Category: Rap (Page 18 of 19)

Geto Boys: “Damn It Feels Good To Be A Gangsta”

I recommended my #1 rap song of all time a few days ago, so why don’t we talk about #2?

It wasn’t released by the Geto Boys until 1992 on their first “best of” compilation, Uncut Dope: Geto Boys’ Best, but it appeared on my limited rap radar in 1999 during my first viewing of the Mike Judge comedy, “Office Space.” The song is used brilliantly during the movie – I’m not sure I can describe it any better than this cat, so I’ll just quote him:

Against Geto Boys’ rap declaration “Damn, it Feels Good to be a Gangsta,” (Ron Livingston’s character, Peter) commits acts of small and liberating vandalism in the office, while management and serf alike are struck dumb by his unprecedented behavior. Eventually, his sense of entitlement becomes hubristic; he dares too much and risks a terrible end.

The song features a phat groove (that’s right – with a “ph”), a simple yet effective beat, and some graphic lyrics. The best verse comes at the end when one of the Boys raps from the point of view of the then-President Bush.

Listen to a song clip here.

Jurassic 5: “Quality Control”

For me to like a rap song, it has to have some considerable crossover potential. It needs a solid beat, a good groove and meaningful lyrics. “Quality Control” is my all-time favorite rap song, and even though I don’t really dance, this one gets me moving every time.

You can find it on their album, aptly named Quality Control.

Listen to a song clip here.

I’m a rock guy, but I wouldn’t mind hearing more rap like this – anyone have a suggestion?

Blogging the Grammys: where is my suicide capsule?

This is the first time I’ve watched the show in at least 10 years. Let’s see if it’s any different than I remember it.

8:06 PM: So I wouldn’t miss hearing the pizza guy, I had the TV off until it came (TV’s in the basement). When I turned it on, Madonna was singing “Hung Up” in what looks like an outfit Olivia Newton-John wore in “Xanadu.” When it ended, I took a long look at the roller disco diva, and thought, “Yeah, I’d still do her.”

8:10 PM: Alicia Keys and Stevie Wonder riff “Higher Ground” a cappella. Pretty cool, but if she says one more time what an honor it is to be standing next to Steve Wonder, I’m having Stevie Wonder killed, so his death hangs on Keys’ conscience for the rest of her life.

8:13 PM: Best Female Pop Vocal: Kelly Clarkson, “Since U Been Gone”
Clarkson’s acceptance speech sounded just like Giovanni Jones after Bugs Bunny sprayed some alum in his throat mister. Squeak squeakety squeak squeaker.

8:15 PM: Coldplay performs “Talk”
I dig Chris Martin’s shaggy ‘do. Maybe it can do the singing next time.

8:25 PM: John Legend performs “Ordinary People”
One of these days, this kid is going to win a Grammy.

8:29 PM: Sugarland performs… haven’t the foggiest idea.
What begins as a little feedback soon turns into behind-the-scenes conversations between the show’s producer and his crew. It was the military airbase scene in “This Is Spinal Tap” come to life.

8:32 PM Best Country Album: Alison Krauss & Union Station, Lonely Runs Both Ways
Her speech coach had to have been Joe Pesci. Shortest, speech, ever.

8:40 PM: U2 performs “Vertigo”
“We’re not a rock band. We’re a folk band,” Bono says in a pre-recorded interview. Which is funny, because when Pop came out, I distinctly remember a quote where Bono said that U2 was in fact a hip hop band.

8:42 PM: U2 performs “One” with Mary J Blige
You see that, Coldplay? U2 got two, count ‘em two songs on the Grammys. Forget that “biggest band in the world” talk. As long as U2 lives and breathes – and don’t kid yourself, they will bury each and every one of us – Coldplay will always be the biggest band at the kiddie table. After seeing Blige’s moving performance, Bono will tell reporters that U2 isn’t a rock band, but a soul band.

8:47 PM: Best Rap Album: Kanye West, Late Registration
West took time out from writing musical history to actually accept the award. And for five seconds, he earned my admiration by thanking Jon Brion just after God, even though doing so is redundant in my world. Then I looked up from my laptop and saw what he was wearing. Shirt open to his navel, Isaac Hayes-style gold chain, and black leather gloves. W, T, F?

