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USS Make Smoothies, Impress Crowd In Austin

USS

Canadian rock duo USS (Ubiquitous Synergy Seeker) brought their high energy rock to RedGorilla Music Fest Wednesday, complete with techno inspired beats and homemade smoothies (they made them on stage), giving everyone a taste of what it would be like if Nirvana went to a rave.

It’s true there are thousands, probably millions of independent bands in the US alone. They record in their basements or garages, tour on meager merch sales, and survive purely on adrenaline. Most of them will never make a dent in the mainstream rock market, but every now and then a band comes along that possesses enough talent and drive (the combination is key) to take them straight to the top. Case and point: USS.

You may not be familiar with USS yet, but these guys have been enjoying great success in Canada thanks to heavy radio rotation and a never-ending desire to create something completely unique. With the help of their trusty MacBooks, USS has been creating Nirvana inspired indie-rock laced with infectious beats and energy to boot, for years. Now, with intuition to guide them, USS is embarking on the ride of their life: the release of their upcoming album, and an exciting tour to follow.

USS’s set at RedGorilla Music Festival last Wednesday was an experience in and of itself. Their energy, above everything else was intense. They ran around stage shouting lyrics in perfect harmony, and spitting energy with their wicked rhymes. To top off the night, USS took the audience on a strangely entertaining ride when they proceeded to make homemade smoothies on stage, while singing. Ash would sing a line, pick up a banana, rub it all over his face and then sing another line. He’d do some more rubbing and then place the banana into the blender and pick up a strawberry. After some more singing and eccentric expressions, he would rub the strawberry all over his face, sing some more and then throw it into the blender with the other fruits. The set ended with the two drinking the smoothies and acting surprised as to how they wound up with smoothies in their hands. It was borderline train wreck, but it was brilliant, and the music was so spot on live it was incredibly entertaining. I laughed my head off, danced my heart out, and still have their melodies stuck in my head. USS puts on such a great set it’s a wonder they haven’t been around longer.

For USS, the journey to the top of the Canadian charts was surprisingly organic. It began with Ash’s desire for something he had never heard before. After swapping his electric guitar for a new MacBook—the first computer he had ever used in his life, mind you—Ashley Boo-Schultz paired up with pal and turntable master the Human Kebab. The evolution of the duo’s thoughts and desires came to fruition in the bass-heavy sound that can be heard on the band’s new record Questamation that is currently on iTunes, and will hit stores soon.

Interestingly enough USS has recorded, produced, marketed, promoted, and distributed their music without any help from a label. They’ve also been fortunate enough to grow a significant following without falling victim to mainstream media, bypassing the hoops of fire most new artists are forced to jump through to secure radio play. Instead, USS’s music has spoken for itself. The synth-pop and grunge-inspired rock that defines them has risen above the masses of indie music as some of the freshest, most promising tunes on the radio. Here’s to USS and their incredibly unique brand of indie-rock. If you missed this band at RedGorilla you should be ashamed of yourself. Trust me—you want to get to know USS, they’re coming your way. It’s only a matter of time before they’re dominating radio and tour circuit here in the states, and when they do all I can say is “I told you so!”

SXSW, RedGorilla Music Fest And Austin, Texas

SXSW 2009

I spent the last seven days in Austin, TX immersed in live music from both SXSW and an independent music festival called RedGorilla Music Fest.

If you haven’t heard of RedGorilla, it’s a renegade festival started by Brian Waymire and Chris York, of Dreamscapers International.  The pair is based out of both Nashville and Austin, and focus on discovering and promoting the best in independent music today.  While RedGorilla is in no way associated with SXSW, they do have an unmistakably large presence in Austin, during the same week as the mother festival, with 11 venues and over 500 bands playing up and down 6th st.  This year the RedGorilla lineup was killer, and featured The Matches, The Effects, The Hollywood Kills, Luna Halo, AutoVaughn, Dizzy Balloon, and many more.

I started the week off strong, seeing The Matches playing a killer set for SXSW, and then two secret shows for RedGorilla.  All three were incredible and even in the Texas heat people were dancing their little hearts out to staples like, “Papercut Skin” and “Sunburn Vs. The Rhinovirus.”  Complete with new bassist Dylan Rowe these Oakland rockers brought a taste of nor-cal to Austin in all the right ways.

