Category: Songs (Page 72 of 96)

Well it’s a nice day for a…White Christmas

Okay, I’m actually deeply, ridiculously addicted to both Christmas music covers and Billy Idol…so this album should be a good idea, right?

Sigh.

What have they done to my Billy? First they cleaned him up and put him in a spiffy suit and silk shirt with nary a rip, metal stud, nor mesh insert to be found…and then they completed his emasculation by giving him the lamest track list ever:

• Frosty the Snowman
• Silver Bells
• Happy Holidays
• Merry Christmas Baby
• White Christmas
• Here Comes Santa Claus
• God Rest Ye Merry Gentlemen
• Santa Claus Is Back In Town
• Let It Snow
• Winter Wonderland
• Run Rudolph Run
• Blue Christmas
• Jingle Bell Rock
• Christmas Love
• Oh Christmas Tree
• Silent Night
• Auld Lang Syne

Seriously, does anyone ever need to sing “Jingle Bell Rock” again? Especially if they are not even going to be allowed to, you know, rock on it? And, please: Frosty the Freakin’ Snowman? Where’s Billy supposed to slip in his trademark sneer on that one?

Videos for “White Christmas” (which, no, does not feature any improvised lyrics from “White Wedding” mixed in — another missed opportunity) and the dreaded “Jingle Bell Rock” are available on Billy’s MySpace page…but if you’re looking for Christmas music with an edge, you’d be better off checking out Collective Soul’s kickass cover of “Blue Christmas” or, if you can find it, Bad Religion’s decidedly raucous “Silent Night” (which breaks into, of all things, a riff from “My Sharona” at one point).

Check out the videos and streaming mp3s if you want to. Meanwhile, I’ll be over in the corner, fiendishly plotting the slow and painful demise of whoever sanded all the rough edges off my rebel hero.

Give It Away, Now: Free Mute Math download

Mute Math’s song “Typical” is available for free download. Never heard of Mute Math? This is what Bullz-Eye’s Mike Farley had to say about them:

On one hand, New Orleans four-piece rock band Mute Math is a throwback to ‘80s synth-pop a la Flock of Seagulls or Power Station, and at times they have an alt-electronica feel akin to Radiohead. But most of all, Mute Math’s slickly produced Warner Brothers debut is an amalgamation of sounds that are blended to create something way greater than the sum of its parts. Deftly mixing guitars, keys and electronic loops with the unique gravel-infused vocals of Paul Meany, Mute Math is a band that is going to win over a wide range of listeners – from the college kids to the music snobs who read “Spin” to the dudes who grew up in the ‘80s that are looking for something new to stick in their musical pipes. The first two singles, “Chaos” and “Plan B,” are representative of the album, but when these guys scale things back, as they do on the stunning track, “You Are Mine,” their potential as your new favorite band goes way up.

To download the song, click here.

Mix Disc Monday: Whatshername

With all due respect to Angie, Amie, Beth, Mustang Sally, Maggie May, Alison and the one with the phone number 867-5309, they aren’t the only girls in the pop song universe. Heck, we could make this list using nothing but songs by Material Issue (“Diane,” “Renee Remains the Same”) and Ben Folds (“Losing Lisa,” “Carrying Cathy,” “Give Judy My Notice,” “Julianne”). However, in the issue of equal time, we’re limiting them both to one song each.

And, just to spice things up a bit, I’m getting the girls themselves involved: if we have a model whose name appears in one of these songs, you can look her up right here. And please, don’t ask me if I have their phone number, or know how to reach them, etc. I don’t. Girls that look like our models don’t talk to me. The only exception to that is my wife, and I only succeeded with her by getting her really, really drunk. That, and foot rubs. Lots and lots of foot rubs.

