Category: Rock (Page 200 of 241)

First Impression: The Killers, Sam’s Town

sam's town

In all the, um, hot fuss over the Killers, no one ever seemed to acknowledge the one thing that stuck out at me from the very beginning: they are wildly, wildly overrated. This is not to say that they suck, because they don’t. But they never deserved the Next Great Rock Band status that was immediately bestowed upon them, and singer Brandon Flowers actually earned some big points with me last summer when the organizers of London’s Live 8 show wanted them to be a headliner, and he refused, choosing to play earlier in the day instead. Smart man.

So now we have their new one, Sam’s Town, and it’s…well, it just isn’t that good. There is nothing along the lines of “Smile Like You Mean It” or “All These Things That I Have Done.” And what’s with the mix job? I expected better from Alan Moulder and Flood, but the recording is way too “hot,” to use engineer lingo.

I’m not quite sure about this whole Killers-Springsteen angle everyone keeps mentioning, except for that one progression in “When You Were Young” that sounds like “Born to Run.” But the Boss has nothing to worry about at this point. I had hoped for the Killers to surprise me this time around, like Franz Ferdinand did with their second record. Instead, they only confirmed my original assessment of the band. Pity, really. I had really hoped they would prove me wrong.

Before the Spotlight Kid steals them: The Chauffeur’s Top 10 Music Videos

We had originally planned on doing a piece for Bullz-Eye on the best music videos of all time, but apparently a slew of other sites were tapping our phone lines, because before we could even begin tallying votes, Slate or one of those sites assembled a near-perfect list, bastards.

So, since the Spotlight Kid has stolen OK Go and the Art of Noise off of my list, I feel I must strike now, or forever hold my peace.

1. Fatboy Slim: “Weapon of Choice”
You’ve all seen it, you all love it. Christopher Walken busts out the soft shoe in a hotel lobby. Walken said in an interview that the second day of shooting, which is when all the wire work took place, was one of the most painful things he’s ever done.

2. Avalanches: “Frontier Psychiatrist”
How do you make a video for a song that samples everything under the sun? You put every single thing they sample on a stage together. The spooky choir goes up top next to the cowboys, and the woman smacking the whinnying horse goes in the middle. If you can listen to the song a couple times before watching the video, it’ll make the video look even better.

3. Blur: “Coffee & TV”
How about that, a video that tells a story, remember those? Blur guitarist Graham Coxon has gone missing, and the milk carton that has Coxon’s “Have you seen me?” shot on it decides to track him down. Impossibly cute, with an ending that will bring you to tears.

4. Kenna: “Freetime”
You have to love a video that’s shot entirely from the knees down. The setup: a guy gets in a fight with his girlfriend, and goes out to blow off steam. He pretty much gets his ass kicked from then on, but to say how would spoil the fun. As an aside, Kenna’s record New Sacred Cow was woefully underappreciated.

5. Supergrass: “Pumping on Your Stereo”
Everybody loves muppets. Supergrass should have their own Saturday morning TV show, based on this video alone.

6. Nine Inch Nails: “The Perfect Drug”
The Spotlight Kid will surely gag when he sees this entry, but this video, directed by the peerless Mark Romanek, is Trent Reznor’s finest, for my money. Love the shots of that vulture, and that sequence during the drum breakdown is stunning.

7. Gnarls Barkley: “Gone Daddy Gone” (YouTube) (Windows Media) (Real Player) (Quicktime)
Heatseeker, New Entry. A publicist just dropped a link to this vid in my mailbox, and damned if it isn’t one of the coolest clips I’ve seen in ages. Picture the members of Gnarls Barkley as fleas and ticks, and singer Cee-Lo has a crush on the lady of the household, who obviously doesn’t return his affections. Silly, clever, and in the end a little sad. And dig that “Fight Club” tribute.

8. Madonna: “Oh Father”
The best video David Fincher directed that no one talks about. The shadow work in this is chilling, especially that slo-mo funeral procession.

9. Jamiroquai: “Virtual Insanity”
The band may have since dropped off the radar since this song’s peak, but its video still kills. The walls have wheels.

10. Duran Duran: “Burning the Ground”
Is this the world’s first mash-up? This clip of the medley of Duran singles compiled for their 1989 best-of Decade is impossibly well-edited, synching up the original clips to the mash-up despite any differences in beats per minute. The amusing part now is the ending, with then-members Sterling Campbell and Warren Cuccurullo filling out the quintet to enter the next decade. Campbell would leave the band after one album.

