Tag: South by Southwest recap (Page 6 of 7)

SXSW 2010 Quick Hits, Day 1: Sharon Jones & the Dap Kings

I had to get over to Stubbs BBQ a little early for Sharon Jones’ 9:45 PM set because the line is always long to get in at this venue, which tends to host the more popular acts. The place was packed for NPR night, with the radio station broadcasting the entire evening nationally. The soul queen hit the stage with her crack band and owned the audience instantly. The band’s rendition of “This Land is My Land” was surely the funkiest version ever played. A new song had an early ’70s James Brown funk vibe, while another song took the crowd “back to 1965 on a soul train” and featured a big groovy jam. This stuff was retro to be sure, but with the fresh vibe that comes from top-shelf talent getting the most out of each song. It was a fantastic set.

Sharon Jones, SXSW 2010
Photo by Steve Hopson

SXSW 2010 Quick Hits, Day 1: Here We Go Magic

At 9:00PM it was up the street to Club Deville for Here We Go Magic, out of Brooklyn. It was another outdoor stage with Christmas lights, which provided a festive vibe, and the place was pretty packed. The sound was crystal clear but the first couple of tunes seemed like they were building up to something that never came. The third tune got a bouncy psyche groove going, though, which started to establish some more vibe. I couldn’t stay until the end of the set, but was intrigued enough to want to check them out again some time.

magic
Photo by Ben Ritter

SXSW 2010 Quick Hits, Day 1: Jonneine Zapata

Ms. Zapata’s name caught my eye when I saw it on the grid. It’s not often you find an artist who shares a surname with legendary Mexican revolutionary Emiliano Zapata (who also begat the modern day Zapatista rebels of Chiapas.) I walked up Red River to the Red Eyed Fly and discovered that the venue has a great little outdoor stage in the back. The set was a treat, with the Los Angeles-based Zapata backed by a full band and displaying a powerful voice that at times recalled another great LA female rocker, Johnette Napolitano of Concrete Blonde. One tune started off slow and almost meditative before building into a hard-edged riff rocker with Zapata really belting it out. It’s no surprise to see her album is titled Cast the Demons Out, as Zapata seemed like a tortured soul at times. But watching her channel that energy into the music was compelling. “Burn” was a muted-riff rocker, while “Cowboy” also had an aggressive sound before breaking down into a deep well of bluesy feedback.

Jonneine Zapata
Photo by Tiffany Kyees

SXSW 2010 Quick Hits, Day 1: The Strange Boys

The evening showcases kicked off with Austin’s own Strange Boys, who hit the stage at Emo’s Jr., inside, at 8:00 pm. These guys (and one gal) have a very retro, ’60s garage rock sound. They’ve been generating some local buzz and the room was full of onlookers. Singer/guitarist Ryan Sambol has a gritty rasp that fits the R&B-flavored tunes well, but this sound is going to be an acquired taste for some. I don’t think it was quite my thing. I suspected this might be the case, so I had lined up a backup plan.

SXSW 2010 Quick Hits, Day 1: The Maldives

Exiting the Levis/Fader Fort, I heard a bluesy sound coming out of the Independent across the street. The Maldives out of Seattle were rocking the stage with a honky-tonk, roots rock sound that recalled Neil Young and maybe Ryan Adams & the Cardinals. There were three guitars, pedal steel, banjo and fiddle along with the rhythm section and free Pyramid Hefeweizen on tap, which really hit the spot since it was rather steamy inside.

(Editor’s note: we went to add a picture from the band’s MySpace page to this entry, but received one of those fake anti-malware messages, so no picture. Sorry, Maldives.)

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