Category: News (Page 135 of 136)

What’s next? Andy Rourke hocks his old set lists…?

According to Morrissey-Solo.com, Mike Joyce – former drummer for the Smiths – was on BBC Radio 6 the other night, plugging the fact that he’s going to be selling a bunch of his rare Smiths stuff on eBay, apparently including tapes of heretofore-unreleased songs. (He played one of the tracks, an instrumental.)

I’m sure he’s going to be making claims that it’s all Morrissey and Marr’s fault for not splitting up royalties accordingly back in the old days, but, c’mon, man, you used to be the drummer for the Smiths, and you went on to play with th the Buzzcocks, Public Image Ltd., Sinead O’Connor, and Julian Cope, which I’m sure weren’t gigs you did out of the kindness of your heart. Where’d all the money go? Has it really reached the point where you have to start hocking memorabilia like this…?

Top 10 bands from the ‘80s that should be inducted into the Rock & Roll Hall of Fame

(Love to the Mayor of Simpleton, for giving me the idea)

The news hit the AP wire today, announcing that four acts from ‘70s and Miles Davis, who died in the early ‘90s at the age of 375, were inducted into the Rock ‘n Roll Hall of Fame. They’re technically the Class of 2006, but I call them the Class of ’81, since any band whose debut album was released in 1981 or earlier was eligible for inclusion. The very fact that only two of these bands were within sniffing distance of the ‘80s leads me to believe that a ton of also-ran ‘70s bands will get in before any of the truly worthy ‘80s bands will, and that, frankly, disturbs me.

And so, without further ado and in no particular order, I submit my top ten list of ‘80s bands that should be inducted into the Rock ‘n Roll Hall of Fame sooner rather than later. U2 is already in, so they’re obviously disqualified.

1) REM. Forget the Bill Berry-less train wreck that the band’s become of late, and remember when they and U2 ruled the rock world the way Darth Vader dreamed of ruling the galaxy with Luke Skywalker. Between 1987 and 1994, they were bulletproof, and there are thousands of bands and nerdy record store clerks who worshiped at their altar.
2) Madonna. If she doesn’t get inducted in the Class of 1983/2008, she will have Guy Ritchie and her children dropped off the Empire State Building. Which is really hard, because there are these tall metal bars on the rooftop deck with sharp points that curl inward. I’m guessing she uses a catapult.
3) The Smiths. Forever changed the face of modern rock, they did. Johnny’s done some good stuff with Electronic and The The, but he has to know that his best work rests within this band’s catalog, feuds with Steven Morrissey be damned.
4) New Order. Simply put, there is no electronic music scene without these guys. Kraftwerk may have gotten there first (something I’ll get to in a minute), but New Order was the band that fused a rock and roll sensibility into those machines, which in turn created a legion of knockoff bands by the late ‘80s. Even the Cure nicked half of their best licks from these guys. “In Between Days,” anyone?
5) Guns ‘n Roses. It may have ended in a haze of lawsuits and coke, but Goddamn, when Guns ‘n Roses was clicking, there wasn’t a band that could come within a thousand miles of them. And forget Appetite for Destruction: their best stuff was all over the Use Your Illusion albums, the greatest single album that never was.
6) Janet Jackson. Because you don’t make it to First Name Only status without earning it, bitches.
7) Public Enemy. Because their records from the ‘80s still scare white people.
8) Run DMC. The kings of rock. There is none higher.
9) Beastie Boys. It’s safe to say that not even Rick Rubin had any idea what kind of band the Beastie Boys would become. After all, find another band who went from the Juvenile But Massive Debut to Groundbreaking, Trendsetting Sophomore Album.
10) Motley Crüe. If only because they lived the life of rock and roll excess to a degree that would even make Bonzo and Keith Moon go, “Whoa, dudes, let’s not go nuts here.” Few bands embody the spirit of rock and roll more than Motley Crüe. Oh, and they also wrote some kickass tunes.

Bubbling Under: Bands and artists I would like to see inducted but will likely need some help
• Duran Duran
• Depeche Mode
• Stone Roses
• Talk Talk
• The The
• Ministry. The birth of industrial, people.
• English Beat/Madness/Specials. Someone from the ska era has to be represented, dammit.

I didn’t list Nirvana (whose first album Bleach came out in 1989 when none of us were looking) because they’re a no-brainer first ballot inductee. Ditto the Pixies (comment entered after Neil totally faced me on their omission).

Five holdovers from the ‘70s
1) Kraftwerk. Man, how on earth are these guys not in? They were and are light years ahead of their time. Hell, Coldplay’s stealing their songs and claiming them as their own, fer crissakes.
2) Van Halen. And so, a generation of shredders was born.
3) T. Rex. Yeah, okay, Bolan’s dead, so he’ll never know you didn’t induct him, but for crying out loud, bands are still ripping him off. That has to be worth something.
4) Cheap Trick. Few bands have meant so much to so many different genres of music. Cheap Trick is that band. Big Star gets all the love, but Cheap Trick was the better band, by a country mile.
5) Rush. Thrown under the progressive rock bus only because no one knew what to do with them. But they have amassed a body of work that today’s popular bands would be lucky to emulate.

Comments, suggestions, hate mail? Bring it, suckaz.

Post script: It just hit me that I left off the Red Hot Chili Peppers, whom I meant to include, so you Fleabies out there, quit hatin’ right now.

Yeah, but do they REALLY rock…?

Well, the Rock and Roll Hall of Fame has announced its latest nominees. (Read the story here.) I don’t know about anyone else, but, although I’m psyched to see the Pistols make the cut (you gotta figure Lydon’s acceptance speech alone will be worth the price of admission) and it’s hard to argue with the cultural and historical importance of Black Sabbath and Lynyrd Skynyrd, what’s the story with Miles Davis? I mean, the guy’s a legend and a musical genius, but, really, does anyone think of him as a rock musician…? And I don’t have anything against Blondie, but there are many more worthy musicians who should’ve made the cut before them…

Wind-Up Records loses bet, forced to release Scott Stapp album

Okay, maybe that’s not exactly how it went down, but they released his album either way, and sweet Jesus, does it suck. It’s actually worse than his former band Creed, if you can imagine that. One song, “Justify,” tells the story of meeting a man with a “half suit and dark blue jeans” in New Orleans, who asks him, “Hey, boy, have you seen the other side?” Stapp then bellows:

“I do not have to justify, the way I live my life
I do not have to justify, the reason I’m alive.”

Maybe not, Scottie boy, but someone has to explain how this stuff continues to pollute the earth. The really funny part is that the artwork is even worse than the music itself; the shot of Stapp underneath the CD is him shirtless, his back facing forward, with his arms up in Christ pose. In fact, there is only one shot of him with a shirt on, and it’s a wife beater. Who knew that Scott Stapp had such a devoted gay fan base?

Final irony: Wind-Up Records is owned by Sony/BMG, and yet this album doesn’t contain any copy protection. Big mistake; they should have made this album as hard to share as possible, because once people hear it, they’re not going to buy it. Except maybe to burn it.

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