“It’s the sloppiest!”
“It’s the sloppiest!”
Kermit covers Nine Inch Nails’ “Hurt.” He pwnz both Reznor and Cash. Shooting up never looked so good.
Last night “American Idol” went country. And being that there are no Carrie Underwoods, Bucky Covingtons or Kellie Picklers among the remaining seven contestants, it was, for the most part, a big train wreck. Martina McBride was the coach this week, and she was a good choice because she may be the best female singer in her genre. So without further adieu, here is last night’s recap:
THE GOOD
Jordin Sparks sang “Broken Wing” and as she was singing, I turned to my wife and said, “Jordin could win this thing.” She just gets better every week, and it’s almost like she still hasn’t shown us what she’s really capable of. Randy said it was “the bomb,” Paula said it was fantastic, and Simon said it was the first time that he believed Jordin could win the whole thing.
Melinda Doolittle was awesome as usual, but she’s got to be looking in her rear view mirror at Jordin now. Melinda sang “Trouble Is A Woman” and as always it was completely believable. Randy said it was another solid performance, Paula said it was the right song choice, and Simon said it was a fantastic, Tina Turner-esque performance but that Melinda should lose the whole, “I’m surprised you like me so much” thing. Amen to that.
THE IN-BETWEEN
Phil Stacey sang Keith Urban’s “Where the Blacktop Ends” and it was pretty forgettable. The judges, however, disagreed with me. Randy said Phil could have a career in country music, Paula said it was good from the beginning, and Simon said he finally saw some personality in Phil’s performance.
Chris Richardson sang “Mayberry” and he was also pretty boring. Randy said Chris showed no emotion, Paula said the joy and love didn’t come through, and Simon said he heard a “non-descript, nasally, tinny vocal” that was “insignificant.” Wow. I didn’t think it was that bad, but the judges’ comments may push Chris out the door this week.
Blake had the pimp spot and sang Tim McGraw’s “When the Stars Go Blue,” but he was pitchy and didn’t really do the song justice. I think I would have liked Phil to do this one instead. Anyway, Randy said Blake picked the right song, Paula said he is the whole package, and Simon said he wasn’t jumping out of his chair. I have to agree with Simon, it was just okay.
THE BAD
Lakisha Jones sang Carrie Underwood’s “Jesus Take The Wheel,” and I really thought she was going to take a big swing and hit the ball out of the park, showing up former Idol champ Underwood in the process. But all I felt was the wind from Lakisha whiffing at the pitch. The verse was fine but when she launched into the chorus it was painful to watch. Randy said there were pitch problems and that he expected more, Paula agreed with Randy, and Simon said it was disjointed, like “eating a hamburger for breakfast.” Personally I don’t have a problem with a hamburger for breakfast, but I see his point. Lakisha has been awesome but she may be leaving this week.
Sanjaya reverted back to his sucky self, singing Bonnie Raitt’s “Something To Talk About.” He wore a bandana on his head and was just ridiculous in every way. But lucky for him, and I do mean LUCKY, this kid has the support of Vote for the Worst, Howard Stern, and the rest of America who are trying to turn the show into a joke. Randy said it was like karaoke and added, “What are we doing here?” EXACTLY. Paula said Sanjaya loves adversity (what?) and Simon said it was utterly horrendous. When Ryan Seacrest rushed to Sanjaya’s defense, Simon rightly said, “Shut up, Ryan.” Cowell added that it was worse than anything we saw, even in the initial auditions.
So your bottom three this week…….Phil, Chris and Lakisha. America still loves Blake, and as you all know, strangely loves Sanjaya. Since he’s been in trouble before, I’m going with Chris this week, but wouldn’t be surprised if it was Lakisha either. This thing is shaping up to be a final four of Melinda, Jordin, Blake and Sanjaya. Are you scared yet, America?
See y’all tomorrow with the results…..after another excuciating hour long show.
“Yacht Rock” is a hilarious series brought to you by Community 101. If you dig classic rawk, funny shit, and the like, then this is for you. In this episode, Steely Dan and The Eagles’ feuding leads to classic Dan song. Video is not embeddable, so just check out Yacht Rock here. (Quicktime required.)

Okay, music fans, correct us if we’re wrong, but unless you’re one of those wannabe hipsters that only buys this week’s buzz album, we’re guessing that somewhere in your collection, you’ve got an LP, a cassette, a CD, or even an 8-track that you picked up on a whim, fell in love with, and absolutely love to tell people about… and your introduction usually begins, “Look, I know you’ve probably never heard of this person/these guys, and I don’t know why it didn’t sell a million copies, but, seriously, you’ve got to hear it.”
Maybe they’re a local or regional band who never made the big time. Maybe they did make it to a major label, but the musical climate wasn’t right…or the label didn’t bother to promote the album…or, heck, maybe the band broke up five minutes after the record was released. Whatever the case, far too many great albums have ended up selling far too few copies, which is why we’ve taken it upon ourselves to try and rescue some of these all-too-unheralded releases from obscurity. We’ve also managed to get in touch with almost all of the artists whose albums we’re praising in this piece – the lone exception had the very good excuse of having died, but we did, at least, get in touch with one of the producers of his album – and asked them to answer a quick Q&A for us. So not only will you (probably) be introduced to several new albums, but you’ll also feel like you know a little bit about the person or persons responsible for recording them.
Here’s just one example:

The Argument: Your New Favorite Band (Self-released, 2000)
Recommended If You Like: Ben Folds Five, Barenaked Ladies, Toad the Wet Sprocket
The critics can go on and on about how quirky bands don’t last long unless they’re named Barenaked Ladies, and about how songs like “Inflatable Amy” are downright laughable…and, hey, the Argument’s lead singer, Scott Simons, can even say he’s “embarrassed” by his former band’s self-released debut. But when you burn an album into your iTunes and, even seven years later, you can’t stop listening to it, there’s a higher power at work – or, then again, maybe Simons and his band mates had something special that not enough industry types recognized. (Personally, I’m going with the latter.) This West Virginia quartet toured so much in a van pursuing “the dream of being rock stars” that, eventually, their van and their will both stalled with an empty tank. While the album is out of print, its endearing combination of pop, rock, jazz, soul and every other influence under the sun showcases a solid group of musicians who could string melodic hooks and harmonies together as well as anyone. – Mike Farley
Notable Tracks – “Grudge,” “Disappear,” “The Ballad of Ernestine Jackson”
Our interview with Scott Simons of The Argument can be found here.
Check out The Best Albums You’ve Never, Ever Heard (Well, Probably Not, Anyway) in its entirety by clicking here…then feel free to come back and offer up some of your own favorite unheralded albums!
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