Author: Mike Farley (Page 21 of 63)

George Strait: Classic Christmas

George Strait has one of the purest, most recognizable voices in a genre not known for that type of clarity, and he’s one of those singers who likely doesn’t need much help (read: pitch correction) in the studio. If you’re a fan of Strait or of country music in general, you’re going to love this guy’s straight-ahead, twangy approach to classic Christmas fare, aptly titled Classic Christmas. For the rest of you, you may be left with the feeling that these takes are a bit vanilla and even a tad mundane. As holiday albums go, though, you sure could do a lot worse. After all, Mr. Strait is a living legend at this point, and his voice alone is reason to pick this one up. Standout tracks are “We Three Kings” and “Hark the Herald Angels Sing.” (MCA Nashville)

George Strait MySpace Page

Straight No Chaser: Holiday Spirits

There is something about a ten-piece vocal group that just lends itself to holiday music. Straight No Chaser is such a group, and after forming over ten years ago at Indiana University, this group became YouTube darlings last year with their hilarious and compelling version of “The 12 Days of Christmas.” Atlantic Records chairman Craig Kallman was one of those who liked what he saw; the rest is history, as Holiday Spirits is the group’s debut on Atlantic. But these guys are no one-hit wonder, because this collection of traditional holiday songs and a few originals blend together beautifully, and are delivered with an amazing vocal flair that rivals the likes of Take 6. Some of the highlights are Donnie Hathaway’s “This Christmas,” “Carol of the Bells,” and of course “The 12 Days of Christmas,” a live version that shows the group’s morphing into a medley of holiday songs, culminating in a clever use of the lyrics to “12 Days” to the tune of Toto’s “Africa.” But to have original songs rival the traditional stuff is not easy, and Straight No Chaser pulls it off with ease, particularly on the stunning “Indiana Christmas.” This one is a must-have this holiday season. (Atlantic 2008)

Straight No Chaser MySpace Page

You Heard It Here First: Erin McCarley

Erin McCarley was born in Dallas and cultivated her music career in San Diego, but she now resides in Nashville, home of country music and great songwriters. And right now, she is fitting in as one of the top pop artists on Music City. McCarley was on the Ten out of Tenn compilation recently and her debut album, Love, Save The Empty, on Universal Republic, comes out in early 2009 (January 6 to be exact). Folks, you need to keep an eye on Miss McCarley, because not only does she know how to craft infectious pop, but she delivers it with a humble charm and with a compelling voice. Here are a couple of samples courtesy of the label:

“Pony (It’s OK)”

“Love, Save the Empty”

Erin McCarley MySpace
Page

Erin McCarley website

and since I know you’re all wondering what Erin looks like, here is a link to photos

Various Artists: The Hotel Cafe Presents Winter Songs

Like a VH-1 dream lineup, The Hotel Café in Los Angeles is presenting Winter Songs, a collection of both original and classic holiday tunes by today’s hottest female artists. The Epic Records release is a benefit for the Susan G. Komen For the Cure, and it also benefits anyone who has the chance to hear it. Among some of the best original holiday songs in years are the unofficial title track, “Winter Song,” by Sara Bareilles & Ingrid Michaelson, and Colbie Caillat’s stunning “Mistletoe.” Some of the classics are predictable and a bit pedestrian, such as KT Tunstall’s take on “Sleigh Ride” or Priscialla Ahn’s wispy take on “Silent Night.” But Fiona Apple’s “Frosty The Snowman” and Katy Perry’s “White Christmas” are throwback versions to a bygone era, and show something you may not have known – that they both can sing very well. Taken as a whole, this is one of the more unique and semi-awesome holiday albums to be released in quite some time, and the cause should give you that much more of a reason to pick it up. (Epic)

Hotel Cafe website

Jimmy Wayne: Do You Believe Me Now?

Every once in a while, some country artist and/or songwriter takes a chance on a song that doesn’t sound like everything else they release. Jimmy Wayne’s “Do You Believe Me Now?” the title track to his latest, and second album, is that song – essentially a great pop song sung with a twangy vocal and a lyrical theme that is left of center (guy sees the way other guy is looking at his girl, and fast-forwards to when he is the odd man out and the other guy has his girl now). Well, that, and the track is as catchy as anything you’ll ever hear. Read his bio, and you won’t help but feel for the guy, who once saw his stepfather shoot (and paralyze) his stepbrother’s wife and then attempt to kill Jimmy too when he was 15. But mostly this is a new country artist (who co-writes most of his material) armed with a solid album of hooky songs that reflect the variety of music his foster parents listened to – Hall & Oates, Alan Jackson, Iron Maiden among them. Other standouts are the breezy “I Will” and sultry semi-ballad “One on One.” With the title track recently hitting #1 on the country charts, the sky is the limit for Jimmy Wayne, and gives hope to some of the lesser-known but promising songwriting talent on Music Row. (Valory Music Co.)

Jimmy Wayne MySpace Page

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