Category: News (Page 30 of 136)

AskMen readers rank 99 Most Desirable Women, inadvertently create world’s worst playlist

Our friends at AskMen.com have unveiled their annual list of the Top 99 Most Desirable Women, as voted by their readers (who cast a staggering 10 million votes), and it is every bit the cornucopia of babeness that you’d expect it to be. We obviously can’t tell you who’s at the top of the list, but on a personal note, I was thrilled to see that my girl Anne Hathaway went Top Ten, even beating out smoking hot Brazilian model Alessandra Ambrosio to boot. Kristen Bell and Megan Fox made the top ten as well, and given the performance by the former in “Forgetting Sarah Marshall” and “Heroes,” and the performance by the latter’s stomach in “Transformers,” this should surprise no one.

Rihanna However, after a quick glance of the list, I realized something: for as oversexed as everything has gotten these days, rock babes are in disturbingly low supply. Only one singer made the top ten – yes, Scarlett Johannson made an album, but she doesn’t count – and it should surprise no one that it’s the girl that doesn’t go anywhere without her umbrella, ella, ella. From there, though, the pickings are slim. Christina Aguilera is at #35, and Miss Sasha Fierce (Beyoncé) is at #50. Really, #50? That’s the best she could do?

Being the site’s head music geek, I looked at the list of rock babes – and we admit that we use the word ‘rock’ loosely, as these women are all pop stars – and imagined someone assembling a mix of their music and only their music. Along with Rihanna, Beyoncé and Xtina, you can add Pussycat Doll Nicole Scherzinger (#65), Jessica Simpson (#70), and, gulp, Britney Spears (#90). Aiiiiieeeeeeeee! That’s the iPod from hell, right there, though I do think “Umbrella” is a monster jam. Still, imagine going to a party, and all they played were the above artists. Admit it: you’d leave the party. However, if those women were all present at the party, you’d stay, which means that while the voters were asked to look beyond sex appeal and rank the women that have the qualities they would most like in a companion (intelligence, humor, character and ambition), it’s clear that when it comes to music, sex appeal is still driving the car, intelligence is in the back seat, and character is tied up in the trunk.

Katy Perry Ambition, however, is riding shotgun, which brings us to the singer at #32. Katy Perry. Now, if we’re just looking at photographs, I can see why guys would dig Katy Perry. She looks like the slutty third Deschanel sister, and talks about kissing girls, which is catnip to horny guys. There is just one small problem with her: she’s the phoniest phony in all of Phonyland, and a sorry excuse for a pop star. Add her to the party playlist and the people present at the party, and I’m leaving. Give me Kylie Minogue (just missed the cut, we’re told) over Perry any day of the week and twice on Sunday. Please, please give me Kylie Minogue.

The sad, unspoken part of all this is that the performance of women rockers on this list is certainly a ripple effect of how much we devalue music these days. Ten years ago, this list would be crawling with singers. Twenty years ago, there would have been more singers than actresses. Today, we get Katy Perry. Don’t get me wrong, it’s a fine list of women overall – hard to argue with Keeley Hazell, after all – but the music fan in me feels like this list serves as a stinging indictment of how completely screwed up the music business is these days. Sigh.

Apple changes iTunes pricing

I’m surprised it took so long to make this change.

Under Apple’s new pricing plan that will take effect in April, Mr. Schiller said songs will cost 69 cents, 99 cents or $1.29. He said the “vast majority” of the songs will cost 69 cents, though people familiar with the matter said the most sought-after songs — which generate most of the sales on the service — will likely cost $1.29 as both Apple and the major record labels try to boost revenue growth. Wholesale prices charged by the record labels are likely to change to reflect the new price points; spokespeople for Apple and major record labels declined to discuss their agreements.

Apple also said it is dropping digital rights management, or copy protection, from eight million songs in its catalog effective immediately, and from the remaining two million in its catalog by the end of March.

Apple’s DRM has made it complicated for iTunes customers to use competitors’ products, like SanDisk Corp. music players or Microsoft Corp.’s Zune. Among the limits imposed by the software locks, it is difficult or impossible to play songs purchased from the iTunes Store on devices other than the iPod or iPhone.

For those of us who have loaded up on iTunes songs over the years, we can pay 30 cents a song to upgrade previously purchased songs in their iTunes library to a DRM-free version. Frankly, this sucks. We hould get the new versions for free.

A Chat with Sammy Hagar

It used to be that “55” was the number most associated with Sammy Hagar, but wrap your head around this figure: the Red Rocker is now 61 years old. Not that it’s stopped him from rocking and / or rolling, you understand. Hagar has just released a new album, Cosmic Universal Fashion, and he’s making the press rounds to promote it, which is how Bullz-Eye came to speak with him.

Bullz-Eye asked Hagar about life as an elder statesman of rock, his thoughts about Van Halen, and playing in a new band with Chad Smith and Joe Satriani, and he offered up stories of being denied the right to change the lyrics to a Beastie Boys song, of how he screams to prepare for shows, and how he once tried and failed to win over an audience when opening for KISS.

“The worst experience I ever had was opening for Kiss. For some reason, it just didn’t work. I got booed off the damn stage. I had to bust my guitar up and say ‘fuck you’ to people and I left…and it was Madison Square Garden! But it was their first hometown gig after they made it ,and they came back and played Madison Square Garden for four nights for the first time. And I was on the bill and I played first, and I said to the guys, ‘Bye-bye! You guys can do this on your own; you don’t need me as a whipping boy.’”

Check out the chat here, or by clicking on the below image:

Lou Costello…?

Tonight’s installment of “Spectacle: Elvis Costello with…” finds our man Elvis opening the proceedings with a cover of The Velvet Underground’s “Femme Fatale.” One presumes that his guest for the evening, Lou Reed, was at least tolerant of the rendition, since it’s not as though ol’ laughing Lou has ever been afraid to speak his mind. (Plus, the two of them team up later in the episode for performances of “Perfect Day” and “Set the Twilight Reeling.”)

Maybe it’s just the interviews I’ve read, but most of the time, Reed tends to come off as not just prickly but downright grouchy; it’s therefore a testament either to Elvis’s ability as a moderator or Lou’s respect for him that the conversation between the two of them is actually rather illuminating. Mind you, there was no discussion about Lester Bangs (I’m sure Reed is tired of being asked about Bangs’ love/hate relationship with his work, but I’d still love to have heard Elvis pose a question about it), but be sure to catch the discussion of the R&B great who played on Reed’s very first record, the relationship between Reed and Doc Pomus, the hard and fast rule in the VU about not copping blues licks, the secret chord in “Sweet Jane” that everybody gets wrong, and how he thought he spent his youth convinced that he was utterly unemployable.

The most fascinating moment of the conversation, however, comes when filmmaker Julian Schnabel joins Costello and Reed onstage. At first, it sounds like Schnabel more or less just happened to be in the crowd, but we soon learn that Reed and Schnabel are longtime friends, and before long, the discussion leads into a moment that the two of them shared as a result of the death of Schnabel’s father. It’s a story that starts out rather disconcertingly, but as it progresses, it becomes a testament to the healing power of music.

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