Category: Rock Babes (Page 4 of 15)

SXSW 2010 Quick Hits, Day 3: Hole

6th Street was filled with delightful sonic mayhem in the midnight hour, with music coming from everywhere. A sublime moment occurred when a drum circle’s thriving jam seemed to blend into the band that was rocking out at a nearby bar. Meanwhile, there was a huge line in front of the Dirty Dog Bar where Courtney Love and Hole were scheduled for a 1:00 AM set.

The Dirty Dog was jammed like a sardine can and it was amazing that a fire marshal never came in and broke it up, because there were way too many people in this place. It was apparently the place to be though, with the likes of Woody Harrelson and Matthew McConaughey watching the set from the side of the stage. Their entourage even got a security escort to the men’s room, which was probably the only way to get across the packed bar at that point.

Hole opened with a Nirvana-ish tune, followed by “Doll Parts,” which sounded great. The band was tight, but Love’s voice was ragged, which she unfortunately dwelled on throughout the set. The jam-packed conditions were rather uncomfortable for the first 15 to 20 minutes, until some folks gave up and left, at last creating a little elbow room. Love bitched at her guitarist for playing too loud, and harped about it being tough to sing at 1:00 am when you’re a chain smoker.

It seemed like she might call the set at any moment, but she soldiered on, with “Malibu” taking the crowd back to the mid-’90s for one of the era’s most memorable alt-rock hits. The new material had that powerful alt-rock vibe too, suggesting Love hasn’t lost her touch. “Gold Dust Woman” was also well-received, despite Love’s voice, which should have told her to quit bitching and just play through. But instead of acknowledging her voice issues and moving on, Love continued to dwell on it, constantly setting back the vibe of the set. “Worst show of my life. I’m so glad you were here to witness it, now go see a good blues band,” declared Love at the end. Her defeatist attitude and voice-ragging chain smoking sadly don’t seem to bode well for Hole’s big comeback.

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SXSW 2010 Quick Hits, Day 3: Girl in a Coma

After Muse’s electrifying set, I rushed over to Buffalo Billiards on 6th Street, where San Antone’s grrl power trio were rocking the upstairs hall with their trademark Tex-Mex grunge sound. Guitarist/vocalist Nina Diaz is a truly mesmerizing talent, while sister/drummer Phanie Diaz and bassist Jenn Silva form an increasingly strong rhythmic backbone behind her. The 22-year-old Nina has fronted the band since she was 13 and has added an increasing sonic complexity to her guitar playing, with some nice alt-grunge delay-harmonics on “Pleasure and Pain.” Another song was dedicated to Jeff Buckley and started off with Diaz emoting in a slow and bluesy way before the band moved into a swinging jam.

Another extra special SXSW treat occurred when the band welcomed girl rock pioneer Cherie Currie of the Runaways to the stage for a fabulous sit-in on “Cherry Bomb,” which saw the whole crowd singing along on the classic chorus. Currie looked and sounded fabulous, and the Coma girls were clearly thrilled at the chance to play with one of their idols (The Runaways’ Joan Jett signed the band to her own Blackheart Records label.) “Static Mind” was also a major highlight, with the band rocking out on one of the best cuts from 2009’s superb Trio BC album, blending a Latina rock intro with an alt-rock surge that had the delighted crowd rocking out once more. Girl in a Coma remains a unique band poised for even bigger and better things.

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Photo by Sarah Quiara

SXSW 2010 Quick Hits, Day 3: Metric

Canada’s Metric kicked off the evening at Stubbs BBQ with an 8:00 set before a big crowd that reveled in the band’s power-pop prowess. The group was filling the Friday pre-semi-secret headliner slot that Silversun Pickups had occupied last year when opening for Metallica, and Metric rose to the occasion with an entertaining set that never lagged while the crowd awaited the headlining set from Muse.

Vocalist Emily Haines exuded charm and charisma while dancing around and belting out high-energy tunes like “Sick Muse” and hit single “Help I’m Alive,” which rocked the assembled with its melodic hooks and hard rocking groove. Another tune featured Haines’ teasing the chorus of The Beastie Boys’ “You’ve Got to Fight for Your Right to Party” over a big beat that had lots of sonic space. “We’re just a couple of kids from Toronto and a couple of hometown kids from Texas,” said Haines in the middle of the set. “We’re all just trying keep the dream alive, we’re all here for music… Every day I repeat this to myself and I hope that it’s true.” Haines proceeded to a sing a bit of fellow Canadian Neil Young’s “Hey hey, my my, rock ‘n’ roll will never die… rock ‘n’ roll is here to stay,” striking a chord with everyone in the crowd who felt saved by rock ‘n’ roll, which seemed like most of those in attendance. “Stadium Love” closed out the rousing set with a big arena rock sound, and it sounded like Metric are well on their way to achieving such status.

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SXSW 2010 Quick Hits, Day 3: Grace Potter & the Nocturnals, again

I was so impressed with the band’s headlining set at Antone’s the previous night that I had to catch them again for this 6:00 day party set at Rusty Spurs on 7th Street. The band didn’t get to play quite as long, but they threw down another well received hour-long set before a packed house in the little bar. The new “Oasis” received the big jam treatment here, with bassist Catherine Popper once again powering the band’s jammy evolution. The mesmerizing Potter was sincerely appreciative of the positive crowd reaction throughout the set.

“There’s a lot of other places you could be right now and I hope you’re as glad as we are that you’re here and that’s what this next song is about,” said Potter in introducing a heartfelt new tune about how “all the treasures of my life are here in my hands.” The set continued to surge with Jefferson Airplane’s “White Rabbit,” which built into a huge crescendo with Potter really belting it out at the end. “Medicine” soared as well, and featuring a four-way percussion jam before the band revved up for one more huge jam to close out another triumphant set. This band is quite simply en fuego and is most definitely one of the top rising acts to watch in 2010 and beyond.

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SXSW 2010 Quick Hits, Day 3: Sass Jordan

After missing her the previous day, I caught up with Sass Jordan for a 5:00 set at the Canadian Blast party at Paradise on 6th Street. This was a cool little shindig with free enchiladas served up with rice and beans, and $3 drafts of Magic Hat. Jordan only had two acoustic guitarists with her as opposed to a whole band, but the rock goddess who hit it big in the early ’90s did not disappoint.

Jordan sang and moved as if she had a full band behind her, making the hard rocking “High Road Easy” a definite treat. “What I Need” from Jordan’s new album rocked as well, followed by breakthrough hit “Make You a Believer,” which rocked into a brief but tasty jam on Stephen Stills’ “Love the One You’re With” before segueing back into “Believer.” It was the type of cool musical curve ball move you might expect from Jordan and one can only hope she’s back out on tour with a full band soon.

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