Author: David Medsker (Page 58 of 96)

Frank Sinatra: Nothing but the Best

May 9, 2008 / David Medsker

Think of it as the Chairman of the Board’s version of those 1 albums that Elvis Presley and the Beatles released a few years ago. Granted, the songs collected on Nothing but the Best are not all Number One singles – in fact, it’s startling to see how many of these well-known songs didn’t even crack the Top 40 – but this is as bulletproof as Reprise-era Sinatra compilations get. “Strangers in the Night,” “Somethin’ Stupid,” “A Very Good Year,” “My Kind of Town,” “Fly Me to the Moon,” “Luck Be a Lady,” “Theme from New York, New York,” they’re all here. Of course, this album has no reason whatsoever to exist – Sinatra’s catalog has gone through the “reissue, repackage, repackage” machine more than anyone outside of, well, Elvis and the Beatles – but if you are one of the ten people left that do not own any of Sinatra’s music, you have officially run out of excuses. (Label: Reprise)

CD QuickTakes, Pop

Your Vegas: A Town and Two Cities

May 9, 2008 / David Medsker

In today’s age of needing a “spin” or a “hook” in order to make a product appealing, Leeds quintet Your Vegas is refreshingly gimmick-free. Their Editors-meets-Keane form of epic pop rock doesn’t try to change the world or reinvent the wheel; indeed, they seem perfectly content to take turns rocking out (“Aurora”) or inciting a lighter/cell phone-waving moment (“How the War Was Won”). And while these songs show an impressive level of songcraft in their arrangements and sky-high choruses, many of the songs are missing that extra umph to push them to the next level. It’s all extremely pleasant while it’s playing, but much of it will be forgotten once it’s finished. Still, there is talent here, so here’s hoping they step up on album number two. (Label: Universal/Republic)

Your Vegas MySpace page

Alternative, CD QuickTakes, Pop, Rock

Jukebox the Ghost: Let Live and Let Ghosts

April 25, 2008 / David Medsker

Seth Timbs and his mates in Fluid Ounces better check their playbooks, because Washington D.C. trio Jukebox the Ghost lifted entire chapters of it for their debut Let Live and Let Ghosts. “Where Are All the Scientists Now?” in particular feels like Fluid Ounces’ In the New Old Fashioned Way album rolled into one song which, for the uninitiated, is a very, very good thing. Granted, the explosive piano work by singer Ben Thornewill is sure to draw more comparisons to Ben Folds than Timbs, but the sad truth is that Folds hasn’t made a record this effervescent in over a decade. Jukebox the Ghost takes the three-man approach of Ben Folds Five, replaces the bass with a guitar, and creates music that merges Queen’s bombastic spirit with the minimalist approach of the White Stripes. Prog rock for sissies, if you will. It’s quirky and undeniably fun, but a few more hooks would take this material a long way. Love the attitude and approach, though. (The Rebel Group 2008)

Jukebox the Ghost MySpace page

CD QuickTakes, Pop, Rock

OMD: Live: Architecture & Morality & More

April 25, 2008 / David Medsker

Give OMD credit for knowing the limits of their marketplace potential, and serving up a live record that is right in the wheelhouse of the very people (only people?) who would still consider buying an OMD album at this point in time. Live: Architecture & Morality & More, on paper, is a die-hard’s dream come true, a track-by-track performance of the band’s most highly regarded album, fleshed out with various hit singles from the rest of the band’s catalog. The execution, however, is another matter. The mostly down-tempo album doesn’t exactly leap out of the speakers, Paul Humphreys’ keyboard tracks lack the punch of their studio equivalents, and on the two songs where Humphreys sings lead (“Souvenir” and “(Forever) Live and Die),” his voice wavers all over the place. Such a tantalizing idea – how sweet would it be to see ABC do The Lexicon of Love, or the Human League do Dare, in a similar environment – but two more weeks of rehearsal would have done wonders. (Eagle Records)

OMD MySpace page

Alternative, CD QuickTakes, CD Reviews, Electronica, Pop

Peasant: On the Ground

April 20, 2008 / David Medsker

As much as you might think you miss Elliott Smith, Peasant’s Damien DeRose misses him more, and made a record to prove it. On the Ground, DeRose’s second album under the Peasant name, so faithfully captures Smith’s acoustic melancholy – DeRose also does a mean impression of Smith’s butterfly tenor – that it borders on necrophilia. Thankfully, DeRose is nowhere near as depressed as Smith was, so while his songs may seem sad, they’re not bleak. Indeed, there is a dash of Shins-style whimsy sprinkled throughout the proceedings that keep the album from venturing into downer territory. The end result is an album that’s pretty, but slight. If it contained more songs like “Stop for Her,” which could easily pass for a bonus track from Smith’s Figure 8, we’d be talking about something truly special. (LABEL: Paper Garden 2008)

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