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Man-About-Myspace: Johnny Lingo Band

I first met Johnny Lingo off a Craigslist ad. No, not that kind of Craigslist ad: I bought a great vintage Wurlitzer 200A (think Ray Charles’ “What’d I Say”) keyboard from him, which I picked up at a Providence, RI recording studio where he was hanging out.

Lingo took me around the studio and graciously demo’d all the wild and fantastic keyboards there (they had a goshdarned Mellotron!) and gave me an EP of his former band, the Lingo. They’d built some regional notoriety playing upbeat, harmonious pop–including a funny little tune about how Johnny likes your friends better than you.

johnny lingo

Now, the keyboardist’s struck out on his own, and released an album earlier this year. Driven by the same pop ethos, Lingo influences include 1970s disco (see “Step Outside”) and 1980s alterna-pop (“Fallen Angel”), but for the most part it’s a noveau mixing of a lot of stuff. Frenetic and melodious–and a good listen.

While we don’t ever like to make blanket statements that cast Billy Joel in a positive light, one thing he sang rings true: You can’t get the sound from a story in a magazine (or a blog) so don’t take our word for it: Sample four cuts on his MySpace, and if you like it, pony up the five bucks for a download.

Wake up! Don’t you want to hear Serj Tankian’s album? System of a Down is on hiatus!

If you say that right, it totally flows with the verses to “Chop Suey,” I swear.

Serj Tankian has a new solo album, Elect the Dead, coming out next week. Up to this point, Serj’s label, Warner Bros., was apprarently terrified of anyone hearing the album. We know this because the copy of the album that they sent us last month didn’t have his name on it. I understand fear of piracy, but this move caused the CD to collect dust in a bin on our publicist’s desk for weeks, since no one knew what it really was. Which is worse: some people hearing it early, or no one being aware of its existence? The answer is always, always the latter.

Either way, it appears that they have overcome their fear of people listening before they can buy, because the entire album is now available on The Leak. Enjoy.

To stream Serj Tankian’s solo album, click here.

Ruby Tuesday: Rufus Wainwright, “Shadows”

There were few straight men that pimped Rufus Wainwright quite like I once did. From the second I heard “April Fools,” the stunning first single from his Jon Brion-produced debut album, I was hooked. Yes, the voice is an acquired taste, but DAMN, man, listen to that climbing hook in the verse!

And while I quite liked Want One, his 2003 meditation on drugs, desperation, 9/11 and family, I have been non-plussed by everything he’s done since then. I haven’t hated any of it, mind you, or even disliked it: I just found it, well, deathly serious. Even the concert I saw him give in the summer of 2004, an acoustic tour with Ben Folds, was a drag. We left before he was finished. I never do that. Well, almost never.

It is with that thought that I’ve decided to go back and pay tribute to one of the songs that made me like him so much in the first place. “Shadows,” a song from his 2001 album Poses that was produced by onetime Propellerhead Alex Gifford, is unlike anything else in Wainwright’s catalog. Where Wainwright is normally about what will work on the theater stage, this song is all about the groove, and Gifford, as any owner of the sole Propellerheads album Decksanddrumsandrockandroll can attest, knows a thing or two about grooves. This isn’t even a fast groove; it’s just a supa smoove white boy groove.

Please, Rufus, I’m begging you: take off the lederhosen, put the opera records away, and make another pop album. If you could make a song like this once, you could easily do it twice, especially since you’ve had six years to do so.

Rufus Wainwright – Shadows

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