Category: External Music (Page 47 of 50)

NOW that’s what I call a number one!

Man, I wish K-Tel were still cranking out hit collections. I’ve just never been able to get into the NOW That’s What I Call Music! sets. But hey, enough people love ’em enough – so much so that the newest entry, number 22, debuted at number one. And this isn’t a first, friends. No, this is the eighth time this has happened.

This doesn’t cause me to give pause to the state of popular music and what people buy these days, but it does make me ponder upon the future of the album as concept. It seems the days of folks picking and choosing their songs instead of sitting and grooving to whole albums are near. Mp3 files taking over CDs and all that good stuff. But hey, it’s really nothing to fret about, lest we forget that time pre-mid-’60s when The Beatles, et al made album listening a Thing, and everyone was mostly grooving to singles. So consider it a step back as well as a step forward. Instead of vinyl, you’ve got plastic discs, or strings of 1s and 0s happily blasting forth the tunes.

Call me crazy, but I do foresee a time maybe not so far off when the CD becomes a dinosaur and digital files are the new 45. It’s an iPod nation, people. And I’m a 60 gigger myself.

Bullz-Eye.com reveals its guilty pleasures!

You get a call from one of your buddies. He tells you that the boys are going to a bar with two-dollar beers and mud wrestling. You tell him that you’ve been battling a wicked stomach virus all day, and that you’ll just have to sit this one out. But you don’t have a stomach virus. In fact, you’ve got a beer of your own in your hand. You just don’t want to go out because there’s ice skating on TV.

Guilty pleasures. We’ve all got ’em. If you don’t have ’em, then you’re either not human or, worse, boring. We at Bullz-Eye have bared our souls for the world to see, revealing the movies, TV shows and music that make us giddy. When no one is looking, of course.

A few examples:

Styx
It’s not horrifically uncool to like Pieces of Eight-era Styx…which is a good thing, because I nearly wet my pants with giddiness when Chris Daughtry sang “Renegade” on “American Idol.” What’s not so cool is to dig late-period Styx. Specifically, Kilroy Was Here-era Styx. Specifically, “Mr. Roboto.” When this song came out in 1983, I thought it was the coolest thing I had ever heard. Most people grew out of that. I never did. This poignant saga of the tragic figure that just needed somewhere to hide, to keep him alive, spoke to me at a very primal level, and raised a million questions. Is he a man? A machine? Both? His heart is human, his blood is boiling; his brain IBM. What will he do? Where will he go? Can he ever take that mask off? What if he gets a zit underneath it? Does he still have to pee? Can he have sex? Thank you very much, Mr. Roboto, for helping me escape whenever I need to…even now. – Deb Medsker, Contributor

William Shatner, “Common People”/”I Am Canadian” (2004/2000)
There’s just something about the idea of the Shatman crooning that begs it not to be taken very seriously, and how can you when the guy’s musical history includes that god-awful rendition of Elton John’s “Rocket Man”? On the contrary, not only is Shatner’s version of the Pulp track “Common People” better, but it’ll completely throw your friends for a loop when Captain James T. Kirk starts blaring from your car stereo speakers. And as a companion piece to “Common People,” the pop icon’s candid “Just for Laughs” performance of “I Am Canadian” (which features lyrics like: “I’m not a Starfleet Commander or T.J. Hooker / I don’t live on Starship NCC-1701 or own a phaser / I don’t know anyone named Bones, Sulu or Spock”) is absolutely priceless. – Jason Zingale, Associate Editor

Check out all our lists here.

Crossing the Atlantic and coming into the Baltimore harbor…

it’s the Virgin Festival.

Based on the annual festival of the same name in the UK, this version will be held on September 23rd at the Pimlico Race Course (home of the Preakness Stakes) and is being handled by promoter Seth Hurwitz, who books for Merriweather Post Pavilion as well as Washington, DC’s famed 9:30 Club.

Currently listed for the show’s line-up are the Who (okay, the Two, since it’s only Daltrey and Townshend these days), the Red Hot Chili Peppers, the Killers, Gnarls Barkley, the Flaming Lips, the Raconteurs, Keane, Scissor Sisters, Thievery Corporation, New Pornographers, Clap Your Hands Say Yeah, Wolfmother, Drive-By Truckers, Kasabian, and others yet to be announced. It’s really quite a “Who’s Who” of today’s modern rock, plus one of the bands who helped influence probably half the artists on the bill.

Tickets are $95…plus the inevitable service charge, of course…but, hell, with a line-up like that, who’s going to argue with the pricetag?

Don’t call it a comeback. Oh, wait, actually, DO call it that.

The Onion’s A.V. Club has put together a list of their 15 True Comeback Albums, giving everyone something to complain about.

Some of the selections are on the money, like Lou Reed’s New York, Johnny Cash’s American Recordings, or Steely Dan’s Two Against Nature…but putting John Lennon and Yoko Ono’s Double Fantasy on the list seems iffy; it was a huge hit, but most critics complained that it was lackluster. Same with the B-52’s Cosmic Thing, despite being a gargantuan hit. Still, kudos for including Electric Light Orchestra’s 2001 album, Zoom, which was great, even if it was a commercial flop.

A few selections which deserved to be included but weren’t are Paul McCartney’s Flowers in the Dirt, Echo and the Bunnymen’s What Are You Going To Do With Your Life?, the Bee Gees’ This Is Where I Came In, Willie Nelson’s Across the Borderline, and, dammit, I stand by Rick Springfield’s Karma. I’ll even throw ABC’s Skyscraping into the fray, as well as Tears For Fears’ Everybody Loves A Happy Ending.

K-Fed duets with Shar

Even as his solo joint is supposedly going to drop next month, Kevin Federline is reportedly recording a duet of Bobby Brown’s “Get Away” with his ex-girlfriend Shar Jackson. I really cannot wait to hear this album. I know I’ve said it before, but I mean it. It sounds like this thing’s gonna be recorded on zero budget if the crappy tracks K-Fed’s already released over the past few months are any indication. Never have I wanted to see someone fail so miserably. I know I won’t have to hope too hard for that.

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