Category: Rock (Page 125 of 241)

James Jackson Toth: Waiting in Vain

Toth’s psychedelic combo Wooden Wand provided a promising template for this, his solo debut, but despite his persistent croon and a decidedly dark ambiance, it’s far less cryptic than that previous project. Toth enlists a back-up band with considerable credentials – among them, members of Wilco, Deerhoof, Vetiver and Geraldine Fibers, as well as his wife and foil, Jexie Lynn. – giving him plenty of room to maneuver within their fluid arrangements. “Nothing Hides,” “Do What You Can” and “Midnight Watchman” seem somewhat innocuous on first glance, but there’s a sinister subtext in Toth’s tales, with shady characters, worrisome encounters and a general air of pervading doom tainting the atmosphere. Indeed, lyrics like “Cocaine and bourbon, pinball and pool – look in on me/Don’t leave me to face the slow death of a fool” and an inside cover photo of Toth cradling a revolver confirm his shaded intents. Swagger turns to stagger on the woozy ballad “Poison Oak” and the aforementioned ode to decadence, “Look in on Me,” but overall, this is a most assured collection and a distinctive one at that. (Rykodisc)

Ryokdisc website

James Jackson Toth: Waiting in Vain

Toth’s psychedelic combo Wooden Wand provided a promising template for this, his solo debut, but despite his persistent croon and a decidedly dark ambiance, it’s far less cryptic than that previous project. Toth enlists a back-up band with considerable credentials – among them, members of Wilco, Deerhoof, Vetiver and Geraldine Fibers, as well as his wife and foil, Jexie Lynn. – giving him plenty of room to maneuver within their fluid arrangements. “Nothing Hides,” “Do What You Can” and “Midnight Watchman” seem somewhat innocuous on first glance, but there’s a sinister subtext in Toth’s tales, with shady characters, worrisome encounters and a general air of pervading doom tainting the atmosphere. Indeed, lyrics like “Cocaine and bourbon, pinball and pool – look in on me/Don’t leave me to face the slow death of a fool” and an inside cover photo of Toth cradling a revolver confirm his shaded intents. Swagger turns to stagger on the woozy ballad “Poison Oak” and the aforementioned ode to decadence, “Look in on Me,” but overall, this is a most assured collection and a distinctive one at that. (Rykodisc)

Ryokdisc website

Middle Class Rut: MC Rut EP

A band’s press release almost always relies on a simple “A + B” statement to define their sound, and usually the equation involves two bands of such regard that the results are laughable. It’s always the garage band from Gary, Indiana who considers themselves to be the magic combination of Radiohead and Led Zeppelin. Middle Class Rut ambitiously describe themselves as a combination of Jane’s Addiction, Refused, Rage Against the Machine and the Foo Fighters. Now that is a ballsy statement. Not only is Middle Class Rut comparing themselves to three of the biggest bands of the ’90s (and Refused, a hardcore post-punk band from Sweden) with the release of their (somewhat) self-titled debut, they also hold the ideal that people actually want to hear another band that is wearing said influences on their sleeves. Surprisingly though, that ridiculously hyperbolic description is spot-on. And the fact that the result isn’t half bad is even more surprising. “Let It Go” and “All Walks Of Life” recall the anger and energy of their influences, with a hardcore punk edge that explains the somewhat questionable inclusion of Refused in their equation. Sure, they may run out of steam later on, with “So Long” and “I Don’t Really Know” feeling a bit too much like Jane’s Addiction for their own good, but this is one of the only bands who have managed to draw influence from mid-’90s alternative rock and not suck outright. And for that they deserve something. Also with ten songs (one secret) and over 40 minutes in length, this has to be the longest EP ever. (No Label)


Middle Class Rut MySpace Page

Jimmy Lloyd: Jimmy Lloyd

Ouch. There’s something here that’s just not working. Maybe it’s the way Jimmy Lloyd tends to be way too repetitive in the lyrics to his songs (“Maybe,” “Half Human”), or maybe it’s the way this album sounds like it was recorded quickly and the band doesn’t sound quite as tight as they should (drummer Ian McGlynn almost sounds lost at times on “Half Human”). Then there are the strained lyrical conceits (“Maybe you have a thing for black guys, maybe your mother didn’t love you enough”; “well I never felt as anonymous as I did in the west Texas rain / It sure as hell wasn’t Christ risin’ beneath the billboard of his name.”) Indeed, Lloyd’s strained singing to hit some of those notes on “Siddhartha in a Chevy” is just painful at times. Springsteen this guy ain’t. “cop Bar” isn’t half as tough as it wants to be and “Are You Ready to Keep Some Secrets” is just plain corny. Lloyd seems competent enough, but there’s nothing on this album to really prove it too well. (self-released)

Jimmy Lloyd’s MySpace page.

Broken Poets: Everything in Nature

The Broken Poets have created an excellent little album here that features a brand of dramatic pop that fans of bands like The Church and artists like Bob Dylan should really enjoy. Such majestic tunes as “To Dream of Another Life” go a long way to cementing the Poets’ sound in the minds of their listeners. This is serious, sweeing stuff. “Last Resurrection of the First Bob Dylan” is thankfully not hokey the way its title might lead one to believe. In fact, these guys successfully hit upon the same sorts of grooves that Dylan did on Highway 61 Revisted in their tone and cynicism. Then there are tunes like the richly textured “Meaningless Heart” that brings a strong rock sense to the table that is at once immediate and exciting. There’s something spiritually righteous about it, too. Sometimes the album can get a little precious for its own good, but mostly this is just great listening through and through making The Broken Poets a band certainly worth keeping both eyes and ears upon. (Wordvendor Records)

Broken Poets’ MySpace page.

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