Category: News (Page 96 of 136)

From beyond the grave, his gravely voice sings again…

Producer Rick Rubin has put the finishes touches on the late Johnny Cash’s final album, American V.

Appropriately for an American institution, the album will be released on the 4th of July; it will feature the work Cash did in the short time between his wife June Carter Cash’s passing and his own death.

“Johnny said that recording was his main reason for being alive,” said Rubin, in an interview with Billboard Magazine. “And I think it was the only thing that kept him going, the only thing he had to look forward to.”

The collection, in addition to featuring covers of Gordon Lightfoot’s “If You Could Read My Mind” and Bruce Springsteen’s “Further On (Up The Road),” will include the last song ever written by Cash: a train song called “Like the 309.”

If July 4th seems too far away, take solace in the face that, on May 23rd, Columbia/Legacy will be releasing Personal Life, a heretofore-unreleased collection of tracks Cash recorded in the ’70s which stylistically resemble the work he would later come to do with Rubin.

This just in from the Blueberry Hill Beacon:

Fats Domino, the ’50s-era R&B pianist who received a major career boost in the ’70s thanks to Richie Cunningham but had a hell of a time as a result of hurricane Katrina, is returning to the stage to help his fellow New Orleans musicians.

Domino, who’s been kind of a recluse for the past several years, is scheduled tonight to sign copies of his new album, Alive and Kickin’, the proceeds of which will go to the Tipitina Foundation. Following that, he’ll be playing at the Foundation’s 5th Annual “Instruments A-Comin'” benefit concert. (The organization, by the way, served to help find housing and instruments for local New Orleans musicians following the hurricane.)

Domino will continue his comeback on Sunday, as one of the closing acts at the New Orleans Jazz and Heritage Festival, alongside Paul Simon, Lionel Richie, and others.

Jewel ready to assault listeners again

After her last album was the first not to go platinum, Jewel returns to business as usually boring for her new platter, Goodbye Alice in Wonderland. Sez Jewel of her fans’ reaction to the 0304 album and its dancey single “Intuition,”

“Anyone that really listened heard a smart record with good storytelling,” she says. “I didn’t fluff out or compromise; if I was going, ‘Ooh baby baby’ or ‘Come on, uh-huh, uh-huh,’ we might all worry about me. But I was getting into electronic music and dance remixes. I can’t believe people didn’t get it.”

Actually, Jewel, if you did sing those kinds of things instead, I might buy one of your crummy little albums.

“The game gets tiring for me,” she says. “I am very committed to this record, but after that, I don’t want to stay as visible. I’d like to put out some smaller records, maybe a jazz standard or a country record. I’ve been competitive my whole life, and now I’d like to work out of my house more. I might even start looking into having a family in a couple years.”

Oh boy another jazz standard album by a boring poppie. I just want to punch her in the mouth so that twisted tooth of hers will finally fall out.

Fiddy lashes out at Oprah

Let’s all start lashing out at Oprah, shall we? Could be fun. And besides, it makes sense. So it goes as well with 50 Cent, who recenlt took a few verbal jabs at the boring talk show host in a recent interview.

“I think she caters to older white women.”

“Oprah’s audience is my audience’s parents,” the 29-year-old rapper said. “So, I could care less about Oprah or her show.”

Well, this is the first time I’ve ever agreed with Fiddy, but there’s always a first time. I reckon it’ll be that last, too.

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