Category: Pop (Page 147 of 216)

Ruby Tuesday: Les Rythmes Digitales, “Soft Machine”

Oh, that silly Stuart Price. Not content to see the French get all of the headlines and hit singles during that big wave in the late ‘90s (Daft Punk, Air, Dmitri from Paris), the Reading, England native christens himself Jacques Lu Cont and records a French house music-style album under the name Les Rythmes Digitales. It would be years before anyone was wise to his ruse, even though he left a pretty big clue at the very beginning: one of the collaborators on LRD’s only album, 1999’s Darkdancer, was…Nik Kershaw. Yes, that Nik Kershaw.

Our Ruby Tuesday selection, “Soft Machine,” was not released as a single, a decision that baffles us to this day. Perhaps its mid-90s BPM (that’s beats per minute, by the by) was considered too slow for a club scene that was all about speed – go back and listen to the remixes for Madonna’s “Music,” where the warp-drive beat track renders the song unrecognizable – but damn, check out that drum track. Stop, start, thump, backwards snare, fat-ass keyboard squawk. It’s like Sly Fox’s “Let’s Go All the Way” on steroids. Take that however you like.

Les Rythmes Digitales – Soft Machine.mp3

Road Warriors 37

Dave Matthews Band fans are still in full force, especially among college age kids. But recently the US Army beat out more than 100 colleges to win the World’s Largest Pep Rally contest, bringing DMB in for a pair of shows for the Army cadets next month.

The second annual Rock To Roll charity event spearheaded by SideOneDummy Records is set for December 11 at the Avalon Theatre in Hollywood. Headlining the event will be Flogging Molly and Bouncing Souls. Rock To Roll benefits Wheels For Humanity, which provides increased self-sufficiency and mobility to people with disabilities throughout the world.

After a four-year hiatus, The Mighty Mighty Bosstones are back with their Hometown Throwdown again, which will be held in Boston at The Middle East from December 26 to December 30 (five shows). Unannounced special guests will also be on hand, and the band has said that you never know who is going to show up.

San Diego band My American Heart spent this past summer on the Vans Warped Tour and hit the road again last night for its Pure Volume/Rise From The Ashes club tour in support of their latest album, Hiding Inside The Horrible Weather. Here are the confirmed Continue reading »

Ruby Tuesday: Sugarbomb, “After All”

Talk about star-crossed bands. Ft. Worth quintet Sugarbomb freaking rocked, dude. They could sing, they could play, and most importantly, they could write. The only thing they couldn’t do, it appears, was win the love of their label, RCA. After receiving instructions from the label to dumb their music down, Sugarbomb singer and main songwriter Les Farrington gave them “Hello,” a Vertical Horizon-ish slice of generic pop/rock. “You want dumb? Here you go!” Les said.

The label loved it. Uh oh.

The song was a minor hit, popping up on a couple soundtracks, but it was not at all indicative of how talented Sugarbomb really were. Worse, the song gave RCA an idea of how to sell the band, but it would mean turning Sugarbomb into something they were most decidedly not: a generic pop band. Soon after the album was released, RCA dropped the band (the album came out two weeks after 9/11, so RCA was cleaning house). Infighting soon followed, and a few months later, Sugarbomb were finished. Tragic.

Submitted for your approval is “After All,” the final track on the band’s fabulous album Bully (you can find it for a couple bucks on Half.com) and as grand a tribute to Queen as you’re likely to find outside of “Knights of Cydonia.” The last I heard, Sugarbomb singer Les Farrington was playing at piano bars. Why he doesn’t have a MySpace page, I’ll never understand.

Sugarbomb – After All.mp3

“Hope You Enjoy My New Box Set!”

The Barenaked Ladies thought they were being funny when, on their 1992 debut, Gordon, they sang these lines: “Maybe it’s a lack of inspiration that makes me stoop, or maybe it’s a lack of remuneration – I can’t recoup – but if you want it, folks, you got it: it’s all right here in my box set.” While the song, “Box Set,” might keep BNL from releasing a multi-disc career-spanning collection (mostly because they would never, ever hear the end of it), plenty of other artists have dipped into the vaults and put together compilations which mix their best-known material with heretofore-unheard tracks. In some cases, however, artists dispense of previously-released material altogether, cull together all the rarities they can find, and make it an affair strictly for the fans. All told, there are so many such releases in existence that we here at Bullz-Eye didn’t even try to do a formal “Best Ever Box Sets” list. Instead, the writers put together lists of their personal favorites, and we separated out the various-artists collections into their own separate list, just to make it a little less confusing. The musical genres are decidedly across the board, but with the holidays coming up, if you’ve got a friend or family member who’s a full-fledged music geek, we might just have a few ideas for you to consider as gifts.

Here’s an example…

Bruce Springsteen & The E Street Band, Live/1975-1985 (Columbia) “Ladies and gentlemen…Bruce Springsteen and the E Street Band,” the calm voice of a faceless PA announcer breathes, as the opening piano notes of “Thunder Road” begin the incredible retrospective journey that is Live/1975-85. From intimate clubs like The Roxy in 1975, where Springsteen plays “Thunder Road” solo on a piano, to Meadowlands Arena in 1981 for a full-on band assault of “Cadillac Ranch” and “Candy’s Room” to the mega Born In The U.S.A. tour in 1985 and nearly every hit finding the LA Coliseum stage that year, Jon Landau mastered a beauty here. The Boss tells stories (“Growin’ Up”), opens his diary (“Because the Night”), and simply rocks out with the force of 100 men (“Born to Run”), all to wild applause of fans from coast to coast over a decade of non-stop touring. It’s a box set like no other: all live, all real, and with all albums (up to the release date) well represented. Covers of Tom Waits’ “Jersey Girl” and Woody Guthrie’s “This Land is Your Land” are impeccably-done, if unexpected, nuggets that sound as fresh as any original. This was the perfect Christmas gift for a pimply-faced kid in working class America back in 1986 who would have otherwise had to work two weeks for enough money to buy a 3-album set, and it remains indispensable in 2007. – Red Rocker

…and here’s the rest of the piece.

Did we miss any of your favorites?

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