Category: External Music (Page 44 of 50)

Avril outs herself

Apparently, Avril Lavigne recently had a bit of a dust-up with the paparazzi. I say “apparently” because I didn’t know anything about it until I received this E-mail from her label:


FOR IMMEDIATE RELEASE: Avril Apologizes to Fans

In response to reports that Avril Lavigne recently had a run in with paparazzi while spending private time with her husband, Deryck Whibley, she has this to say:

“I’d like to sincerely apologize for my behavior with the Paparazzi. It’s trying at best dealing with their insistent intrusions. I meant no offense to my fans, whose relationship i truly value. I have and will always go out of my way for my fans. My behavior was a reaction to the persistent attack from the paparazzi.”

Well, hell, you’ve got my attention now!

A quick search on Yahoo! News came up with an article about the incident to which Avril refers. Apparently, while out celebrating her 22nd birthday, Ms. Lavigne approached a photographer from the website TMZ.com with the charming opening line, “Hey fuckhead, come here,” then allegedly spat into his lens. When she returned the following night, she spewed abusive dialogue once again, reportedly – but not definitely – signing photos for autograph seekers, “Fuck you” (and, man, what are THOSE going for on eBay?), then, as her car drove off, spit on another photographer and screamed”Bitch!”

Niiiiiiiice.

Lost Bands: Gunbunnies

Like so many disaffected teens with a jones for new music, I spent some time working in music retail…and one of the many bands I discovered during this era (1989 – 1994, with some time off to attend college) was the Gunbunnies. Signed to Virgin Records back in the days when the label was flooding stores with promotional copies of albums by their new artists, we scored both cassette and CD promos of their debut album, Paw Paw Patch, and it’s clear Virgin had high hopes for these guys.

Their single, “Stranded,” was picking up quite a bit of college radio airplay, and the critics were loving the fact that the album was produced by the legendary Jim Dickinson (Big Star, the Rolling Stones, the Replacements). Plus, the band’s lead singer and songwriter, Chris Maxwell, had put together 10 songs that could hold their own with bands like Guadalcanal Diary, House of Freaks, and the like…and although he had a highly competent band behind him, Maxwell was practically a one-man band; he played guitar, harmonica, trumpet, and electric sitar on the album!

Poised for success…? Yeah, not so much.

The Gunbunnies disappeared after Paw Paw Patch…and I mean really disappeared. Not only was there no follow-up album on Virgin, there was no follow-up, period. Maxwell didn’t even go solo; he just vanished.

Well, okay, he didn’t vanish vanish; if AllMusic.com can be trusted (and they usually can), he left music altogether for about five years, then returned to play bass for They Might Be Giants and to do some production work for artists like the Lunachicks…but, of course, that’s if this is the same Chris Maxwell. Can anyone confirm or deny…?

Scissor Sisters state the obvious, and Ta-Dah! Your local record store has banned them for it

File under ‘You have got to be kidding me’: Trans World Entertainment, which owns retail music chains For Your Entertainment, Sam Goody, Strawberries, Wherehouse, Specs and Coconuts, is refusing to carry the Scissor Sisters’ new album, Ta-Dah (which is really freaking good, btw), because of comments singer Jake Shears made at the National Association of Music Retailers convention that CD prices were too high.

Ta-Dah

According to Trans World President and CEO Jim Litwak, his company was just expressing its displeasure at Shears’ comments, which he said were untrue and unfair. And furthermore, he said the whole situation could’ve been avoided had the band bothered to pick up the phone and call him.

“Mr. Shears said that he tried to buy a Raconteurs album but didn’t because it was too expensive,” Litwak told MTV News. “But he didn’t bring it up to register, because if he did, he would’ve seen that the CD was on sale.

“So Mr. Shears made an incorrect statement at a convention instead of reaching out to us, to discuss our pricing,” Litwak continued. “We decided that it would’ve been nice to get an apology from them, so we reached out to their distribution company [Universal Music Group Distribution] to let them know we were displeased, and we never heard back from them. So we made the decision not to carry the band’s new release.”

In fairness to Trans World, Jake should have taken up this issue with the band’s label, Universal, which decides the suggested retail price for their albums. This is what Tom Petty did back in the day with his album Hard Promises when he found out that his then-label MCA was going to charge a full dollar more for his record than every other record on the market. He refused to turn the album in until the label relented, which they ultimately did. Score one for the common man.

However, in fairness to Jake, CD’s are way, way, WAY too expensive. The TWE guy says the Raconteurs album was on sale, but no matter how they try to spin it, $14.99 (the site’s “sale” price for Now 22) isn’t a bargain; it’s extortion. Not only that, the Raconteurs’ LP is selling on FYE’s web site for $19.99, so for all that TWE guy knows, Jake was referring to purchasing the vinyl, not the CD, in which case Shears was actually underquoting the price of the album, and TWE banned them for nothing. Either way, there is no reasonable explanation for the SRP on an album to be $18.99. That’s about five bucks too high. Still, there’s a part of me that would love to see them try to cross the $20 barrier, just because the bloodshed would be so much fun to watch.

In the early ‘90s, I was buying new releases for $9.88 at Newbury Comics in Boston (still the best, chain, ever). The cost of making CD’s hasn’t gone up since then – indeed, it has certainly gotten cheaper over the years – so why do the labels think they are justified in raising the markup on a product whose markup is already padded to the gills? It’s as if the entire music industry — labels, retailers, RIAA — has completely forgotten that we, their customers, decide how much, or how little, money they make at the end of the day. They would be wise not to continue pushing their luck.

What this calls for is a federal investigation into the price structures of the record labels, since someone could probably make a very convincing case for antitrust violations across the board. But so far, the federal government (no surprise) has stayed out of it, leaving it to be hammered out – or, hopefully, ignored – at the state level (New York and California have launched investigations in the last year). Ugh.

The message is clear, and it’s not pretty: keep your head down, your mouth shut, and pay up, sucker. Otherwise, we’ll crush you. Wow. So much for power to the people. Sounds eerily like the backdrop to the Max Barry book “Jennifer Government” to me (a must-read, by the way).

Free the Scissor Sisters! Fight the power! We want Chilly Willy!

Kids Country Power!

I just caught the commercial for Kids Country Power. This is a jammin’ set of country tunes a-la the Kidz Bop formula. It includes such greats as “Achy Breaky Heart” and “I Love A Rainy Night” by Eddie Rabbit. Just hit the link and view the commercial for yourself and see if you can answer this question for me: Why is there a kid in the background near the side of the barn pretending to be a DJ? They’re making him look like he’s a hip-hop DJ back there. Weeeeeird, man.

The hardest Simpson to button

If you missed Sunday’s episode of “The Simpsons,” you absolutely have to see this clip. Bart turns out to be a natural at the drums, and this clip, to the tune of the White Stripes’ “The Hardest Button to Button,” is one of the funniest things “The Simpsons” have done in years. Check it out now, before Fox orders YouTube to take it down.

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