“Valerie Loves Me,” Material Issue (International Pop Overthrow)
One wonders what guitar pop would sound like right now if Jim Ellison hadn’t made the fateful decision to check out as early as he did. If it meant only one more song like this one, wouldn’t it have been worth it?
BE Girl Next Door: Valerie, April 2003

“Kate,” Ben Folds Five (Whatever and Ever, Amen)
I just love the first line of this song: “She plays ‘Wipeout’ on the drums, the birds and the squirrels come.” Everyone wants a girl that can play “Wipeout” on the drums, don’t they?
BE Girl Next Door: Katie Not a 100% match name-wise, but way too cute to pass up.

“Everybody Loves Jill,” Cowboy Mouth (Easy)
This song is surely written about the Jill that my friend Garrett just married. Not only does she have fiery, spectacularly untamed red hair, she loves the color red to boot, which matches the “She’s got a red house, that goes with her red boat” sing-song lyric to a tee. I’ll never forget Jill’s nieces (ages eight and under) all singing this song to her (first time they’d ever heard it) at her wedding reception.
BE Model: Jill, May 2002
BE GND: Jill, April 2002

“Laura,” Scissor Sisters (Scissor Sisters)
According to iTunes, I’ve played this song 25 times. Multiply that by about 20, and that should cover the times I’ve played it in the car, on the stereo, in the iPod or Discman, or put it on a mix for a friend. If you’re feeling melancholy, there is also the just-as-awesome “Laura” by Billy Joel, from what I consider his best album ever, The Nylon Curtain.
BE Model: Laura, August 2004

“Goodbye Lucille #1,” Prefab Sprout (Two Wheels Good)
Or from the album Steve McQueen, if you’re on the other side of the pond. This is the slow-jamz part of the mix, but there was something about that line “Life’s not complete ‘til your heart’s missed a beat / And you’ll never make it up, or turn back the clock / No, you won’t” that appealed to both the hopeless romantic and eternal pessimist in me.

“Veronica,” Elvis Costello (Spike)
Admit it: even though you know that Betty would never break your heart, you still want Veronica just the same. Come on, do you know any Bettys that look like this?
BE Model: Veronica, May 2006

“Who Killed Tangerine?,” Tears for Fears (Everybody Loves a Happy Ending)
No, I don’t know anyone named Tangerine, either, but since the lyric that follows the title in the song is “prettiest girl I’ve ever seen,” it counts. Besides, I take every chance I get to pimp this awesome, awesome song.

“Calling Sarah,” Jellyfish (Bellybutton)
Yes, I’ve listed three Jellyfish-related songs in the last two weeks. Click on the link below, and I think you’ll cut me a break.
BE Girl Next Door: Sarah, January 2003

“The Jessica Numbers,” New Pornographers (Twin Cinema)
The one moment where the archives dictated the mix disc: I originally pegged “Jackie, Dressed in Cobras,” from the same band and album, for this slot. But we had no Jackies on file. And frankly, I’m surprised we only had three Jessicas. Isn’t everyone in their twenties named Jessica?
BE Model: Jessica, September 2006
BE GND: Jessica, August 2002
BE Model: Jessica, September 2001

“Kelly Watch the Stars,” Air (Moon Safari)
If you’re feeling really adventurous, look for the mix of this that Moog Cookbook – aw, damn it, yet another Jellyfish reference – did of it for the soundtrack to the little-seen movie “Splendor.” Groovy, baby.

“Fly High Michelle,” Enuff Z’Nuff (Enuff Z’Nuff)
They hit the scene at the peak of hair metal, and they had absolutely nothing to do with the other bands on the scene…aside from the hair, that is. Upon hearing this ballad, I thought, “Man, if only Cheap Trick had done this instead of “The Flame.” We have more Michelles in the archives than we can count, but here are my two faves.
BE Model: Michelle, March 2006
BE Model: Michelle, March 2005

“Celestine,” Kirsty MacColl (Tropical Brainstorm)
This song should be the theme for Ali Larter’s character on “Heroes,” the dual-personality Niki. “Oh yes, she’s hot, she’s hot, she’s hot / She’s just a wild and wicked slut / And she lives inside my head, and stops me sleeping.” Yes, yes, and yes.

