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Whatever happened to Menswe@r…?

Clever little fookers, weren’t they, to use the @ sign instead of a proper “a” in their name…? They ended up as almost as much of a punchline to the mid-’90s Britpop movement as Northside did with the same movement in the early ’90s, but damned if Menswe@r’s one US-released album, Nuisance, hasn’t held up for all these years.

menswear

The Wire-influenced “Daydreamer” was the first single, but soaring tracks like “The One” and “Sleeping In,” or the rocker “125 West 3rd Street,” have equal repeat-play value, as does the ballad “Being Brave.” The B-sides are of equal value, if you’re of a mind to hunt them down. (Major points for covering PiL’s “Public Image.”) They put out a second and final album in 1998 entitled “Hay Tiempo,” but it was only released in Japan and, frankly, I’ve never even seen a copy of it; if you can find it, you’re a better man than I am…and should probably zip it and E-mail it to me post-haste. Interesting footnote: the band’s guitarist, Simon White, went on to manage Bloc Party.

Scott Stapp won’t be showing you his goods

Oh, that Scott Stapp. He claims that the recent leak of a 1999 sex video featuring him, Kid Rock, and some groupies is “sabotage” and that “someone…doesn’t want me to be successful in my solo career.” Someone? How about everyone, Stampp?

“You think it’s part of your rock ‘n’ roll memories,” Stapp said. “I should have burned that tape.”

No, I think you’re much better off with it out there. After all, we’re talking about you again. Your music still takes the pipe, and you personally suck, but hey, you’re back in the limelight again!

Chuck Klosterman: Rock stars aren’t sellouts

Chuck Klosterman, acclaimed Spin magazine critic and author of such bestsellers as “Sex, Drugs and Cocoa Puffs: A Low-Culture Manifesto,” has written an elegant defense of the use of rock songs in advertising. “If I can’t avoid occasionally being told to buy shoes,” he says, “I would much rather have the commercial involve rock music.”

He makes an excellent point. Before you rush to call your favorite band a sellout for showing up in that Nike commercial, remember that it could be a lot worse. They could have used polka music in that ad instead. Or, you know, something far more sinister, like that one Ween song that is undoubtedly responsible for nearly all of the domestic violence, terminal illness, and bad hair days that plague our great nation.

Hindsight, thy name is Dunkleman

Poking his head up out of the hole in the ground in which he’s been living for the past four years, original “American Idol” co-host (and frequent Entertainment Weekly Hot Sheet whipping boy) Brian Dunkleman admitted recently that walking away from the ratings Goliath might not have been the most savvy career move in history.

Gosh, ya think?!

Dunkleman goes on to stress that it was his own decision to leave the show (i.e., he says he wasn’t fired, though that seems to be the conventional wisdom), and that he aspired to be a performer, rather than someone who merely introduced other performers. Still, his skin must go just a wee bit green every time he hears Ryan Seacrest on the radio, sees Ryan’s giant grinning mug on LA-area billboards, tunes in to E! or New Year’s Rockin’ Eve, or goes shopping for outrageously metrosexual fashions at Nordstrom.

On the bright side, with the new, older age limit for American Idol, there might just be room for Dunkleman on next year’s show…if he starts practicing his “I Will Survive” cover tomorrow, and puts in a groveling phone call to Seacrest to reserve a spot in the auditions.

CBS sues Hoo-Hoo; Quivers is out of pithy asides

Hoo-Hoo Stern is being sued by his former employer, CBS Radio. The giant conglomerate is saying Stern improperly used studio time to promote his move to Little Doggie Satellite Radio and therefore breached his contract. Hoo-Hoo had a little press conference on Tuesday trying to deflate the whole matter, but when you have $500 million, certainly paying CBS wouldn’t be too difficult, no?

Oh, Hoo-Hoo. Spend that money wisely.

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