How’d I do, Kid?

Avril outs herself

Apparently, Avril Lavigne recently had a bit of a dust-up with the paparazzi. I say “apparently” because I didn’t know anything about it until I received this E-mail from her label:


FOR IMMEDIATE RELEASE: Avril Apologizes to Fans

In response to reports that Avril Lavigne recently had a run in with paparazzi while spending private time with her husband, Deryck Whibley, she has this to say:

“I’d like to sincerely apologize for my behavior with the Paparazzi. It’s trying at best dealing with their insistent intrusions. I meant no offense to my fans, whose relationship i truly value. I have and will always go out of my way for my fans. My behavior was a reaction to the persistent attack from the paparazzi.”

Well, hell, you’ve got my attention now!

A quick search on Yahoo! News came up with an article about the incident to which Avril refers. Apparently, while out celebrating her 22nd birthday, Ms. Lavigne approached a photographer from the website TMZ.com with the charming opening line, “Hey fuckhead, come here,” then allegedly spat into his lens. When she returned the following night, she spewed abusive dialogue once again, reportedly – but not definitely – signing photos for autograph seekers, “Fuck you” (and, man, what are THOSE going for on eBay?), then, as her car drove off, spit on another photographer and screamed”Bitch!”

Niiiiiiiice.

Lost Bands: Gunbunnies

Like so many disaffected teens with a jones for new music, I spent some time working in music retail…and one of the many bands I discovered during this era (1989 – 1994, with some time off to attend college) was the Gunbunnies. Signed to Virgin Records back in the days when the label was flooding stores with promotional copies of albums by their new artists, we scored both cassette and CD promos of their debut album, Paw Paw Patch, and it’s clear Virgin had high hopes for these guys.

Their single, “Stranded,” was picking up quite a bit of college radio airplay, and the critics were loving the fact that the album was produced by the legendary Jim Dickinson (Big Star, the Rolling Stones, the Replacements). Plus, the band’s lead singer and songwriter, Chris Maxwell, had put together 10 songs that could hold their own with bands like Guadalcanal Diary, House of Freaks, and the like…and although he had a highly competent band behind him, Maxwell was practically a one-man band; he played guitar, harmonica, trumpet, and electric sitar on the album!

Poised for success…? Yeah, not so much.

The Gunbunnies disappeared after Paw Paw Patch…and I mean really disappeared. Not only was there no follow-up album on Virgin, there was no follow-up, period. Maxwell didn’t even go solo; he just vanished.

Well, okay, he didn’t vanish vanish; if AllMusic.com can be trusted (and they usually can), he left music altogether for about five years, then returned to play bass for They Might Be Giants and to do some production work for artists like the Lunachicks…but, of course, that’s if this is the same Chris Maxwell. Can anyone confirm or deny…?

Toy Matinee, “The Ballad of Jenny Ledge”


What’s there to say about Toy Matinee…? They came quick and didn’t stay long, and during the brief period they existed, their most impressive feat as a band was securing Julian Lennon to contribute guest vocals to their lone, self-titled album.

Sounds woefully unimpressive, no…?

Well, the thing is, the two guys who made up Toy Matinee were Patrick Leonard – who produced Madonna’s True Blue, Roger Waters’ Amused To Death, Jewel’s Spirit, and Elton John’s Songs from the West Coast, among many others – and Kevin Gilbert, who’s written songs for Sheryl Crow, engineered Michael Jackson’s Dangerous, and played keyboards for Susanna Hoffs.

So, basically, it didn’t matter what Toy Matinee did; they had plenty of other avenues to fall back on…which is good, given that Toy Matinee did precisely jack.

In 1990, no-one was looking for the second coming of Steely Dan. Too bad, since that’s exactly what “The Ballad of Jenny Ledge” was. Arguably the best song on an album full of consistently solid pop-rock tracks, it tells the tale of one Jenny Ledge, who was “tempted by half-Elvis, half man-about-town, and a life of ease.” Great song, but one woefully out of place at its time of release. Check out the video…

…and if you like what you hear, go yell at iTunes to make the album available for download so you can hear the whole thing.

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