Category: News (Page 5 of 136)

A reunited Libertines to stumble into Reading and Leeds Festivals

Predictable? Maybe. Kind of awesome? Certainly. For the first time in six years, the Libertines are about to perform as a complete band. And where do they plan on gracing audiences? The UK’s Reading and Leeds Festivals, which are fine choices, really. Guns ‘n Roses, Arcade Fire, Weezer and Modest Mouse will also join the fray.

From The Independent:

The Libertines released two albums, 2002’s Up the Bracket and 2004’s The Libertines, before breaking up in 2004 due to disagreements between guitarist Pete Doherty and co-frontman Carl Barat. Last May, three of four group members performed together during a concert by Doherty’s band Babyshambles, suggesting that a reunion might be near.

Tickets are now on sale for both festivals, which take place simultaneously in the two UK cities and feature the same lineup. The capacity is about 80,000 at the Reading site and about 70,000 at Leeds.

The Libertines were one of those “in” bands I took a chance on a few years ago. They were getting so much publicity at the time that I couldn’t help but be discouraged. But the praise was nonstop, so I took the bait.

They blew me away. It’s a shame really, that they were/are lumped in the “garage band” genre. They offer so much more than the Strokes, Hives, Vines, whatever. The Libertines were just of the same time period, and leaps and bounds more interesting. The songs actually go places, and your body submits willingly, wrapped in the beat and all those slurring hooks. Listen to their self-titled album and you’ll know what I’m talking about. Try me: “Can’t Stand Me Now,” “Music When the Lights Go Out,” “What Became of the Likely Lads.”

The band just wanted to play rock music, in the vein of the The Who and the Rolling Stones more than anything. The Clash? Please. I dig the Clash, but they had a focus and agenda from their formation, despite the childish “punk” tag. With the Libertines, it never felt like they were going anywhere since they didn’t have interest in dealing with fame. Helplessly diverted by their self-destructive nature, coupled with their sheer talent, is what made them so enticing. How could a band be so obtrusively pretentious, yet inherently genuine and endearing? In a strange way, the Libertines were out to eliminate themselves and embarrass your tastes. Of course, this is in large part to Pete Doherty, who, despite his shortcomings as a human being, is more reminiscent of a classic (not classy) rock star than any other current musician. Now the band is getting back together to play some shows. There you go.

I know I strayed from the topic at hand, but none of us were going to make it to England, anyway.


Photo from fOTOGLIF

Glen Campbell to go out with bang of an album

Glen Campbell has been producing studio magic for decades, but he’s not ready to step away from the industry until recording one final album, which happens to include a slew of talented performers.

From Billboard.com:

Glen Campbell is collaborating with Jakob Dylan, Chris Isaak, Paul Westerberg, Bob Pollard and others on “Ghost on the Canvas,” which is slated to be the veteran artist’s farewell album.

Producer Julian Raymond tells Billboard.com that the album’s basic tracks have been recorded in Los Angeles, with orchestra sessions slated for April 2. Campbell is currently negotiating with several major labels to release the album, which will be supported with a farewell tour. “It’s not your mother’s Glen Campbell,” Raymond says of the project. “He’s playing guitar better than ever, singing and writing better than ever. It’s really going to be a great final statement from him.”

Campbell is still looking for an album deal, so why don’t you crack open that piggy bank and do the guy a favor.

Michael Jackson estate and Sony reach deal

The Wall Street Journal is reporting that the estate of Michael Jackson and Sony have reached a record-setting deal worth $250 million. The terms guarantee the estate at least $200 million while giving Sony the rights to produce 10 albums of both new and previously material over the next seven years.

Since Mr. Jackson’s death on June 25, Sony has sold an estimated 31 million of his albums globally. By the first anniversary of his death, his estate expects to have earned $250 million from sales of music, merchandise and tickets to the posthumous concert film “This Is It.”

