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Ruby Tuesday: Novo Combo, “Welcome Innervision”

You might remember the band Novo Combo from their modest MTV hit, “Tattoo,” which was from the band’s self-titled debut album on Polydor. But you may not recognize anything from their followup album, Animation Generation, that came out one year later (1982, for those of you keeping score). And after Animation Generation, the band unceremoniously split up. But after doing a Lost Bands feature on Bullz-Eye.com, I interviewed lead vocalist Pete Hewlett and was re-introduced to Novo Combo’s music.

“Welcome Innervision” was the first song I heard off of Animation Generation, once upon a time when you heard new music on the radio that was worth a damn. And I remember almost driving off the road because not only was this a great song, but the guitar solo by axe man Carlos Rios (who was making his Novo Combo debut) was one of the best I’d ever heard. In fact, it’s still one of the best I’ve ever heard, 25 years later.

Novo Combo’s two albums are out of print, but I managed to find copies of both. So for your listening pleasure, I give to you “Welcome Innervision.” And I trust that you’re sitting at your computer and will not drive off the road.

Novo Combo — “Welcome Innervision”

Pitchfork gives music 6.8

I love The Onion.

Music, a mode of creative expression consisting of sound and silence expressed through time, was given a 6.8 out of 10 rating in an review published Monday on Pitchfork Media, a well-known music-criticism website.

According to the review, authored by Pitchfork editor in chief Ryan Schreiber, the popular medium that predates the written word shows promise but nonetheless “leaves the listener wanting more.”

Schreiber’s semi-favorable review, which begins in earnest after a six-paragraph preamble comprising a long list of baroquely rendered, seemingly unrelated anecdotes peppered with obscure references, summarizes music as a “solid but uninspired effort.”

Kanye has a hissy fit or two

OK, why does anyone take this man or his music seriously? The guy has had heaps of praise thrown at him by fans and critics alike, yet he takes every opportunity he can to play the race card when things don’t go his way. First, complained that he wasn’t the opening act of the MTV VMA show at a preshow concert, going for Britney Spears’ jugular as he spouted “I can’t believe she would perform. She hasn’t had a hit record in years.” He then alluded to Justin Timberlake’s opener of last year’s awards show by rapping “I gotta get my money right, or maybe I gotta get my skin white.”

Then, last night after this year’s awards were all handed out and West found himself having won none, he threw a shitift exclaiming, “That’s two years in a row, man … give a black man a chance. I’m trying hard man, I have the number one record, man.” He then vowed he would never return to MTV.

Seems like the dude is nothing but a crybaby when he isn’t dominating everyone’s attention and affection. Of course, it didn’t matter to him that other black artists won awards, including Rihanna, (“Monster Single of the Year” and “Video of the Year” award for “Umbrella” which also happened to feature Jay-Z), Beyonce (“Best Collaboration” award for “Beautiful Liar” featuring Shakira), Gnarls Barkley (“Best Editing” award for “Smiley Faces”), and Gym Class Heroes, an integrated group (“Best New Artist” award).

Just goes to show that West is another spoiled multi-millionaire who isn’t really all that different from the rest of them. Of course, the best way to get press is to act like a jackass when you walk away from awards shows empty handed. Touche, Kanye…touche.

It’s official: Brit-Brit is a disaster

There’s no story to really link to here, but everyone else is already talking about it, so I’ll throw my two cents in. Tonight I tuned in to catch Britney Spears’ highly-touted “comeback” on the MTV Video Awards, and it was everything I had hoped it would be. The only thing she didn’t do was fall down, but man she looked totally out of it while performing her new bomb “Gimme More.” She was behind a couple beats on her lip sync near the beginning, her “dancing” looked more like she was taking tentative baby steps, and her body, while not shameful was just…well, let’s just say she’s not the old Britney and shouldn’t be trying to wear revealing outfits these days. The whole performance looked like a half-assed rehearsal than a final take. I’m sorry, but I thought making a supposedly big comeback means you generally put 110% into it, but like the rest of her life lately, Britney just phoned it in.

To top that off, though, the wonderful Sarah Silverman came out and immediately started telling off-color jokes about Britney and her kids. The entire audience was silent for the first third of her act. It was priceless. Silverman stuck it to the show completely and looked hilariously disgusted as she ended her routine and walked off the stage. What the fuck were the MTV execs even thinking by booking her on the show? It was excellent, and afterwards I promptly turned it off and watched “The Soup.” Can’t wait to see how they skewer the hell out of all this next week.

Road Warriors 30

The Young Wild Things Tour kicks off October 18 in Columbus, Ohio and features kid hero bands Fall Out Boy, Gym Class Heroes, Plain White T’s and Cute Is What We Aim For. It’s a 34-date tour that winds up on Las Vegas on December 2.

Alt rocker chick PJ Harvey has announced two exclusive US performances in New York (October 10 at Beacon Theatre) and Los Angeles (October 15 at Orpheum). Harvey’s new album, White Chalk, is due out on September 25. No other US dates are confirmed yet.

Their live show has been called “riveting,” and now the Decemberists are back with their “Long and Short of It Tour” that starts October 28 in Chicago. The long performances will be just that, with epic, progressive songs from the band’s catalog, while the short ones will focus on their more pop leaning material. Here are Continue reading »

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