Category: Rock (Page 222 of 241)

American Idol: Manilow Week

Yes, folks, I’m back from Austin. Thanks to The Chauffeur for pinch-hitting while I was swilling beers, eating barbecue, soaking in all the great music and riding elevators with Wayne Coyne not once, but twice. But alas, we must get back to work this week, and for me that means enduring a 2 hour episode of “American Idol.”

So this past week it was Barry Manilow’s turn to tutor the young crop of remaining talent, as they prepared to perform songs from the 1950’s. Since Manilow just released a record of 50’s tunes, he was a good choice for the job, and seemed to actually like what he was doing and give good advice even though he still looks like a limp-wristed version of Joe Montana.

There was one problem with the performances last night, and that is that there were too many great ones. Picking someone to be voted off will be much easier than picking a favorite, but that’s okay because all we have to do is eliminate one contestant per week. Here is the Marley recap:

THE GOOD

Mandisa kicked off the evening by singing “I Don’t Hurt Anymore” and was just awesome. Simon even said she was sexy. I don’t know if I’d go that far….I mean, I look at Mandisa and I get hungry for a grilled cheese sandwich. But man, can she sing.

Paris Bennett sang “Fever” and it was a great song choice. Paris is showing us every week that she’s got what it takes to possibly win it all.

Chris Daughtry sang an alt-rock version of Johnny Cash’s “Walk The Line.” Mr. Manilow commented that Chris knows his strengths, and he was right. What a haunting, riveting, powerful version….this dude could also win the whole thing.

Katharine McPhee sang Ella Fitzgerald’s “Come Rain or Come Shine” and Simon commented that she was becoming a star. I agree….Katharine is a dark horse because she just delivers every week and has one of the best natural voices in the competition. That, and she’s definitely easy on the eyes.

Kellie Pickler did Patsy Cline’s “Walking After Midnight” and it was a way better outing than when she tried to sing Stevie Wonder. Kellie is hanging around, and just might have enough to reach the final four or five.

THE IN-BETWEEN

Taylor Hicks wore a gray suit to match his gray hair….look, I’ve got really light skin but you don’t see me walking around in a Good Humor Man outfit. His performance of “Not Fade Away” was pretty bland, and Simon even called it “a mess.”

Lisa Tucker sang “Why Do Fools Fall in Love” and for the first time, we really noticed the age difference between Lisa and the power of someone like Mandisa. She was boring, off key and as Randy Jackson said, “just aight.”

Kevin Michael Hall (yes, Chauffeur, that was a brilliant gloss) sang “When I Fall in Love.” This was another weird song choice because dude is only 16, but he sounded okay. I do wonder why he had his right hand in his pocket the whole time…..was he getting wood while singing to Paula Abdul and trying to cover it up?

Elliott Yamin sang “Teach Me Tonight” and it was pretty boring, or at least I thought so. Simon said that vocally it was “fantastic.” Sorry Simon, that was not in the class of some of the better performances last night.

Ace Young sang “In the Still of the Night” and actually sounded decent. But still, he’s going to be exiting soon, I can just sense it.

THE BAD

Ladies and gentleman, it is going to be no surprise this week to bid farewell to Bucky Covington. Bucky sang Buddy Holly’s “Oh Boy,” and all I have to say is “OH BOY, THAT SUCKED.” He was all over the place and Simon accurately referred to it as “pointless karaoke.” Dude, you are outclassed in this competition and last night proved it. Now go eat some mashed potatoes and corn.

Let’s see if Marley can continue to be a prophet while finding out what ever happened to Long Duck Dong…..

Fish Lips goin’ under the knife

Aerosmith’s Steven Tyler is undergoing surgery this week. The whys are undisclosed. We only know he’s “doing well.” Hell, this could be any kind of surgery! It’s OK if you don’t get too concerned over this one. The guy can obviously damage his body on his own time and live to tell about it, what’s a little hospital visit, right? The troubling thing here is that Joe Perry is starting to look like a Tyler clone. Just look at that creepy picture!