The advances being paid by Sony are to be offset by sales of albums as well as revenue generated by licensing Mr. Jackson’s music for uses like videogames, movies and theatrical performances. But unlike the megadeals struck in recent years by concert promoter Live Nation Entertainment Inc. with pop stars Jay-Z and Madonna, the Jackson deal doesn’t give Sony income from other parts of the late singer’s business, such as merchandise sales or fees for licensing his name and likeness.

With deals such as this between a business and an estate, the business certainly employs more of a long-term strategy to making a profit. Michael Jackson’s estate, however, had to act quickly since it had a massive debt to pay off the massive debt caused by the King of Pop’s spending in recent years. Sony simply realizes everlasting appeal of Michael Jackson’s music. With the cash to back it, I think it safe to safe the company will recoup its investment.

McCartney unveils first tour dates for 2010

Paul McCartney has announced two new shows, which could be the start of his rumored final tour.

From RollingStone.com:

After a 2009 that featured a headlining set at Coachella and the inaugural concerts at New York’s Citi Field, Paul McCartney will return to the stage this year with his “Up and Coming” tour, which will stop at unique venues and rarely visited cities throughout the U.S. The trek begins March 28th at Phoenix, Arizona’s Jobing.com Arena, marking the first time McCartney has visited the state since his 2005 tour. On March 30th, McCartney returns to the Hollywood Bowl for the first time since 1993. The exclusive pre-sale for both shows is going on now at McCartney’s official Website, with a general public onsale scheduled for February 28th.

McCartney promises more shows are on tap for 2010.

I heard great things from people who’s opinions I respect regarding his performance at Coachella, so I assume McCartney has enough left in the tank to continue touring. Despite a surprise appearance at a Paul Simon concert, I’ve never seen him live. As this may be the last jaunt of his career, it’s probably better not to risk it and just buy a ticket to a show out here in Los Angeles when it becomes available. I don’t want to regret not seizing the opportunity.


Photo from fOTOGLIF

Iggy and the Stooges to unload ‘Raw Power’ box set

Iggy and the Stooges

To the delight of many, Iggy and the Stooges were finally inducted into the Rock and Roll Hall of Fame last year. Of course, the album that garnered the band its adoration over time was Raw Power, originally released in 1973. It’s one of those albums that deserves to be done up with nice packaging and coveted rarities. Like Iggy and the Stooges’ Hall induction, a decent reissue for their best album is long overdue, but at least Sony is going all out to make sure the buyer gets their bang for their buck.

From Pitchfork.com:

On April 13, Columbia/Legacy will release Raw Power: Legacy Edition. Two weeks later, on April 27, they’ll follow it up with the even more deluxe Deluxe Edition.

The Legacy Edition will include a remastered version of the original album, featuring David Bowie’s original mix, on its first disc. The second disc, titled Georgia Peaches, includes a complete recording of a heavily bootlegged Atlanta live show from 1973– with two previously unreleased bonus tracks to boot: the studio outtake “Doojiman” and a studio rehearsal performance of “Head On”. It’ll also include a 24-page booklet with essays about the band and introductions from surviving members.

All that stuff will also show up in the Deluxe Edition. Both discs will share space with a third disc, Rarities, Outtakes, & Alternates From the Raw Power Era, which will include eight tracks from different sources (five of them previously unreleased). The fourth disc is a 30-minute documentary DVD called The Making of Raw Power.

And yeah, there’s more. You’ll also get a reproduction of a rare Japanese picture sleeve 7″ single of “Raw Power” and “Search and Destroy”, five 5×7 photo prints, and a 7″ softcover booklet with an essay by Henry Rollins and testimonials from prominent folks like Lou Reed, Joan Jett, Tom Morello, and others. Before the April 27 release date, the box will be available exclusively through the Stooges’ website. Stooges nerds, start saving your money.

I feel like I need to wait 30 years before buying an album — when it arrives with all the frills. It will take just take patience and incredible thriftiness.

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