Category: Rock (Page 209 of 241)

It’s official: the second season of “Rock Star” will suck.

Okay, maybe it won’t the suckiest piece of suck that ever sucked, but this story leads me to suspect otherwise.

Instead of finding a band whose lead singer has died or even left the building with no intentions of returning, the big brains at CBS have created a band. It consists of…

Tommy Lee (Motley Crue) on drums.
Jason Newsted (Metallica) on bass.
Gilby Clarke (Guns ‘N’ Roses) on guitar.

I’m not saying that this trio of metal legends don’t rock hard individually. They might even rock hard individually. But this can only lead to the contestants vying to win the honor of fronting the band – called Supernova, by the way – performing really, really shitty covers of hard rock songs…and I just don’t have the stomach for that.

Unfortunately, I have this horrible feeling that middle America does…and that’s the unkindest cut of all.

Tom Petty: “Saving Grace”

By now, most people fall into one of three categories when it comes to Tom Petty’s music: 1) they like it 2) they hate it or 3) they’ve never heard it. Enter the first track, “Saving Grace,” from his forthcoming CD, Highway Companion. It’s carried by a bluesy guitar riff and Petty’s understated vocals. It sounds like it would be the first song Tom would play if he did a surprise gig at your favorite saloon.

Listen to the entire song here.

Pearl Jam: “Marker In The Sand”

With my upcoming Pearl Jam/Tom Petty show, I thought it wise to dig into Pearl Jam’s most recent effort (creatively titled Pearl Jam). It’s a pretty good record, but my favorite song is “Marker In The Sand,” which is reminiscent of the band’s Vs. days. (That’s a good thing.) I especially like the cascading chorus.

Listen to a song clip here.

Read Bullz-Eye’s review.

Although the headline is awful…

…when you’ve done an interview with notoriously long-winded Dead Kennedys frontman Jello Biafra, you’re gonna be a little punchy, so it’s only to be expected that you’re gonna take the easy way out and go with a headline like, “Make Room For Jello.”

In an interview with PortFolio Weekly, the Hampton Roads, VA, alt-weekly, Biafra got decidedly political, but, on the music front, he spoke frankly (what a shock) about how there’s no lack of love between himself and his former DK bandmates.

PortFolio Weekly: I know your lyrics have always been political, but do you ever find it hard to flip-flop between music and spoken word?

Jello Biafra: It is kind of hard to concentrate fully on both at the same time. And, plus, there’s Alternative Tentacles [the label Biafra owns] and all kinds of other things going on, so there isn’t always as much time for music as I would like. Especially with unending harassment from greedy former band members and great, big, nasty corporate lawyers.

PFW: Well, I was going to hold off asking about that, but now you’ve given me the perfect segue.

JB: Yeah, it’s as ugly as it ever was. I mean, I’m not allowed any say in how the band is pimped any more…and I emphasize the word “pimped.” I’m not allowed to see all the books; they’ve never adequately explained how “Viva Las Vegas” got into American Idol or an ad for The O.C. overseas. And, now, I guess they’re in negotiations with some big, slick Hollywood manager whose website lists experience with sports stars and Britney Spears.

PFW: Oh, geez.

JB: And no matter what they try, I will not be forced into that. I mean, they’ve alternately tried to arm-twist and sweet-talk me into rejoining the band, but, y’know, I have no interest in dumbing down something that means as much to me as Dead Kennedys does. I actually care more about the quality and integrity of the songs than they ever did.

Read the rest of the interview here.

Journey: “Feeling That Way/Anytime”

That “Separate Ways” video (on YouTube.com) inspired me to listen to some Journey, and I have to mention the band’s two most underrated songs. “Anytime” was one of the band’s first hits from Infinity, and peaked at #83 on the Billboard Pop Singles chart. It is now usually played on classic rock radio with “Feeling That Way,” which is a slow building rocker that showcases Steve Perry’s unique vocals, the group’s patented harmonizing and one of the band’s better guitar solos. After hearing the pair played together a few times, the ending of “Feeling That Way” screams for “Anytime,” another groovy rocker with a slow beat and an infectious chorus. The two songs were left off of the band’s Greatest Hits compilation that came out in 1988. With clunkers like “Be Good To Yourself” and “I’ll Be Alright Without You” and a running time of just under 62 minutes, Columbia Records has no excuse. Sony had the chance to correct the mistake in 2001, but failed by leaving “Feeling That Way” off of The Essential Journey, which was a double-disc compilation. What a slap in the face.

Listen to a song clip here.

« Older posts Newer posts »