Author: Christopher Glotfelty (Page 6 of 22)

Live Nation and iTunes reach deal

Live Nation

Perhaps in an effort to challenge audio bootlegs and video taken on camera phones, Live Nation and Apple have teamed to provide concert footage via iTunes.

Apple’s iTunes will have a section featuring the concerts of about 20 artists ranging from Jesse McCartney to Ziggy Marley, when the service begins, the companies said in a statement. They expect hundreds of more shows in the coming months. Prices will start at about $7.99.

Los Angeles-based Live Nation will produce most of the offerings from the more than 20,000 concerts it promotes each year. The company has reached licensing rights deals for live performances with major label owners and artists to enable a smooth launch of the service, it said.

Eh, there’s something enticing about a shaky (and probably illegal) video recorded by the average concert attendee. Plus, I don’t have to pay to watch it on YouTube.

Dinosaur Jr. at “Yo Gabba Gabba” live show

“Hi, kids.”

Last night, Dinosaur Jr. performed at the “Yo Gabba Gabba” live show at New York’s Beacon Theater. “Yo Gabba Gabba” is a spazzed-out Nickelodeon show sure to cause future problems for our youth. In the video, the band performs “Banana,” a song from the show originally done by L.A. ska band The Aggrolites.

Jimmy Fallon as Neil Young

It might be some time before I’m a dedicated viewer of “Late Night with Jimmy Fallon,” but the show is definitely improving. I think it’s because Fallon is finally doing characters similar to his act or from his days on “Saturday Night Live.” His impression here of Neil Young performing “The Fresh Prince of Bel-Air” is pretty awesome. It’s very difficult to replicate Young’s style of singing, but Fallon does an awesome job.

Where you at, Rod Stewart?

Ronnie Wood, Ian McLagan, and Kenney Jones of the Faces plan on touring next year even if they can’t get Rod Stewart to commit.

The band, who played a Royal Albert Hall show in London last month, did so without their original singer Stewart, with a number of guests taking on vocal duties.

Keyboardist Ian McLagan has now said he will join the other surviving members – guitarist Ronnie Wood and drummer Kenney Jones – for a jaunt without Stewart.

“If we don’t do it very soon, one of us is gonna check out,” he said. “I’m 64, for Christ’s sake! We’ve been waiting and waiting for Rod to say yes; now he’s finally said no. He’s busy doing other shit. So we’re going to do it.”

He said Simply Red singer Mick Hucknall is likely to fill in on vocals again and he would like to recruit Sex Pistols’ Glen Matlock on bass.

I recently saw Rod Stewart on “Kimmel” and he expressed interest in making a new Faces album. For some reason, now he doesn’t want to tour with his former band — a band that actually rocked. It doesn’t make sense.

I guess Stewart would rather make record forgettable albums such as Soulbook and appear on “Dancing with the Stars.” Come on, man.

Tom Waits B-sides collection gets expanded vinyl release

In 2006, Tom Waits released Orphans: Brawlers, Bawlers & Bastards, a marvelous 56-song collection of B-sides Waits recorded over his expansive career. It’s nearly impossible to absorb over a few listens but trust me, there are some gems.

In bittersweet news, an expanded edition of Orphans is coming to vinyl. I say bittersweet because, come December 8, I will desperately want to buy this but won’t have the money to do so.

On December 8, Anti- will release Orphans as a limited vinyl set. You’ll get all of the tracks contained on the CDs, plus six bonus tracks. That’s 62 songs spread over seven LPs, all of which will be pressed on 180 gram vinyl. You’ll probably want to limber up and do some stretches before you even attempt to lift this thing.

The bonus tracks include covers of Fats Waller’s “Crazy ‘Bout My Baby” and the Brecht/Weill song “Canon Song”, as well as “Diamond in Your Mind”, a track written by Waits and his wife Kathleen Brennan for Solomon Burke, and the originals “No One Can Forgive Me” and “Mathie Grove”.

I think I hate re-releases more than anything.

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