I caught some incredible pop/rock from The Hollywood Kills Friday and Saturday night at RedGorilla.  This little band from Nashville is making big waves thanks to a polished sound that has evolved from garage rock to commercially shiny, alternative pop/rock.  There’s an element to their live performance that instantly draws you in and, whether you like it or not, keeps you dancing to their tunes all night long.  If you haven’t heard of THK yet, make sure to check out CakeOrDeath Productions for a FREE DOWNLOAD of four songs off their new record Idiot’s Guide To Desertion

One of the many surprises I encountered over the week was Ace Enders’ set at the Photo Finish Records Showcase for SXSW on Friday.  Formerly of The Early November, Ace played some new tunes for the Audience for the Recover Reunion show and had everyone’s ears on him.  It was great to hear the new project and get a tast of what’s to come from such a talented artist.  Make sure to check out Ace Enders And A Million Different People’s new record When I Hit The Ground asap.  You’ll love it!

Another high point of RedGorilla was Tulsa, Oklahoma rockers The Effects.  Now, these guys wouldn’t usually fall into a category of music I normally keep on shuffle, but after seeing them live all that has changed.  These boys are 100% rock ‘n roll.  They’ve put a sparkly millennial twist on classic rock with screaming guitar solos, and beats that keep your eyes fixed on drummer Erin to see what he’s going to lay down next.  The one drawback to The Effects is that they don’t currently have recordings that do them justice.  This is a live band through and through, and to truly experience the magic of their music you have to see them live.  So…make sure you check out their MySpace for a complete list of upcoming tour dates near you.

One final experience I’d like to share with everyone was a set by a somewhat unknown band called Dizzy Balloon.  Hailing from Oakland, CA this five-some is everything I could have ever asked for in a new band.  They’ve got the looks, the sound, the stage presence, and the personality to take them straight to the top.  With their Beatles-inspired sound and insanely catchy tunes like, “Raise A Glass” and “Chinatown” Dizzy Balloon kicked ass this week at RedGorilla.  I was most impressed by a cover they did of “I Want You (She’s So Heavy)” by the Beatles.  At first listen you wouldn’t think their poppy sound fits with the appropriately named, heavy tune, but DB pulled out all the stops on this one, mimicking the iconic song effortlessly, while still putting a signature twist on the classic riffs and turn-arounds that define it.  There’s a clear Beatles influence in Dizzy Balloon’s sound, and this was a perfect cover to round out their phenomenal set this weekend.

Whether you were in Austin for SXSW, RedGorilla, or even Texas Rock Fest this week, all the music on 6th St. was amazing.  Live music has the power to move people, bring people together, and keep them coming back for more long after their first listen, and that’s what all these festivals are about.  A good band is a good band, but a good band that is also good live automatically becomes a great band, surpassing the hordes of wanna-be’s and has beens chasing fame without a prayer.  Thanks to all the amazing bands for playing your hearts out at all three festivals, and making the trip to Austin to share your music with people that truly appreciate it.

Peace

P.O.S. covers Pearl Jam, results not nearly as horrifying as one might suspect

I’ll be the first to admit that I am as far out of the hip hop window as any 40-year-old white man can be, but when this clip of P.O.S. covering Pearl Jam’s “Why Go” landed in my inbox, I just had to hear it for myself. He did the cover on the fly in his studio, with one pre-programmed beat and what looks like a one-octave keyboard. It isn’t perfect by any means, but it ain’t bad. He actually sings the track (smart), and even tries to add a guitar solo on that tiny keyboard of his (bonus points for trying). Try it — you might be surprised by the results.

Bruce Springsteen visits The Daily Show

Jon Stewart is a huge Springsteen fan, so naturally he treated Bruce a little better than how he treated Jim Cramer.

The Daily Show With Jon Stewart M – Th 11p / 10c
Bruce Springsteen Pt. 1
comedycentral.com
Daily Show Full Episodes Important Things w/ Demetri Martin Political Humor

Bruce also performed a solid acoustic version of “Working on a Dream.”

The Daily Show With Jon Stewart M – Th 11p / 10c
Bruce Springsteen Pt. 2
comedycentral.com
Daily Show Full Episodes Important Things w/ Demetri Martin Political Humor

White Lies: To Lose My Life

Think of White Lies as the Menswe@r of the latest UK rock movement; there is nothing particularly wrong with them, but the combination of timing (they don’t have it) and chops (they have enough to get by) saddles To Lose My Life, the band’s debut album, with one heck of an uphill battle. Their earnest, widescreen melodrama will fit snugly next to your Editors and Interpol CDs, and the title track, with its unforgettable lyric “Let’s grow old together, and die at the same time,” is sure to rope in a lovestruck Goth kid or two. It’s all perfectly pleasant, and they even reach for Julian Cope levels of bombast on “Nothing to Give,” but it’s lacking that transcendant moment where the band rises above its influences to deliver something extraordinary. As debuts go, it’s unassuming – which went out of style with the advent of Soundscan – but so was Travis’ first album. Let’s see where they go from here. (Geffen 2009)

White Lies MySpace page

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