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Man-About-MySpace: Garage pop, punk, and psychedelia

Huh? Didn't the Sex Pistols invent punk in 1976????? C'mon now!!!!!!!

A back-channel email discussion among the B-E editors surrounding the new Love is the Song We Sing: San Francisco Nuggets 1965-70 box led us to this MySpace, administered by a like-minded 1960s garage-rock aficianado that understands the tangled web of musicology that leads punk and 1980s power-pop fans back to this more delicious, primordial musical ooze that sounds staticky and crappy.

Like, staticky and crappy for the right reasons, not because some 2007 studio whiz is trying to replicate 1960s garage-rock records because today’s recordings sound so sterile, perfect, and–dare I say it?–dead.

This is obscure Pop with a capital P. It’s the stuff that deejays of the era passed over because there wasn’t enough payola. It’s beautiful, undiscovered (by the mass market) music, and the Nuggets-Rubble-Pebbles CD compilation franchises rightfully restore to the great library of songs released to retail. But be warned, if you go down this path: If Nuggets is opium, the Pebbles and Rubble sets are heroin. Once you’re in it, there is no way out–as this architect of this MySpace is walking proof.

Brit-Brit ordered to submit to random drug testing

Hey, let’s give the gal some more coverage! Looks like the hammer has come down on Britney Spears once again as she has been ordered to submit to random drug tests. Both she and ex-hubby K-Fed are required “to refrain from drinking and using drugs around their two young children and 12 hours before either cares for them.” Of the two, only Britney was ordered to submit to the testing.

“Based on the evidence presented, the court finds that there is a habitual, frequent and continuous use of controlled substances and alcohol” by Spears, Superior Court Judge Scott M. Gordon said in court documents.

Lovely. The judge also ordered Spears to meet with a parenting coach for eight hours a week. Is it time to place Brit-Brit on an official deathwatch? Place yer bets…

Ruby Tuesday: Rialto, “Love Like Semtex”

Spawned from the ashes of Kinky Machine, Rialto was singer/songwriter Louis’ Eliot’s foray into widescreen pop, a blend of Oasis and ABC, as crazy as it sounds (and with two drummers, in an apparent nod to .38 Special). The band’s debut, Rialto, was a nifty little pop record, the kind that any fan of British pop both present and past would appreciate (“Summer’s Over” steals a big chunk of “A Day in the Life” for its chorus). The biggest problem was that the album came out in 1998, a good three years after Brit Pop peaked. By that time, only the most devoted Anglophiles paid the band any mind.

I would be one of those Anglophiles.

I was hooked by “Love Like Semtex” from the moment I saw the title, since I had been in a rather combustible relationship eerily similar to the one Eliot describes here. Also, being a fan of the Pixies and Nirvana, I like quietLOUDquiet songs, so when this tender ballad, um, blows up in the second half, I had already been hooked, gutted, put on ice and lacquered for mounting.

Rialto released one more album, 2001’s Night on Earth, which was arguably better than their debut. They had moved on from Oasis, and went after Duran Duran, Depeche Mode and the Pet Shop Boys. Again, an Anglophile’s dream, but “Love Like Semtex” will stand as the band’s lighter-waving moment.

Rialto – Love Like Semtex

The Brit-Brit 2007 VMA performance

OK, so here is Britney’s terrible VMA “performance” of “Gimme More” at this years Video Music Awards. There are a ton of other videos up at YouTube now postulating “proof” on why it was so bad (the most famous one being that one of her heels broke), as well as the weird Chris Crocker freakout/defense of Britney video. But whatever the reason, one thing is for sure. It stinks. The lip synching, the outfit, the whole vibe in general is just one of defeat. Enjoy, then. It never gets old.

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