Category: Deep Cuts (Page 4 of 15)

Deep Cuts: Boston, “I Had A Good Time”

Let’s be honest: in 2002, no-one was screaming for a new Boston album. Not even Boston fans, really. I mean, even if you’re a huge fan of the band – and by “band,” let’s admit that we really just mean Tom Scholz and Brad Delp, since they’re the only two who aren’t readily replaceable – the general consensus is that their first album was their best album, so pretty much anything else is just gonna be gravy. Well, that and the fact that album-rock artists from the ’70s can barely give away new studio albums nowadays, so far under the commercial radar are they flying.

And, yet, when you put 2002’s Corporate America into the CD player and hear “I Had A Good Time,” you’re just about tempted to believe that Boston can still play with the big boys.

They couldn’t, of course. The album flopped. But that one song…? The hooks, the harmonies, the guitar solo, the false ending…it’s all fan-freaking-tastic. The only problem was, why in God’s sake would you take a song with a title and lyrics that make it the perfect album closer, then have it open the album?

Anyway, you can hear a taste of the song here. For some reason, the album isn’t available for download on either iTunes or eMusic, but whenever it pops up, at the very least, I recommend snatching up this song post-haste.

Deep Cuts: Duran Duran

Duran Duran has a lot more to their musical résumé than “The Reflex” and “The Wild Boys.” Indeed, if those songs were wiped off the face of the earth, I would be perfectly okay with that. There is also a considerable breadth of style on these albums as well. They weren’t just a synth-pop band. There are experiments in art rock, house music, Latin music, atmospheric pop, and funk. One thing’s for sure, they were not afraid to fail. And on more than one occasion, that’s exactly what they did. But they came back wiser every time.

The following list – a two-disc set, no less – contains my favorite Duran Duran songs, or in some cases remixes, that you may not have heard before. They’re listed in chronological order, since that’s important in understanding how the band’s sound has evolved over the years. Purists will surely take me to town for my omissions – I was never a big fan of the early B-sides like “Late Bar” and “Faster than Light” – but I stand by my choices…at least for the next five minutes, at which point I will surely want to replace five songs with five others. Enjoy.

“Sound of Thunder” – Duran Duran
What better way to start a Deep Cuts piece on Duran Duran than with a song that opens with a flanged keyboard riff similar to “Planet Earth,” the song that started it all. “Sound of Thunder,” though, isn’t nearly as sunny as “Planet Earth.” It still has a badass groove, and John shows his chops as a bassist for the first time, but the song is one of the moodiest dance songs you’re likely to find. There was talk about what it meant that the words “Earth,” “Memories” and “Thunder” appeared in bold type in the album’s artwork. The answer: absolutely nothing.

“Make Me Smile (Come Up and See Me)” – The Singles Box 1986-1995
This originally appeared on the import 12” single for “The Reflex” (and made its CD debut on the soundtrack for the 1994 movie “Threesome”), but it was recorded in 1983 while the band was still touring in support of Rio. This Cockney Rebel #1 smash (with that band’s singer Steve Harley singing backing vocals here) gets an extreme makeover, turning the first verse and chorus into a torch song. At that point, the song positively explodes into dance rock heaven. Listening to Andy’s blistering solo, you can practically hear him saying to himself, “You know, I’d love to form a band where I could rock out all the time. I wonder if John would be interested…”

“Breath after Breath” – Duran Duran (a.k.a. The Wedding Album)
Stunning. Still one of my favorite Duran songs to date, this duet with Brazilian singer Milton Nascimento was a radical departure into Latin music for the band (unless you count Mark Berry’s remixes of “Meet El Presidente”), and it came, conveniently enough, at a time when there were no expectations of how Duran Duran should sound. They had finally outlasted the whole new wave/romantic thing, and that clearly liberated them. This was also the first real guest performance on a Duran track, and the band was smart enough to know not to upstage Nascimento and his sweet, sweet tenor.

To read the read of our choices for Duran Duran Deep Cuts, click here, and come back to ESDMusic to share your comments.

Deep Cuts: David Bowie

Compiling a Deep Cuts list for David Bowie might seem like a daunting task. The man’s had so many albums and so many great non-single album tracks that it’s undoubtedly impossible to create a list which every fan will agree with. Just look at the number of official compilations Bowie’s already issued and you’ll begin to get the picture (for my money, the best single disc collection remains Rykodisc’s Changesbowie which collects most of Bowie’s hit singles starting with “Space Oddity” and ending with “Blue Jean”). There’s just so much to work with in the man’s catalogue that it can be perplexing, even for record companies to put together something for the fans.

At any rate, please enjoy exploring through the Deep Cuts of David Bowie. If you’re a new fan, or are familiar with most everything the man has released, you’ll undoubtedly find something worthy of discussion.

If I were Paul McGuinness…

I recently watched U2’s concert film, “Rattle & Hum,” and it was better than I remember. Over the years, I’ve read several reviews that used words like “disastrous,” but I thought it was an interesting, if mostly staged, look at the group as they were evolving into the “Biggest Band in the World.”

I think the soundtrack suffers a bit because it’s all over the place. I would rather have seen two separate discs – one consisting of new material and one live album. Considering all of their output during those years, the disc of new material would have looked something like this:

1. Desire
2. God, Pt. 2
3. Angel of Harlem
4. Hawkmoon 269
5. Love Rescue Me
6. Heartland
7. Sweetest Thing
8. When Love Comes To Town
9. Hallelujah (Here She Comes)
10. Van Diemen’s Land
11. Silver and Gold
12. All I Want Is You

That’s a nice playlist. I realize that a few of those songs (“Sweetest Thing,” “Hallelujah (Here She Comes)” and “Silver and Gold”) were released as B-sides to singles from The Joshua Tree, but had they been “Americanized,” recorded in the same spirit as “Desire” and “Angel of Harlem” were, they would have fit right in with the rest of the material and the band would have had three great albums in a row instead of two and a half.

The second disc could have compiled the band’s live greatest hits up to that point; it would have been perfect for a fan like myself, who got into U2 during The Joshua Tree years but didn’t have the fortitude (or the finances) to dig into all the previous albums to find their better songs.

Oh well, I guess they did all right without my help.

Kenny Rogers & The First Edition: “Just Dropped In (To See What Condition My Condition Was In)”

Picture this: A few years ago, I’m watching “The Big Lebowski” for the second or third time and I hear this cool tune play during the Dude’s crazy hallucination scene. I wonder – who sings this?

Kenny Rogers? You mean “Islands in the Stream” Kenny Rogers?

Hell, yeah.

Kenny already built up some cred with “The Gambler,” but this track more than tripled it.

Listen to a sound clip here.

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