Category: Rock Babes (Page 10 of 15)

DMed’s Video of the Week: Kylie Minogue, “Wow”

Note to Gwen Stefani: This is what your solo records should sound like.
Note to the United States: What the fuck is wrong with you?

Kylie Minogue has gone to Number One in every major country in the world…except for the US. Here, she has two Top Ten singles (which are also her only two Top 20 singles). In England, she has seven Number One singles, 30 Top Tens, and 40 Top 20 singles. Forty. Here, two. Jesus.

We really want to think that she notches her third Top 20 hit with “Wow,” from her upcoming album X. This is catchy as all hell, and Idolator summed it up perfectly when they described the style as stormtrooper chic. Was Daft Punk involved with this song? That EQ fade-out at the end certainly sounds like something from their Alive 2007 set. Give it to me, baby. Uh huh, uh huh.

DMed’s Video of the Week: Kate Nash, “Foundations”

All kinds of Lily Allen-type buzz surrounds Made of Bricks, the debut album from the latest UK pop tart Kate Nash. “Foundations” certainly holds up to the lofty praise, though consumers should know that Nash and Allen, musically, have very little in common. In terms of their attitude, not to mention their tendency to curse like drunken sailors, they’re peas in a pod, but where Allen’s music is closer to Madness, Nash appears to be a bigger fan of the Dresden Dolls, if her song “Mariella” is any indication. But if any song is going to draw comparisons to Allen, “Foundations” is the one, particularly the line about her sucking lemons because she’s so bitter, and her responding that she’d rather do her boyfriend’s friends because they’re much fitter. Oh, snap.

DMed’s Video of the Week: Goldfrapp, “A&E”

It’s the middle of January, and we already have a contender for Video of the Year. The beginning looks like a Sarah McLachlan cliché gone horribly wrong, with Alison Goldfrapp dressed in white lying on the ground in a forest, magic-hour light cascading down on her. Then she stands up, and you see that she’s wearing a white top, and nothing else. Suddenly, two leaf men sprout out of the ground, and the silliness begins. Even better is Dave Gregory’s appearance at the very end.

The money shot comes at the 1:26 mark, when Alison lifts her arms Scott Stapp-style, and you’re pretty sure you’re about to see something you’re not supposed to. Of course, you don’t, but hot damn, is it a fabulous tease.

DMed’s Video of the Week: Minipop, “Like I Do”

I am surely dating myself by saying this, but I miss the days when bands like Minipop ruled modern rock radio. Shimmering, hypnotic dream-pop guitars supporting a female lead that didn’t have the strongest voice but had an alluring voice and something to say…ah, good times. I know very little about Minipop other than this fabulous, “Tonight, Tonight, Tonight”-style video, but the record is on its way to me, and I can’t wait to hear it.

Ruby Tuesday: Bis, “I’m a Slut”

When I first heard Bis, I was pretty sure I hated them. I mean, it was on a tribute album to the Smiths, fer crissakes. What on earth were they doing there?

I still don’t have a good answer to that question. Bis, after all, were the ‘90s equivalent of the Yeah Yeah Yeahs, which means they were the ‘80s equivalent of Berlin and the Human League. Do any of those bands have a single thing in common with the Smiths? No, which is what made their version of “The Boy with a Thorn in His Side” both fascinating and maddening. On the plus side, they gave the song the danceable beat that it begged for all along. On the other hand, they also stripped Johnny Marr’s lovely chord progression out, effectively turning the song into a dub mix. Not what this Smiths fan was looking for.

Fast forward three years, and Bis releases their second album Social Dancing. Somehow, it catches my ear – I’m guessing they landed a track on a CMJ compilation, as I was a subscriber at the time – and I find a promo copy cheap…and in the process discover a song that still pops up on Medsker mix discs. Short, fast, funny and insanely catchy, “I’m a Slut” gleefully pokes fun at gender roles – “Have I done something to upset you / Was my dress a bit too see-through” – but had a Shirley Manson badass-ness to it as well. In a musical climate that was still suffering a hangover from what Alanis Morissette hath wrought, it was a most welcome breath of fresh air.

The band’s 2001 EP, Music from a Stranger World, was even better than Social Dancing, but it wasn’t good enough to stop them from breaking up two years later. Wikipedia says that they recently reunited for a few gigs in England. You have to think that they’re watching this whole ‘80s retro thing and thinking, “WTF?”

Bis – I’m a Slut.mp3

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