Category: Get to Know (Page 8 of 10)

You Heard It Here First: Erin McCarley

Erin McCarley was born in Dallas and cultivated her music career in San Diego, but she now resides in Nashville, home of country music and great songwriters. And right now, she is fitting in as one of the top pop artists on Music City. McCarley was on the Ten out of Tenn compilation recently and her debut album, Love, Save The Empty, on Universal Republic, comes out in early 2009 (January 6 to be exact). Folks, you need to keep an eye on Miss McCarley, because not only does she know how to craft infectious pop, but she delivers it with a humble charm and with a compelling voice. Here are a couple of samples courtesy of the label:

“Pony (It’s OK)”

“Love, Save the Empty”

Erin McCarley MySpace
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Erin McCarley website

and since I know you’re all wondering what Erin looks like, here is a link to photos

Man-about-MySpace: Clan Neville

Most of the time, the Man About MySpace is at your service to find great new bands for the sampling. Today’s blog, however, offers a tip of the cap to a phenomenal fan site, Neville Tracks.

See, few families in America have put out solid music output for as many decades as the Nevilles, starting with keyboardist Art in the 1950s when New Orleans R&B was a national phenomenon. One could argue for Clan Cole (Nat & Natalie) or the Jacksons or (most legimiately) the Nevilles’ New Orleanian colleagues the Marsalises (patron Ellis teaches at Tulane and still records, and sons Wynton, Branford, Delfeayo and Jason have all released good and sometimes great recordings for the better part of 30 years), but the Nevilles pop up everywhere, from the pop to the soul to the rock to the world music charts.

And there’s not just the brothers Art, Aaron, Cyril and Charles. There’s Aaron’s son Ivan, a veteran who played with Keith Richards and the Stones, a member of the current Neville Brothers band, and leader of the edgy funk band Dumpstaphunk. There’s Charmaine, Charles’ daughter, whose jazzy world-beat club act is a party wherever it alights.

If you enjoy the Bros., try dipping into the next generation.

But wait, there’s more: Art’s group The Meters added a great Big Easy vibe to straight up funk and whose early-’70s records set the blueprint for the Neville Brothers sound as well as a thousand jam-band acolytes. The Meters’ grooves, today, still sound fresh and creative. Can’t say that about a lot of the dinosaurs from funk’s heyday, enjoyable as they are to spin.

Neville Tracks does its best to track the family’s in-print recordings as well as tour dates. Not an easy job after Katrina forced scattered the family throughout several states. But they persist, and so do the superfans who power this MySpace.

Man-About-Myspace: Johnny Lingo Band

I first met Johnny Lingo off a Craigslist ad. No, not that kind of Craigslist ad: I bought a great vintage Wurlitzer 200A (think Ray Charles’ “What’d I Say”) keyboard from him, which I picked up at a Providence, RI recording studio where he was hanging out.

Lingo took me around the studio and graciously demo’d all the wild and fantastic keyboards there (they had a goshdarned Mellotron!) and gave me an EP of his former band, the Lingo. They’d built some regional notoriety playing upbeat, harmonious pop–including a funny little tune about how Johnny likes your friends better than you.

johnny lingo

Now, the keyboardist’s struck out on his own, and released an album earlier this year. Driven by the same pop ethos, Lingo influences include 1970s disco (see “Step Outside”) and 1980s alterna-pop (“Fallen Angel”), but for the most part it’s a noveau mixing of a lot of stuff. Frenetic and melodious–and a good listen.

While we don’t ever like to make blanket statements that cast Billy Joel in a positive light, one thing he sang rings true: You can’t get the sound from a story in a magazine (or a blog) so don’t take our word for it: Sample four cuts on his MySpace, and if you like it, pony up the five bucks for a download.

Man-About-MySpace: Wiser Time

The new Springsteen record is out, and it’s underwhelming. While I wonder sometimes what’s wrong with me–a lot of my Bullz-Eye colleagues love this record–it sounds as if The Boss is more like The Middle Manager: 30 years ago, in songs like “Rosalita” and “Born To Run,” Springsteen and the band would gather steam like a double-tractor-trailer huffing through the Berkshires on I-90 up the mountain, cresting at the top with a cathartic pause, and just over the top, Rosie, the record company just gave me a big adva-a-a-ance! Ooooaahhhh! The highway’s jammed with broken heroes on a last-chance power drive!

Those songs rushed downhill after their orgasmic middles, barely holding the road banging through joyous, precarious musical curves at unsafe speeds. But Bruce and Clarence always got us home safely.

Nowadays, Springsteen’s music sounds nice, the chords are pleasant, the sax still wails, but he hasn’t slammed it into overdrive for a couple decades.

His new songs contain stories, still, but mundane as your next door neighbor couple’s arguments (“Think about the future, baby, none of this has happened yet”) and not life-altering, on the edge stuff like leaving your wife and kids in Baltimore, jack, or “Mister State Trooper,” that was intense.

Don’t get me wrong, this aging “Springsteen 2.0” is still better than anything John Cafferty, Bonnie Jovie, Southside Johnny or the Brooklyn-born Eddie Money ever put out, even in their heyday. He knows songcraft. And he knows his limitations and works within them to create good tuneage.

Maybe I’m just an old fart who’s living back in 1984, looking for an adrenaline shot that doesn’t exist. At any rate, it sent me on a MySpace Music hunt for a younger Jersey throwback, one that might be picking up the torch for us Springsteen fans who want a little more of the rough-and-tumble back.

It’s still elusive.

In the meanwhile, however, the search did turn up a freaking great band to check out called Wiser Time (pictured below).

These Black Crowes clones (they’re named after a Crowes song) pack some serious electric-slide punch into their original songs, and in the typical New Jersey rock style, do not aspire to bookish heights of rock intelligence. Amen, brother, we could all use a little less heavy thinking and a little more git-ar distortion. With a side order of slide.

Man-about-MySpace: Freebass

Peter Hook—or “Hooky” as he’s known by dear fans—ye olde ancient bassist for New Order (or as of late last spring, shall we say the “defunct New Order”) has been annoying old fans with a dispute over who gets to use the band name. Or more to the point, if his old mates can use the name after Hooky picked up his bass and decided to go play in another sandbox. Ho-hum.

Hooky’s a lot better off playing his bass and spearheading musical groups than he is with the social grace, apparently, because his new project, Freebass, is absolutely awesome. And where can you sneak a listen to the preview cut “I Envy Us?” His MySpace, natch, the same online outlet where he also threatened to sue the other New Order members if they continued on without him and kept the band name (yet also says at his MySpace that he’s “open to negotiation,” whatever that means).

hooky-doo

The shy boy? Or the coy boy?
We love you either way.

At any rate, the core members of Freebass comprise Hook, ex-Smiths bassist Andy Rourke and ex-Stone Roses/Primal Scream bassist Mani. Get the name? Freebass. Caution: If you think it’s cool, don’t even try copping the name, because one would guess his attorneys are watching for that sort of thing.

Lead vocalists allegedly in the running include Charlatans’ Tim Burgess and the Stone Roses’ Ian Brown, says Pitchfork. Add that to an awesome post-Madchester garage-pop Big Beat retro sound, and at least on paper it looks pretty freakin’ awesome.

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