Author: Christopher Glotfelty (Page 4 of 6)

Michael Jackson estate and Sony reach deal

The Wall Street Journal is reporting that the estate of Michael Jackson and Sony have reached a record-setting deal worth $250 million. The terms guarantee the estate at least $200 million while giving Sony the rights to produce 10 albums of both new and previously material over the next seven years.

Since Mr. Jackson’s death on June 25, Sony has sold an estimated 31 million of his albums globally. By the first anniversary of his death, his estate expects to have earned $250 million from sales of music, merchandise and tickets to the posthumous concert film “This Is It.”

The advances being paid by Sony are to be offset by sales of albums as well as revenue generated by licensing Mr. Jackson’s music for uses like videogames, movies and theatrical performances. But unlike the megadeals struck in recent years by concert promoter Live Nation Entertainment Inc. with pop stars Jay-Z and Madonna, the Jackson deal doesn’t give Sony income from other parts of the late singer’s business, such as merchandise sales or fees for licensing his name and likeness.

With deals such as this between a business and an estate, the business certainly employs more of a long-term strategy to making a profit. Michael Jackson’s estate, however, had to act quickly since it had a massive debt to pay off the massive debt caused by the King of Pop’s spending in recent years. Sony simply realizes everlasting appeal of Michael Jackson’s music. With the cash to back it, I think it safe to safe the company will recoup its investment.

Ted Leo and the Pharmacists kick off A.V. Club cover project

Ted Leo and the Pharmacists cover Tears for Fears' "Everybody Wants to Rule the World"

The A.V. Club launched their series “Undercover” today, which sees 25 bands covering 25 hits. The list was chosen by the website beforehand, and as bands tackle the songs, their peers will have have less to choose from. Ted Leo and the Pharmacists are the first up, and they’ve opted to hammer out the 1985 classic “Everybody Wants to Rule the World” by Tears for Fears. The song is extremely faithful to the original version, which obviously makes for a good time.

New videos will arrive every Tuesday. The A.V. Club won’t announce which artist is covering the song until that date.

Next up: Depeche Mode’s “Endure the Silence”

Listen to Prince’s new song, “Cause and Effect”

It’s been awhile since we heard from Prince, hasn’t it? Good news is the royal one is still on his game, proven by his new song, “Cause and Effect,” now streaming over 89.3 The Current, a Twin Cities public radio station. The tune is upbeat, silly, and might even entice you to leave the house.


Photo from fOTOGLIF

McCartney unveils first tour dates for 2010

Paul McCartney has announced two new shows, which could be the start of his rumored final tour.

From RollingStone.com:

After a 2009 that featured a headlining set at Coachella and the inaugural concerts at New York’s Citi Field, Paul McCartney will return to the stage this year with his “Up and Coming” tour, which will stop at unique venues and rarely visited cities throughout the U.S. The trek begins March 28th at Phoenix, Arizona’s Jobing.com Arena, marking the first time McCartney has visited the state since his 2005 tour. On March 30th, McCartney returns to the Hollywood Bowl for the first time since 1993. The exclusive pre-sale for both shows is going on now at McCartney’s official Website, with a general public onsale scheduled for February 28th.

McCartney promises more shows are on tap for 2010.

I heard great things from people who’s opinions I respect regarding his performance at Coachella, so I assume McCartney has enough left in the tank to continue touring. Despite a surprise appearance at a Paul Simon concert, I’ve never seen him live. As this may be the last jaunt of his career, it’s probably better not to risk it and just buy a ticket to a show out here in Los Angeles when it becomes available. I don’t want to regret not seizing the opportunity.


Photo from fOTOGLIF

Will Harris remembers Doug Fieger

Doug Fieger

To many, Doug Fieger will always be just a member of The Knack, the band that quickly rose to prominence in the late 70s with its massive hit, “My Sharona.” But to those that followed The Knack throughout its career, they did so because of Fieger’s charms as a gifted pop songwriter and vocalist. His talent was anything but fleeting, as his bulky songbook can attest. Whether it was the band’s debut album, Get The Knack, or overlooked efforts such as Serious Fun, Fieger’s craft rarely wavered. Considering Fieger’s contributions to Was (Not Was)’s Born to Laugh at Tomadoes, work as producer with Rubber City Rebels and Mystery Pop, and reputation as a true student of rock ‘n’ roll, it’s obvious that Fieger adored music until the very end. Simply put, Fieger was always trying something new — even if we didn’t know about it.

In his recent column, Will Harris details his experience with Fieger’s music, from his first impressions of “My Sharona” through Fieger’s last released recording. Also featured are fond memories of Fieger left by other members of the music industry including Nick Kozonis, David Bash, and Barry Holdship. Give it a read.

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