dig the likes of Augustana, Better Than Ezra or Keane. Chris Kalgren fronts the band with a smooth tenor that effectively delivers a balance of driving rockers such as “Can’t Stop Falling” and “Drama,” or dreamy tracks like “This is All.” But among ten tracks that are quite frankly straight A’s, This World Fair scores an A+ with the pulsing, stunning piano-driven “Seven Letters.” Despite where the music industry is headed, there is no good reason why This World Fair shouldn’t be as successful as the rest of the world will allow them to be. (Ping Pong Music)

This World Fair MySpace Page

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