Category: Alternative (Page 26 of 155)

The Gaslight Anthem: American Slang

June 16, 2010 /


RIYL: The Clash, Bruce Springsteen, Green Day

For a band that’s been recording for five years, the Gaslight Anthem sounds amazingly seasoned on their second full release, American Slang.  The beauty of this album is hearing a band in transition.  They’ve always been rooted in a kind of Clash-like punkish pop, and Brian Fallon’s love of Bruce Springsteen has been evident since their nascence.  If you like the game of “Name That Influence” you’ll certainly hear both the Clash and Springsteen in American Slang, but the band is more than that.  The first three songs on the album just blaze as wonderful anthems, but songs like “Diamond Church Street Choir” show the band stretching out with musical choices that alternate the tempo with a kind of soulful and breezy verse and a soaring chorus. It’s flourishes like that (and the intro to “Boxer”) that illustrate that this band is maturing leaps and bounds ahead of their peers.

American Slang is tight – clocking in at under 35 minutes – and the songs vary just enough that the album never sounds like the band are a bunch of Johnny One Notes.  Often with the pre-release hype of new albums from the “New hot thing” it’s more sizzle than steak, but with American Slang, the Gaslight Anthem has crafted a substantial collection of songs that will be among the best albums of 2010. (SideOneDummy 2010)

Gaslight Anthem MySpace Page
Click to buy American Slang from Amazon

Alternative, CD Reviews, Pop, Rock

Seen Your Video: OK Go, “End Love”

June 15, 2010 /

Sweet Jesus. OK Go has done it again.

What I love about “End Love” is that the stop motion photography reminds me of Zbigniew Rybczyński’s groundbreaking videos in the early ’80s, particularly the Art of Noise’s “Close (To the Edit)” and Lou Reed’s “Original Wrapper.” Only, of course, OK Go takes the concept into outer space by turning the clip into an all-nighter and, in the end, a giant group production. Along with a few very curious geese.

Tim is clearly the best dancer of the bunch here, but that’s almost become an in-joke of sorts. If Dan and Andy suddenly learned how to be as fluid as Tim, it wouldn’t look right. The occasional inclusion of super slo-mo shots was a nice touch too, but nothing touches that human cyclone at song’s end. And now that they have gained control of the album and released it on their own label, we don’t have to worry about any of that ‘no embedding’ nonsense. Get comfy. You’re going to need to watch this one a couple times to catch everything.

Alternative, Artists, CD Reviews, Dance, Pop, Rock, Seen Your Video, Videos

Devo: Something for Everybody

June 15, 2010 /


RIYL: Jerking back and forth, whipping it, playing peek-a-boo

Jimi Hendrix, Janis Joplin, Jim Morrison and Kurt Cobain lived and died in less time than the gap between Devo’s last decent album and the present. (Add a year if you want to go back to their last truly good album.) The band’s last album, Smooth Noodle Maps, is almost old enough to buy its own beer, all of which is a flowery way of saying that it’s been a long, long time since Devo was even close to being on their game.

Devo_01

Or maybe they were just biding their time. After all, there was no point in Devo releasing new music in the ’90s or even the first half of the ’00s, as the musical climate would have been indifferent at best and hostile at worst. Now, on the other hand, is a damned good time to be Devo, on a number of levels. Between the New New Wave movement (most of which, frankly, stinks) and the emergence of former alt.rock chart giants dominating the kids music circuit, Devo, for the first time in decades, has options. And they’re striking while the iron is hot.

Something for Everybody, Devo’s first album in 20 years, is an embarrassment of riches. The songs are insanely catchy – “What We Do” and “Human Rocket” are among the best songs the band’s ever done – and the production deftly blends classic Devo (think Freedom of Choice, New Traditionalists and Oh No! It’s Devo) with modern-day flourishes. The lyrics are still oddball, but tamer; there’s no talk of slapping mammies or altruistic perverts, and that’s just fine. Not everything here works – “Cameo” tries a bit too hard, and “Sumthin'” is too slavish in its attempt to channel “Whip It” – but this is far better than anyone had a right to expect from a band nearly 30 years removed from its commercial peak. Bravo, gents. (Warner Bros. 2010)

Devo MySpace page
Click to buy Something for Everybody from Amazon

Alternative, Artists, CD QuickTakes, CD Reviews, Dance, Pop

Me, Myself, and iPod 6/9/10: They work in bars. Whether they are all on drugs remains unknown

June 9, 2010 /

esd ipod

Strange. I thought that the closer we got to summer, the more awesome mp3s I’d have for all y’all. Instead, it appears the opposite is happening. Like I said, strange.

The Chap – We Work in Bars
I’m not 100% sold on this London band, but there’s a spirit to the work that I find appealing. Definitely want to hear more before officially passing judgment.

The Mercury Program – Arrived/Departed
This made the cut for one reason: the delay-driven guitar line at the beginning of the song is a near note-for-note copy of the beginning to the song “Outside” by the late, great band Tribe. These guys obviously took it in a much different direction (an instrumental, moody jazzy direction, that is), and that’s cool.

Hot Hot Heat – Goddess on the Prairie
You have to feel a little bad for these guys. When people start making jokes about the ’00s, these guys will be near the top of the One Hit Wonder joke list, and the worst part is that even the members of the band don’t like that song and wish they had never recorded it. This song, from their new album Future Breeds, which came out this week, shows the band, well, pretty much where the world left them. Give them points for not suddenly pretending to be Franz Ferdinand.

Parlovr – Pen to the Paper
Is Montreal the new Brooklyn? Or was Montreal Montreal before Brooklyn became the destination of choice for musical immigrants? Either way, this song has a driving quality to it that brings out the New Order fan in me.

Alternative, Artists, CD Reviews, Dance, Downloads, Instrumental, Jazz, Me Myself and iPod, Pop, Rock

We Are Scientists: Barbara

June 9, 2010 /


RIYL: Weezer, Franz Ferdinand, Sloan

After spending two albums and roughly four years shuffling around the EMI family tree – Virgin released their 2006 album With Love and Squalor (a.k.a. The Kitty Album), while 2008’s Brain Thrust Mastery was released by Astralwerks – New York smart alecks We Are Scientists are going out on their own (with the help of R.E.D. Distribution) on their fourth album, Barbara. Now that the band is paying the bills, it should come as no surprise that they jettisoned the sonic experimentation of Brain Thrust Mastery in favor of the ‘record only what we can play’ approach of With Love and Squalor, though in fairness to them, economics are only half of it; the band has a new full-time drummer in the form of ex-Razorlight skinsman Andy Burrows, so you can see why head Scientists Keith Murray and Chris Cain were eager to get back to sounding like a live band rather than a studio creation.

_MG_3590

The album is not a carbon copy of Squalor, though. Yes, leadoff track and first single “Rules Don’t Stop” will have fans of “The Great Escape” jumping for joy, but Murray isn’t ready to give up on the melodic territory he explored with his vocal tracks last time around. “I Don’t Bite” has a high, ringing vocal that was nonexistent on Squalor, and “Pittsburgh” has the album’s best pure pop chorus. Pity the band phoned in the album’s artwork, which looks like it was assembled in the cab on the way to the printing plant. (Masterswan Recordings 2010)

We Are Scientists MySpace page
Click to buy Barbara from Amazon

Alternative, Artists, CD QuickTakes, CD Reviews, Pop, Power Pop, Rock

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