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History of Censored Music Videos, vol. 1

Ever since the music video has been around, there have been artists who have tried to push the envelope and see just how much they can get away with in their clips. On the other hand, there have been plenty of videos that have been banned or censored for seemingly non-existent or innocuous reasons. Trace it all back to Elvis Presley’s hip-shaking days that threw networks in a tizzy. At any rate, here’s a handful of music videos that for one reason or another was censored by somebody out there. What is art, anyway?

Devo – “(I Can’t Get No) Satisfaction” Devo’s excellent devolution of the Stones’ classic includes a couple of rather innocent through-the-shirt breast groping sequences. This kind of thing would still not fly with American censors these days. Go figure.

Frankie Goes To Hollywood – “Relax” The song should have been enough to get the axe by many ceonsors’ standards, but instead it was the original video for the song that was banned. What have you missed all these years? Why, only a fine gay party! Everyone jump in and groove.

Fatboy Slim – “Slash Dot Dash” In an inspired Fando Y Lis knockoff. A couple strapped with a ton of Sharpies go nuts tagging up a public bathroom. There are brief shots of nudity once the female’s already scant outfit is ripped clean off. Not at all titillating or sexy when it gets down to it, but even with the rapid fire edits, it didn’t stand a chance with the censors.

Jay-Z – “99 Problems” Here’s the full video in all its unedited glory, with all lyrics intact and the climactic ending featuring Jay-Z getting gunned down. The man himself said the violence wasn’t gratutitous but a symbol of his rebirth, putting Jay-Z to bed and allowing Mr. Carter to be born. It’s a kickass tune no matter how you slice it.

The Cardigans – “My Favourite Game” We’ll close this first volume of censored videos with this clip from The Cardigans that could alternately act as a PSA stating simply that reckless driving causes much destruction, death, and suicide. Or not.

Scissor Sisters state the obvious, and Ta-Dah! Your local record store has banned them for it

File under ‘You have got to be kidding me’: Trans World Entertainment, which owns retail music chains For Your Entertainment, Sam Goody, Strawberries, Wherehouse, Specs and Coconuts, is refusing to carry the Scissor Sisters’ new album, Ta-Dah (which is really freaking good, btw), because of comments singer Jake Shears made at the National Association of Music Retailers convention that CD prices were too high.

Ta-Dah

According to Trans World President and CEO Jim Litwak, his company was just expressing its displeasure at Shears’ comments, which he said were untrue and unfair. And furthermore, he said the whole situation could’ve been avoided had the band bothered to pick up the phone and call him.

“Mr. Shears said that he tried to buy a Raconteurs album but didn’t because it was too expensive,” Litwak told MTV News. “But he didn’t bring it up to register, because if he did, he would’ve seen that the CD was on sale.

“So Mr. Shears made an incorrect statement at a convention instead of reaching out to us, to discuss our pricing,” Litwak continued. “We decided that it would’ve been nice to get an apology from them, so we reached out to their distribution company [Universal Music Group Distribution] to let them know we were displeased, and we never heard back from them. So we made the decision not to carry the band’s new release.”

In fairness to Trans World, Jake should have taken up this issue with the band’s label, Universal, which decides the suggested retail price for their albums. This is what Tom Petty did back in the day with his album Hard Promises when he found out that his then-label MCA was going to charge a full dollar more for his record than every other record on the market. He refused to turn the album in until the label relented, which they ultimately did. Score one for the common man.

However, in fairness to Jake, CD’s are way, way, WAY too expensive. The TWE guy says the Raconteurs album was on sale, but no matter how they try to spin it, $14.99 (the site’s “sale” price for Now 22) isn’t a bargain; it’s extortion. Not only that, the Raconteurs’ LP is selling on FYE’s web site for $19.99, so for all that TWE guy knows, Jake was referring to purchasing the vinyl, not the CD, in which case Shears was actually underquoting the price of the album, and TWE banned them for nothing. Either way, there is no reasonable explanation for the SRP on an album to be $18.99. That’s about five bucks too high. Still, there’s a part of me that would love to see them try to cross the $20 barrier, just because the bloodshed would be so much fun to watch.

In the early ‘90s, I was buying new releases for $9.88 at Newbury Comics in Boston (still the best, chain, ever). The cost of making CD’s hasn’t gone up since then – indeed, it has certainly gotten cheaper over the years – so why do the labels think they are justified in raising the markup on a product whose markup is already padded to the gills? It’s as if the entire music industry — labels, retailers, RIAA — has completely forgotten that we, their customers, decide how much, or how little, money they make at the end of the day. They would be wise not to continue pushing their luck.

What this calls for is a federal investigation into the price structures of the record labels, since someone could probably make a very convincing case for antitrust violations across the board. But so far, the federal government (no surprise) has stayed out of it, leaving it to be hammered out – or, hopefully, ignored – at the state level (New York and California have launched investigations in the last year). Ugh.

The message is clear, and it’s not pretty: keep your head down, your mouth shut, and pay up, sucker. Otherwise, we’ll crush you. Wow. So much for power to the people. Sounds eerily like the backdrop to the Max Barry book “Jennifer Government” to me (a must-read, by the way).

Free the Scissor Sisters! Fight the power! We want Chilly Willy!

Aaron Carter is available again, ladies!

That’s right! Aaron Carter has called off his recent engagement to Kari Ann Paniche. Paniche, no stranger to the Carter clan, was actually Nick Carter’s girlfriend at one point. She was also a Playboy Playmate. Poor girl just can’t catch a Carter break! When asked about the sitch, Aaron said,

“I got caught up in the moment and proposed…I then realized it was a hasty thing to do and I am not ready for marriage quite yet.”

Not ready for marriage, but certainly ready for reality TV. Aaron and Nick will be featuring in their family’s TV debacles on “House of Carters,” coming in October on E!

Toy Matinee, “The Ballad of Jenny Ledge”


What’s there to say about Toy Matinee…? They came quick and didn’t stay long, and during the brief period they existed, their most impressive feat as a band was securing Julian Lennon to contribute guest vocals to their lone, self-titled album.

Sounds woefully unimpressive, no…?

Well, the thing is, the two guys who made up Toy Matinee were Patrick Leonard – who produced Madonna’s True Blue, Roger Waters’ Amused To Death, Jewel’s Spirit, and Elton John’s Songs from the West Coast, among many others – and Kevin Gilbert, who’s written songs for Sheryl Crow, engineered Michael Jackson’s Dangerous, and played keyboards for Susanna Hoffs.

So, basically, it didn’t matter what Toy Matinee did; they had plenty of other avenues to fall back on…which is good, given that Toy Matinee did precisely jack.

In 1990, no-one was looking for the second coming of Steely Dan. Too bad, since that’s exactly what “The Ballad of Jenny Ledge” was. Arguably the best song on an album full of consistently solid pop-rock tracks, it tells the tale of one Jenny Ledge, who was “tempted by half-Elvis, half man-about-town, and a life of ease.” Great song, but one woefully out of place at its time of release. Check out the video…

…and if you like what you hear, go yell at iTunes to make the album available for download so you can hear the whole thing.

Promoting what will surely be the best bad movie of all time…

…Tenacious D, “The Pick of Destiny.”

The D
“It just so happened to be the best song in the world…”

The video for the theme to Jack Black and Kyle Gass’s upcoming classic in the making debuts today on MTV2, and there is a behind-the-scenes on the making of the video at 10 PM EST. They’re also giving away free downloads to a Diddy track all day today as well, and leaking the new Killers album on Friday at 11 PM EST. Head over to http://music.mtv.com for all the fun stuff.

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