Category: Funk (Page 10 of 10)

Living Colour: Live August 19, 2005 – The Bowery Collection

Live August 19 – 2005 – The Bowery Collection is the second live release from Living Colour to be recorded at CBGB’s. The last one, recorded in 1989 (and released 3 years ago), served as an opportunity to work out much of the material that would appear on their sophomore record, Time’s Up. This recording is more of a career retrospective and a love letter to Hilly Kristal, the proprietor of CBGB’s and the one to give Living Colour their initial break. As entertaining as it is to hear Vernon Reid noodle around on his guitar and listen to these tracks which have an energy and passion matched by the sociologically intense lyrics, the buzz is killed by awful sound. Apparently the source of the material is the soundboard from the club, and as romantic as that sounds, it comes off on disc as muddled. The mix is jarring and distracts the listener from the material and performances. The band also sounds disorganized as it labors a bit between songs before grooving into a new one. The material is mostly good, except for the assault on the ears of “Terrorism,” but the sound is so bad, you can flat out skip this release. (MVDaudio)

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Science Faxtion: Living on Another Frequency

Bootsy Collins, Buckethead, and Brain join forces with producer multi-instrumentalist Greg Hampton to release the man/robot Orwellian-themed, musically eclectic Living on Another Frequency. As bizarre as the combination sounds, it really isn’t unique. Brain and Buckethead worked together on The Big Eyeball in the Sky, joining Bernie Worrell (who guests on this record), and Les Claypool in the one-off Colonel Claypool’s Bucket of Bernie Brains. Buckethead has worked with Collins before in Praxis. The X factor, and ultimately the weakness of the record, are the whiskey-soaked, cigarette-stained and underwhelming vocals of Greg Hampton who provides the lead voice on the majority of the record. It’s a shame because musically, it is as sophisticated as it is bizarre. It has much more structure than a Praxis project, but still roams all around a futuristic funk rock sound to tantalize the listener. The best tracks are the trippy instrumental based tracks which have weird vocal samples (and no Hampton singing like “Sci-Fax Theme” and “Famous”) or “Life-IS IN-Deliver,” featuring a spacey, Hendrix-influenced vocal by Collins, or a guest spot by the distinct Chuck D on “What It Is.” It’s adventurous and interesting, especially on paper, but much like the 2008 Chicago Cubs, being good on paper doesn’t guarantee success. (Mascot Records)

Science Faxtion MySpace page

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