Category: Pop (Page 102 of 216)

Keane Curate a Night for War Child

Recorded last fall, Keane assembled a handful of friends to raise money for War Child, a charity dedicated to the welfare of Iraqi children. The list of bands on the bill is an odd one, beginning with Teddy Thompson, Findlay Brown and erstwhile Raconteur Brendan Benson before going to more Keane-ish bands like the Pet Shop Boys and Lily Allen. The set lists are tiny – no one but Keane plays more than two songs, and the Magic Numbers only play one – and Keane only plays four, not including the part where they back up Allen. The performances are good and the piece is judiciously edited so the next song comes soon after the previous one. But one can’t help but wonder what songs were played that night that didn’t make the cut; Keane, for example, played “Is It Any Wonder?,” one of their biggest hits, but it did not make the DVD. It feels like bad karma to kick around a charity DVD, but this set, while entertaining, feels incomplete. (Eagle Vision)

Click here to buy Keane Curate a Night for War Child

The Reel Banditos: Indochina

Dig it: an all-instrumental groove-out with a theme about ‘Nam, maaaan. And believe me when I say that it being all-instrumental is this disc’s saving grace when it comes to the source of inspiration. After all, this could have turned into a heavy-handed, politically bent bad trip, and well, ‘Nam’s been done to death in both all seriousness and taking knocks in comedic circles. So sit back and dig the grooves of “Saigon ’67,” which features some groovy percussion, and a cool, toked-out vibe. “Huey” filrts with wah-wah guitars and ’70s Zappa-esque frippery and goes down well. “Jungle Warfare” is laden with heartbeats and a spooky dank ambiance that makes you feel as if you are there. Then there’s the crunchy “Poisoned Sky” which puts R.E.M.’s “Orange Crush” into its pithy place. By the time you make it to “The Fall of Saigon,” you’ll be ripped and spent. Why can’t more artists who feel the need to crank out conceptual chunder follow the Reel Banditos’ lead and just keep their pens quiet and their instruments cranked? Ya got me, but this is one of those left field oddities worth a good listen. (self-released)

Reel Banditos’ MySpace page

Social Code: He Said, She Said

There’s something that’s different from most power pop and Warped Tour fare when it comes to Canadian rock band Social Code. On the band’s debut US EP, He Said, She Said, Social Code sets itself apart from the pack a bit with a lot of guitar-driven energy and with Travis Nesbitt’s raspy vocal (think Hawthorne Heights and Fall Out Boy having a child). The title track is the kind of stuff that will give record labels and radio programmers a collective wet dream. But Social Code is just paying the bills with that and with the catchy but slightly grating “Beautiful.” That’s because the best tracks here are “Perfect Grave” and “The Shortest Line.” The former has a dark, melody-driven approach ala the Goo Goo Dolls, and could launch this band into superstardom if the right people hear it. Love it or hate it, this genre is still here to stay for a while, and Social Code is worth keeping your eyes and ears on. (LABEL: Fifth Season Music)

Social Code MySpace Page

Steal This Song: Keane – “The Lovers Are Losing (CSS Remix Edit)”

As if Keane wasn’t wearing their I Love the ’80s influences on their sleeves for their newest album, Perfect Symmetry, remix troupe CSS plays that angle up even further on their remix to the album’s second single, “The Lovers Are Losing.” Man, check out that fat keyboard sound. Is that from a DeBarge track, or the song that Lambda Lambda Lambda performs during Greek Week in “Revenge of the Nerds”? Either way, it’s a side to Keane that we have not seen before. We were beginning to wonder how long the band could churn out those devastating ballads before the urge to dance set in.

Ah, but don’t just take our word for it; Keane has offered us this song for you, dear reader, to download for free. So take it out for a spin, and shake that bootay.

Keane – The Lovers Are Losing (CSS Remix Edit)

The Smithereens: B-Sides the Beatles

Dave Medsker wrote the following about the Smithereens’ initial Fab Four cover record (2007’s Meet The Smithereens): “Pat Dinizio has always worn his love for the Beatles on his sleeve (the band did a fab cover of Ringo’s “It Don’t Come Easy” back in 1991), but no one is going to mistake his singing for that of Paul McCartney or John Lennon, and that is the biggest problem with Meet the Smithereens.” Well, fast forward to 2008 and the newest Smithereens’ Fab Four cover record, B-Sides the Beatles, and nothing has changed, really. The boys do a great job of re-creating the vibe and sound of the early Beatles catalog, but Dinizio’s voice just doesn’t do the songs justice (Dennis Diken sings lead on “Slow Down”). I love Dinizio’s vocals in general, but not for these songs; they just don’t fit. The band gives a little more crunch to songs like “You Can’t Do That” and “Some Other Guy” but the only thing this album does is make you want to listen to the originals, not these covers. The Smithereens couldn’t resist the modest commercial success and critical buzz that the 2007 record achieved and went to the well one more time (off the back of a Christmas record with only three seasonal originals). Here is an idea: how about an original Smithereens record? They haven’t produced a new disc of Smithereens’ material since 1999’s overwhelmingly mediocre God Save the Smithereens. This is the band that produced great records like Green Thoughts and Especially for You. There has to be more in them than just becoming a Beatles tribute act. Competent, yes the album is competent and the art is cool and the liner notes informative, but exciting, or thrilling…not so much. (Koch)

The Smithereens MySpace page

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