The Veils Release Third LP, Sun Gangs

The Veils, Sun Gangs

From the UK comes the brooding rock outfit The Veils, with their third LP Sun Gangs. This foursome, complete with female bassist Sophia Burn, makes up one of the most unique and emotionally intoned musical groups since U2 or Radiohead. Their depth on Sun Gangs suggests a certain growth since the last record, and their talent for embellishments and arrangements makes this band one to listen to in 2009.

There’s a certain welcoming property about The Veils. They suck you into their emotionally complex world within seconds of the opener, “Sit Down By The Fire,” which BBC called, “a very modern mixture of prayers, love letters and personal record keeping.”

Another standout on the record is “Larkspur” which Dusted Magazine said, “follows a driving picked riff through swells of noise, returning to calm several times before building to a final eruption.” The orchestration on Sun Gangs is one of the main reasons the record is so intriguing. The twists and turns of melody and harmony, tiny instrumental splashes of color, and emotions that ebb and flow through song after song take this record from mundane and repetitive to interesting and easy to listen to.
As Supreme Management wrote,

“By turns warm and ethereal, thundering and cacophonous, The Veils set Sun Gangs apart from efforts by like-minded peers such as the Arcade Fire by imbuing their lush, at times grandiose arrangements with a sense of youthful honesty and personal reflection that seems to so often get lost under the sea of ideas within similarly ambitious efforts.”

The only down side to Sun Gangs is that it’s incredibly mellow. Don’t expect a head-banger here, but then again, that’s not what The Veils are known for. This band is pure emotion and it shows through each and every one of the tracks on Sun Gangs.

If you like U2, AutoVaughn, Kings Of Leon, or Arcade Fire, make sure to check out the latest release from UK rockers, The Veils.


Wild Light: Adult Nights

Not many rock bands come out of New Hampshire – and even fewer manage to score deals with labels as major as Sony – so it’s hard not to root for Wild Light on principle alone; unfortunately, principle may be all that gets you through chunks of Adult Nights, the quartet’s full-length debut. The band has an interesting sound that wobbles between Semisonic and Arcade Fire – and the latter comparison is one you’re likely to hear more than once, given that keyboard player Tim Kile was in an early version of that band – but they need better material. Nights lets you know they’ve got the chops – opener “California on My Mind” kicks things off right, with its harmonica, stomping beat, and repeated refrain of “fuck California,” and “Call Home” is a lovely piano-led ballad that recalls Dan Wilson before he gave in to his Carole King fetish – but those high points only serve to underscore just how ordinary the rest of the disc can be. There aren’t any bad songs here, but there are a lot of well-meaning musical exercises in search of hooks, not to mention varying tempos – much of Adult Nights glides by at the same middling pace. If we were living in a different era, it wouldn’t be out of the question to hope Wild Light’s A&R rep stuck with the label long enough to shepherd the band through a few more albums until they were ready for their big break. Those days are long gone, unfortunately, but if they get lucky enough to reach a broad audience with Adult Nights, it also isn’t out of the question to imagine that this band could develop into something really special. (Columbia/StarTime International 2009)

Wild Light MySpace page


Related Posts