Author: David Medsker (Page 59 of 96)

Derek Webb & Sandra McCracken: Ampersand EP

When married actors work together on a project, the end result is often unwatchable (“Shanghai Surprise,” “Eyes Wide Shut”). This might explain why Christian progressive and pop classicist Derek Webb and his wife Sandra McCracken released 13 albums between them before daring to record something together; they’re too smart to fall into that trap. However, one listen to their first joint venture, an EP simply titled Ampersand, will make one want to slap them silly for not working together sooner. Webb may have the higher profile, but McCracken is this EP’s star. Her song “When the Summer’s Gone” is the best song Sheryl Crow never wrote, “Watch Your Mouth” is as good as – or better than – the material on Webb’s superb 2007 album The Ringing Bell, and the two do a sublime cover of BobDylan’s “If Not for You.” The couple’s status as best kept secret is officially on notice. (LABEL: Derek Webb & Sandra McCracken 2008)

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Seen Your Video: Bad Dudes, “Eat Drugs”

Frankly, I’m surprised no one thought of this before. The LA math rockers Bad Dudes assembled one hilarious clip for their song “Eat Drugs” from vintage rock videos from the ‘70s and ‘80s. And for whatever reason, they included Information Society’s Kurt Harland on roller skates. Some bits are more of a stretch than others, but the Devo part is uncanny. Bravo, gents. This’ll get people talking about your band.

Seen Your Video: Midnight Juggernauts, “Road to Recovery”

This is what Duran Duran’s Red Carpet Massacre should have sounded like.

For those who don’t know the back story, Duran Duran solicited the help of hip hop overlord Timbaland and his protégé Nate “Danja” Hills to oversee their last album. This idea was sixteen different flavors of bad, because Tim and Nate demand that they be the stars of their work, not the bands singing and playing the songs in question. Duran Duran were reduced to co-stars on their own album. Tragic.

The Midnight Juggernauts right every wrong that Duran made. The drum tracks are positively huge, second only to Daft Punk. The bass lines are fluid and rubbery – nothing on Red Carpet Massacre comes close to the bass line on “Shadows” – and the keyboards are layered without smothering everything around them. And here’s the best part: they’re a trio. That’s right, there are only three guys making all this sound, which I guess makes them the equal and opposite reaction to Wolfmother, and the dance doppelganger of Muse.

Their album Dystopia doesn’t land on US shores until May 27, but it already has a spot on my Best of ’08 list. I haven’t been this excited about a band since, well, Muse. Make sure and check out the clips for “Tombstone,” “Shadows” and “Into the Galaxy” as well.

Seen Your Video: Saving Abel, “Addicted”

It’s the oldest trick in the book: label is looking at releasing bone-headed debut single from new artist, worried that no one will take notice. So the label does the one thing that will guarantee some press coverage: they fill the video with naked girls. Call it the Buckcherry Effect, who did the same thing with their “Crazy Bitch” video and now have a platinum album hanging on their walls.

The press release calls Saving Abel southern rockers, though we’re willing to bet that Lynyrd Skynyrd and the Allman Brothers might have something to say about that. More accurately, they’re a rock band from the south (Corinth, MS, to be precise), but this ain’t southern rock. Rather, it’s by-the-numbers, Nickelback-ish slug-rock, with one of the most unintentionally hilarious choruses in recent memory:

I’m so addicted to, all the things you do
When you’re going down on me, in between the sheets
All the sounds you make, with every breath you take
It’s not like anything, when you’re loving me

Lest you think “Addicted” is just an overly suggestive love song, fear not; it turns out the singer kinda hates the girl he’s addicted to, and he apparently suppresses that anger because she gives good head. Two questions spring to mind: what does the girl get out of this relationship – other than the satisfaction of blowing said singer – and isn’t the lead singer worried that singing lyrics like this will cost him in the groupie department? Any girl he bangs has to be thinking, “Is his next song going to be about me?”

On second thought, I can see women getting off on that, being immortalized in song, however denigrating. But that’s a whole different topic.

And then there’s the controversial video (banned from MTV! Save the children!), which features a guy shooting video of two topless women getting friendly. Now, we are the last people to raise a fuss over naked women, but surely there is some angle, any angle, they could have taken besides the played out ‘straight girls pretend to be gay to turn a guy on’ bit. Even the girls on the pole/slutty groupie aspect of “Crazy Bitch” made more sense in context.

Oh, and if you have not yet seen enough clichés from this band, check out the album cover.

Yes, nothing says “stupid whore”—or “Valtrex” – quite like a back tat of a band’s logo. Ladies, if you’re considering doing this, for the love of God, stop. No man will ever touch you again.

Embedding for the video is disabled (it’s a Playboy.com exclusive), so to see the video, click here. All Saving Abel bashing aside, the clip is worth a look, preferably with the sound down. The video will run through March 18, at which point you will probably never hear from the likes of Saving Abel again. And yes, we understand the irony of promoting the clip in order to make an example of it, so don’t bother pointing that out.

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