“Summer Moved On,” A-ha (Minor Earth, Major Sky)
My heartfelt apologies to “She Sheila,” the Producers song that originally held this slot. I originally planned on this piece consisting of more traditional names, but I’d already broken that with “Who Killed Tangerine?” And besides, this way I get to plug both a tragically overlooked A-ha song from 2000 and a girl who actually deserves the name Summer. Does anyone watch “The O.C.” anymore?
BE GND: Summer, June 2004

“Susan,” Aimee Mann (Bachelor No. 2)
After writing a slew of songs with boy’s names in them – “David Denies,” “Long Gone (Buddy),” “’J’ for Jules” – Mann penned “Susan,” with a melody so bouncy that you’d hardly notice its remorseful undercurrent. If this one doesn’t do it for you, try her song “Goodbye Caroline,” from the great The Forgotten Arm.
BE GND: Suzi, August 2005
BE GND: Susie, February 2002

“For Nancy,” Pete Yorn (musicforthemorningafter)
‘cause it alllllready iiiiiiiiiiis…..

Bonus track: “Darling Nikki,” Prince and the Revolution (Purple Rain)
I’m only including this because we have a gaggle of Nikkis in our library. Check-ch-check-check-check, check them out.
BE GND: Nikki, March 2006
BE Model: Nikki, January 2006
BE GND: Nikki, September 2005
BE GND: Nikki, June 2005

Notes from the Orphanage, Part Deux

Like Herr Medsker, my history as a music critic can be tied directly back to one concept: getting free music. I went to a high school journalism conference in 1987, and one of the speakers assured his audience that if you sent a copy of your publication to a record label and told them that you wanted to review one of their albums, they’d send you a free copy. It’s still true today…except in our case, we send them a link to our site, and more often than not, we don’t have to request this stuff; it’s sent to us whether we have any interest in it or not. So here are a few rapid fire critiques of discs that I never really wanted in the first place, but, hey, they were free…

The 1900s, Plume Delivery (Parasol): These Chicago-based popsters are a little bit Belle and Sebastian, a little bit New Pornographers, and are influenced a hell of a lot by late ’60 pop and early ’70s bubblegum. This, their debut EP, is full of lots of pop goodness. Even the 7+ minutes of “Patron Saint of the Mediocre” are full enough of enough musical diversity to keep things interesting throughout.

Doleful Lions, Song Cyclops Volume Two (Parasol): This album was recorded in the home of Jonathan Scott – who is, for all practical purposes, the Doleful Lions – in 1999, and there’s never a moment when you aren’t completely aware that it’s a bedroom production. I admit it, the songs – originals sitting alongside covers of the Beach Boys, the Misfits, and the Close Lobsters, among others – are all catchy as hell…but, damn, never before have I wished that I was Phil Spector, just so I could clean this shit up!

Jonny Lives!, Get Steady (Eleven Seven): There are way too many punk-pop bands out there who sound approximately the same for me to be able to write anything other than approximately the same review. These guys warrant at least a few extra words, though, because frontman / songwriter Jonny Dubowski seems to be interested in having his band be more than being just the next Jimmy Eat World. They’re not Sugarcult, but they’re certainly better than average…and lord knows that most of their peers are terribly, terribly average.

Continue reading »

Mix Disc Monday: This Is Halloween

Welcome to the debut of our newest installment, Mix Disc Monday. It is exactly what you think it is. We won’t even bother to insult your intelligence by explaining the concept to you. In this age of iTunes playlists and podcasts, we know that you’re a step ahead of us. Fifteen songs about…well, whatever inspires us that day.

