Category: Artists (Page 117 of 262)

The Bullz-Eye Hi-Fi – Janet, Erykah and a Kinky dude

Hello, all! Here’s what’s cooking this week in the music reviews at Bullz-Eye.

Jeff Giles is Superman this week bringing you five…count ’em five reviews! He sets his sight on Discipline by Janet Jackson, and then slides on over to Erykah Badu’s New AmErykah Part One. Who will win the battle? It’s a close one, I tell you.

Giles also throws his opinion down on the meh-worthy self-titled disc by Simple Plan, Small-Time Machine by Cassettes Won’t Listen, and finally Medeski, Martin & Wood’s Let’s Go Everywhere. Give Giles a cookie, everyone. That’s a lotta work for one critic!

But wait, there’s more! Michael Fortes drops in to give us his take on Saturnalia by The Gutter Twins.

Jim Washington is back and weighs in on Slick Dogs and Ponies by Louis XIV.

Is Mister Kinks himself still worth listening to? Taylor Long lets us know in a review for Working Man’s Cafe by Ray Davies.

Lastly but not leastly is dear old Mojo Flucke telling you the way it is in regards to West Side Strut by Eddy “The Chief” Clearwater.

Steal This Song: Black Crowes, “Goodbye Daughters of the Revolution”

Those Black Crowes are a quirky bunch. They refuse to send review copies of the new album Warpaint to the press to prevent the album from leaking (though that didn’t stop Maxim from running an “educated guess preview” review of the album anyway), yet they have an open door policy when it comes to taping shows. Now, with the album safely in stores, the band has granted the use of their latest single, “Goodbye Daughters of the Revolution,” for free download on blogs. They went from “No one can hear it” to “Everyone can have it for free” in 4.8 seconds flat. Huh.

I will be the first to admit that I am not the foremost spokesperson for the Black Crowes on staff, so I don’t really know how this fits in with the material from their previous album, Lions. I can tell you this, though: this is as good a Faces impression as you’re likely to find. Pretty damn good, if you ask me. So what if it “didn’t leave the band much room for growth,” as Maxim hilariously presumed. It’s only rock and roll, but I like it. Yes, I do.

Black Crowes – Goodbye Daughters of the Revolution.mp3

Less Talk, More Music: Paul Shaffer on “Late Night with David Letterman”

Paul Shaffer might play the part of the oft-befuddled but always fawning bandleader to perfection on “The Late Show with David Letterman,” but the guy’s a musical legend. He spent 1975 to 1980 as the musical director of “Saturday Night Live” band, did the same duty for The Blues Brothers, is regularly called upon to provide backing for the Rock and Roll Hall of Fame induction ceremonies, and, of course, played Artie Fufkin in “This is Spinal Tap.” He’s also a songwriter (he co-wrote “It’s Raining Men,” you know) and, on rare occasions, he’s even stepped out and been a recording artist in his own right. In 1990, Shaffer released an all-star collaborative effort entitled Coast to Coast, where he attempted to take listeners on a cross-country musical expedition which blended different musical genres, often within a single song. The album’s first single was a little ditty called “When the Radio Is On,” and when Shaffer premiered the track on “Late Night with David Letterman,” I was watching in awe as the breathtaking harmonies washed over me.

The first couple of minutes of this clip are strictly Shaffer introducing his crew for the song, so if you want to skip ahead to the 2:26 mark, I’ll save you the time by providing you with the roll call: Will Smith (then still known solely as The Fresh Prince), Daddy O (Stetsasonic), Jay Siegel (The Tokens), Johnny Maestro (The Crests, The Brooklyn Bridge), songwriter Ellie Greenwich, actress Carol Kane (filling in for Carole King, ho, ho), and the King of the New York Streets himself, Mr. Dion DiMucci.

As Shaffer describes it, “It’s doo-wop, it’s hip-hop, it’s a nutty thing.” Me, I’m not saying the song’s perfection, mostly because Shaffer shouts his vocal contributions, but the overall enthusiasm is downright contagious…which, I suspect, is why I still have Coast to Coast in my record collection.

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