Author: David Medsker (Page 67 of 96)

Ruby Tuesday: Les Rythmes Digitales, “Soft Machine”

Oh, that silly Stuart Price. Not content to see the French get all of the headlines and hit singles during that big wave in the late ‘90s (Daft Punk, Air, Dmitri from Paris), the Reading, England native christens himself Jacques Lu Cont and records a French house music-style album under the name Les Rythmes Digitales. It would be years before anyone was wise to his ruse, even though he left a pretty big clue at the very beginning: one of the collaborators on LRD’s only album, 1999’s Darkdancer, was…Nik Kershaw. Yes, that Nik Kershaw.

Our Ruby Tuesday selection, “Soft Machine,” was not released as a single, a decision that baffles us to this day. Perhaps its mid-90s BPM (that’s beats per minute, by the by) was considered too slow for a club scene that was all about speed – go back and listen to the remixes for Madonna’s “Music,” where the warp-drive beat track renders the song unrecognizable – but damn, check out that drum track. Stop, start, thump, backwards snare, fat-ass keyboard squawk. It’s like Sly Fox’s “Let’s Go All the Way” on steroids. Take that however you like.

Les Rythmes Digitales – Soft Machine.mp3

Ruby Tuesday: Sugarbomb, “After All”

Talk about star-crossed bands. Ft. Worth quintet Sugarbomb freaking rocked, dude. They could sing, they could play, and most importantly, they could write. The only thing they couldn’t do, it appears, was win the love of their label, RCA. After receiving instructions from the label to dumb their music down, Sugarbomb singer and main songwriter Les Farrington gave them “Hello,” a Vertical Horizon-ish slice of generic pop/rock. “You want dumb? Here you go!” Les said.

The label loved it. Uh oh.

The song was a minor hit, popping up on a couple soundtracks, but it was not at all indicative of how talented Sugarbomb really were. Worse, the song gave RCA an idea of how to sell the band, but it would mean turning Sugarbomb into something they were most decidedly not: a generic pop band. Soon after the album was released, RCA dropped the band (the album came out two weeks after 9/11, so RCA was cleaning house). Infighting soon followed, and a few months later, Sugarbomb were finished. Tragic.

Submitted for your approval is “After All,” the final track on the band’s fabulous album Bully (you can find it for a couple bucks on Half.com) and as grand a tribute to Queen as you’re likely to find outside of “Knights of Cydonia.” The last I heard, Sugarbomb singer Les Farrington was playing at piano bars. Why he doesn’t have a MySpace page, I’ll never understand.

Sugarbomb – After All.mp3

DMed’s Video of the Week: The Pipettes, “Pull Shapes”

It only took a year and change, but We Are the Pipettes, the debut from the sassy UK girl group trio, has finally arrived on these here shores. They turned some heads earlier in the year as Amy Winehouse’s opening act, and if you see them, you’ll know why. Holy smokes, are they hot. Hot, hot, hot. Gwenno (the tall blonde) is a Posh Spice in the making, let me tell you.

The girls have a ton of videos on YouTube – the animated “ABC” is tons of fun – but I chose “Pull Shapes” so you can see for yourself just how hot the non-animated Pipettes are. Wear a bib, and dance your ass off.

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