It therefore seemed fitting that we kick off this weekly event with a timely list of songs whose titles evoke images of All Hallow’s Eve. Most of the songs aren’t dark or scary, but do they have to be? If that’s what you want, listen to the main theme to “Requiem for a Dream” over and over again, if you have the guts. Oh, and feel free to pepper the proceedings with “Bring out your dead” quotes from “Monty Python and the Holy Grail.”

Ministry: “Everyday Is Halloween” (Early Trax)
Mmm-mmm bop mmm bop bop. Mmm-mmm bop mmm bop bop. Al Jourgensen says he hates this song now. Fool.

The Jazz Butcher: “The Devil Is My Friend” (Bloody Nonsense)
This long lost B-side (I won’t lie, you’re gonna have a hell of a time finding this one) is still the only song I know by the Jazz Butcher. But any band that’s friends with Frank Sinatra, Love & Rockets and the devil is a friend of mine.

Bow Wow Wow: “I Want Candy” (We Are the ‘80s)
Not everything about Halloween involves scaring people, you know.

Squirrel Nut Zippers: “Hell” (Hot)
I found a version of this on Napster back in the day that was filled with quotes from “The Simpsons.” Innnnnn the afterlife (“D’oh!”), you could be headed for the serious strife (“D’oh!”). Now you make the scene all day (Buuuuuurp), but tomorrow there’ll be hell to pay. Best, mash-up, ever.

The Killers: “Bones” (Sam’s Town)
Tim Burton was the perfect person to direct this video. If only he could have done something about the rest of the album…

Oingo Boingo: “Dead Man’s Party” (Dead Man’s Party)
While we’re talking about Tim Burton, we may as well give a shout-out to his composer’s former day job.

L7: “Pretend We’re Dead” (Bricks Are Heavy)
Girls can do grunge too, you know. Come on, come on, come on.

Concrete Blonde: “Bloodletting (The Vampire Song)” (Bloodletting)
How a lazy cover of “Sympathy for the Devil” by Guns ‘n Roses played over the credits of “Interview with a Vampire” instead of this is not just a mystery but a crime.

Dead or Alive: “Something in My House” (Mad, Bad and Dangerous to Know)
Here’s the thing that people forget about Dead or Alive: their guitarist could shred, dude. For extra creep factor, find the 12” mixes, which have quotes from “The Exorcist” in them.

Book of Love: “Witchcraft” (Lullaby)
There’s something about the sound of Samantha wiggling her nose that gets me every time. That, and Susan Ottaviano’s voice, which my wife once described as “beautifully bored.” Yep, that sounds about right.

B-52’s: “Devil in My Car” (Wild Planet)
Heeeeeeelp!

Jellyfish: “The Ghost at Number One” (Spilt Milk)
It was a tossup between this and “The Ghost in You” from the Psychedelic Furs, but in the interest of keeping the energy levels up, we chose this mash note to Queen about a dead rock star who still dominates the pop charts. Awfully prescient, since this predates the deaths of Tupac and Biggie. Jellyfish were prophets.

Roger Joseph Manning, Jr.: “Creepie People” (The Land of Pure Imagination)
I probably should have put David Bowie’s “Scary Monsters and Super Creeps” in this slot instead of back to back Jellyfish-related tunes (Manning played keys for the’Fish). But hot damn, I just love this new record of his. And you should, too.

Gnarls Barkley: “The Boogie Monster” (St. Elsewhere)
You either love or hate this one. I’m in the former group, if only because it reminds me of Mike Wazowski, Sully and Boo from “Monsters Inc.” Kitty!

Divine Comedy: “The Happy Goth” (Absent Friends)
And on what day would Goths be happier than Halloween? The chorus to this is just money: “Well, her clothes are blacker than the blackest cloth / And her face is whiter than the snows of Hoth / She wears Doctor Martens and heavy cross / But on the inside, she’s a happy Goth.” The snows of Hoth? God, I love Neil Hannon.

P.S. To see the most unintentionally funny Goth clip ever on YouTube, click here.

« Older posts Newer posts »