Category: External Music (Page 3 of 50)

Summerfest: The Hold Steady

Creatively, The Hold Steady hit its high water mark with 2006’s epic Boys and Girls In America, but the band isn’t known as a hit machine; it’s known as an in-your-face live rock act, and they didn’t disappoint on Thursday night at Milwaukee’s Summerfest music festival.

The Hold Steady’s signature sound pits Craig Finn’s unique sing-speak vocals against Tad Kubler’s sharp classic rock riffs, with Franz Nicolay’s keys providing support. Only Nicolay left the band in January leading to a sparser production on this year’s Heaven Is Whenever. The band played the two best tracks from the album — “Hurricane J” and “The Sweet Part of the City” — and while they’re quality songs, they struggle to hold their own against Boys and Girls classics like “Stuck Between Stations,” “Chips Ahoy,” “Massive Nights” and “Southtown Girls,” which all made an appearance on Thursday night. They also played the underrated “Your Little Hoodrat Friend,” which was the track that put the band on my radar.

In total, The Hold Steady played for more than 90 minutes to a raucous and appreciative crowd. It’s obvious that this Brooklyn-based band has Midwestern roots, and their music speaks to their fans in Milwaukee. One of the great things about Summerfest is that a show like this is free with a $15 admission at the gate. (Admission is even cheaper if one takes advantage of the fest’s many promotions or buys his tickets in advance.)

Here’s a video from Letterman that captures what it’s like to see these guys live. (Finn’s voice usually sounds a little cleaner.)

Quintessential Songs of the ’00s: #9 “Hate to Say I Told You So”

It was early 2002 and the “The” bands (The White Stripes, The Strokes, etc.) were taking the U.S. by storm. This track from The Hives was actually first released in late 2000 and re-released about a year and a half later.

From the song’s wiki page:

In March 2005, Q magazine placed it at number 54 in its list of the 100 Greatest Guitar Tracks. The chord structure bears a strong similarity to The Kinks “All Day and All of the Night”. It also lists at 244 on Pitchfork Media’s Top 500 songs of the 2000s.

The song peaked at #86 on the Hot 100 and #6 on Billboard’s Modern Rock chart, and is known for its opening riff.

More Quintessential Songs of the ’00s.

Quintessential Songs of the ’00s: #8 “The Way We Get By”

This is the first track on my Quintessential Songs playlist that doesn’t have its own wiki page or a songfacts page. Sigh.

Luckily, I interviewed Britt Daniel a while back and he had this to say about the track:

That one came really fast and it was another one of those that was sort of like, “I’ll just throw down and idea. It probably isn’t going to work.” But once I sang that chorus the first time and got it on tape, I kind of knew it was going to be a good one.

According to Last.fm, this is easily the most played song in the Spoon catalog and it’s certainly one of the catchiest. In that interview, Daniel said it was one of the most “immediate” of the band’s songs. This Kill the Moonlight track put the band on my radar, and was prelude to the brilliance on display on their next album, Gimme Fiction.

More Quintessential Songs of the ’00s.

Quintessential Songs of the ’00s: #6 “Mr. Brightside”

The heavily promoted “When We Were Young” actually hit #1 on Billboard’s alternative chart, but “Mr. Brightside” climbed to #10 on the Hot 100, which is an impressive feat these days for a rock song.

Here are a couple of interesting facts from the song’s wiki page:

The song was named “Song of the Decade” by UK radio stations Absolute Radio and XFM, and in April 2010 Last.fm revealed that it was the most listened to track since the launch of the online music service, with over 7.66 million plays scrobbled

Not only do the Killers own the most-played song on Last.fm, but probably have the lyric of the ’00s as well, in another song (“All These Things I’ve Done”) — I’ve got soul / but I’m not a soldier.

Per the Songfacts page:

Killers guitarist Dave Keuning wrote this about lead signer Brandon Flowers’ ex-girlfriend who cheated on him. Flowers recalled to Q magazine March 2009 how he discovered her with another man at the Crown and Anchor pub in his hometown of Las Vegas: “I was asleep and I knew something was wrong. I have these instincts. I went to the Crown and Anchor and my girlfriend was there with another guy.” Flowers added that the song was “born” at the Crown and Anchor.

More Quintessential Songs of the ’00s.

Quintessential Songs of the ’00s: #5 “Use Somebody”

Truth be told, there are about 45 other Kings of Leon songs that I’d like to plug in here — I’ve been a huge fan since Youth and Young Manhood in 2003 — but there’s no doubt that “Use Somebody” is KoL’s signature tune. It hit #4 on the Billboard Hot 100, won three Grammys and is by far the band’s biggest hit.

Don’t get me wrong, it’s a great track. It has the kind of soaring, arena-filling chorus that the Followills weren’t even trying to write until about four years ago.

It always puzzled me why the band didn’t hit it big earlier in their career, especially with the way the UK adores them. But hey, better late than never.

From the song’s wiki page:

On U.S. radio, the song was a multi-format smash, becoming just the fourth song in history to top the Mainstream Top 40, Adult Top 40, Alternative Songs, and Triple A charts.[9] The three prior being “Slide” by the Goo Goo Dolls, “Every Morning” by Sugar Ray, and “Boulevard of Broken Dreams” by Green Day.

From SongFacts:

Caleb told Uncut magazine October 2008 the story of the song: “The meat of song was written on tour. When I came up with ‘I could use somebody,’ I didn’t know if I was talking about a person or home or God. I felt immediately that it was a big song, and it scared me away. Then, when we were writing the record, Matthew kept sayin’, ‘What’s that song, man?’, and I acted like I didn’t know what he was talking about. Then, finally, I went, ‘All right, we’ll do it,’ and as soon as we started playin’ it, the producers looked up and said, ‘Whoa, that’s a good song.’ I was like, ‘OK.'”

More Quintessential Songs of the ’00s.

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