You too can be a rocker if your penis is big enough

Tomme Lee and reality TV. What could be more boring? How about more Tommy Lee and reality TV? That’s right, Lee, along with Jason Newsted and Gilby Clarke are looking for the next Rock Star! Yeah! the band doesn’t even exist yet, and that makes for grrrreat TV! They need a singer, and that singer could be you. Imagine battling it out with other folks and getting to hang with Tommy “The Schlong” Lee! Imagine becoming the official lead singer of the band called SUPERNOVA and soon finding your CD in the cutout bins because no one cares for a bunch of washed up b-listers to begin with! Imagine the arguments…the rehab…and being forgotten as fast as all the bands on VH1’s Bands on the Run! Wowie!

Deep Cuts: Queen

Written by Steve Wamsley

Queen is one of those bands that probably haven’t gotten the credit they deserve, both musically and lyrically. Let’s face it, Freddie Mercury is one of the best vocalists we will ever hear, bar none. The man even recorded an opera album with Montserrat Caballe. Brian May is one of those guitarists that has an immediately recognizable sound, the main source of which is his self-made Red Special, a guitar he built with his Dad when he was 16. The one-two punch of Roger Taylor on drums and John Deacon on bass gives you a rhythm section to be reckoned with. The fact that three of them sing both lead and backup (Deacon’s the odd man out), and all four of them write, just adds to the dynamic of the group. But all of this doesn’t mean JACK SQUAT when compared to their live shows. This is the best, band, everrrrr to perform live. It’s no secret that they owned Live Aid after they took the stage. I challenge anyone to watch “Queen: Live at Wembley ’86” and not think, “DAMN, that’s how you put on a rock concert!!”

My approach to this was to create a 2-CD set of Deep Cuts from the band. I’ve listed them in chronological order, but included a track listing at the end for any enterprising souls that would like some sequencing to their music. I will say, after doing this piece, I rediscovered the band and gained a greater appreciation for their body of work.

“Liar” – Queen, written by Mercury
Some would say that this song is a precursor to “Bohemian Rhapsody,” the lyric a classic “boy who cried wolf” theme. You can hear the beginnings of the signature Brian May guitar sound, Freddie’s vocal prowess and the steady rhythm section of John Deacon and Roger Taylor. I would argue that Queen was one of the first heavy metal albums recorded.

“Father to Son” – Queen II, written by May
The boys followed up quickly with Queen II, an even heavier album than their debut. The sound was much more lush and extravagant…a sign of things to come. This song sounds like Brian May had been listening to the Who’s Tommy.

“Some Day One Day” – Queen II, written by May
May takes lead vocals on this song. A much mellower song when compared to the rest of the album, this one stands out in its acoustic simplicity.

“Seven Seas of Rhye” – Queen II, written by Mercury
While this song first appeared on Queen in instrumental form, the Queen II version now included vocals. The piano intro leads to the vocal harmonies that would soon become commonplace amongst future Queen songs. Evidently, the liner notes in The Platinum Collection state that “it’s a wonderful song with nonsensical satanic lyrics.” Just an aside…while most diehard Queen fans will probably want to hang me by my thumbs for saying this, the Freddie Bastone remix of this song that is included on the Hollywood re-release of this album is quite good. It doesn’t compare to the original in that it is more of a dance version. I guess it’s a re-imagining (a la Tim Burton’s “Planet of The Apes”) of the song, taking samples of the band’s voices from other songs (i.e. “Ready Freddy” from “Crazy Little Thing Called Love”), as well as the original vocal track, and laying it over one of those typical 90’s dance grooves.

To read the rest of the article, click here, and don’t forget to come back to ESDMusic to sound off on your favorite Queen cuts.

Blondie vs. the Doors: “Rapture Riders”

Despite frequent use of one of a certain lucky drunk bastard, the mash-up of Blondie’s “Rapture” with the Doors’ “Riders on the Storm” is freaking ace, man. The only thing that sucks is that iTunes isn’t selling it, presumably because it’s a bonus track to Blondie’s 90th best-of, Greatest Hits: Sound and Vision. If they make the mash-up available, then, they deduce, no one will buy the album. So why don’t we force people to buy more than they want to get what they need? That’ll do it. Morons.

Fucking record labels. No wonder they’re all losing money. Their contempt for their revenue stream couldn’t be more obvious.

Click here to check out “Rapture Riders.”

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