8:55 PM: Ben Roethlisberger introduces Kelly Clarkson’s “Because of You”
How on God’s green earth did they let Big Ben onstage in that getup? Backwards cap, faded jeans, and what looks like a Jets jersey? Thank goodness Clarkson dressed up for the affair, and damn, can that girl sing. No squeaking this time, thankfully.

9:01 PM: Best Rock Album: U2, How to Dismantle an Atomic Bomb
When each nominee popped up on the screen, I shouted “No!” at each one of them. As soon as I saw U2’s name, I knew it was over.

9:09 PM: Paul McCartney performs “Fine Line”
Ellen Degeneres says, “Our next performer needs no introduction,” pauses, and walks offstage. Beautiful.

Wait, Macca’s sticking around, clearly refusing to be trumped by U2. I hear the drummer hitting his hi-hat at a certain speed, and I think, “Oh, sweet Jesus, no he ISN’T.” He did. “Helter” freaking “Skelter,” baby! The first moment so far that truly made me smile. Later, Bono will say that U2 isn’t a rock band, but a Beatles tribute band.

9:16 PM: Trustees Award: Chris Blackwell
About, fucking, time.

9:18 PM: Best Male R&B Vocal: John Legend, “Ordinary People”
At risk of sounding gay, John Legend is a mighty fine looking man. But then he blew it by thanking Kanye West, and the producers clearly heard me groan, because almost instantly the hurry-up music popped up.

9:27 PM: Mariah Carey performs “We Belong Together” and “Fly like a Bird”
Mariah Carey, she’s got some big ass titties… and the girl can still knock it out of the park.

All joking aside, when I saw her doing that hand thing, I nearly had a seizure, and I’m not even epileptic. Is there anything that Christina Aguilera didn’t steal from Mo Carey?

9:32 PM: Teri Hatcher takes the stage, clearly after taking makeup tips from a raccoon.

9:33 PM: Best Pop Vocal Album: Kelly Clarkson, Breakaway
Is this Kelly’s third outfit? Either way, she just beat Macca, Fiona Apple, Sheryl Crow and Gwen Stefani. Welcome to the big leagues, kiddo.

9:41 PM: Owen Bradley wins Trustees Award
Holy schnikes, Jenna Elfman is freaking hot.

9:42 PM: Faith Hill performs “Lucky One,” Keith Urban performs…something.
Has anyone checked to see if Hill is not in fact a Stepford wife? And is it just me, or does Keith Urban look like a country version of Jon Bon Jovi?

9:48 PM: Best Rap/Sung Collaboration: Linkin Park & Jay-Z, “Numb”
Fuck. Linkin Park are now Grammy winners. Okay, maybe they already are, but ignorance of that was bliss, let me tell you. I’ll chalk it up to the voters wanting to give Jigga one last nod.

9:56 PM: Tribute to Sly Stone
Featuring Joss Stone. Discuss own paternity conspiracy theories amongst yourselves.
– Ciara and Maya Rudolph: separated at birth? Nah, Maya’s legs aren’t anywhere near that long.
– Sly Stone has the best mohawk in history. He walks out, sings about three lines, and leaves, without once looking at the audience.

10:14 PM: Linkin Park and Jay-Z perform “Numb”
Kill me, now. Whew, that was over quickly. Wait…Oh, my, GOD. They’re doing a mash-up that uses “Yesterday,” and Macca joins them onstage. Macca shoots “Jay-Z” an odd look, when he realizes that all Jigga is going to contribute to the song is “Uh huh, uh huh, uh huh.”

10:23 PM: Tom Hanks introduces Bruce Springsteen
I sure as hell hope that weight he’s carrying was for his role in “The Da Vinci Code.”

10:25 PM: Bruce Springsteen performs “Devils and Dust”
Pay attention, Chris Martin. That’s how you sing live. Bring ‘em home indeed, Boss.

10:30 PM: Song of the Year: U2, “Sometimes You Can’t Make It on Your Own”
As U2 steps to the stage, Mariah Carey’s “We Belong Together,” one of the nominees, plays on the speakers. I stifle a laugh, since that was actually the song I hoped would win. Maybe Destiny’s Child, who announced the award, pulled a Jack Palance and read the wrong name.

10:40 PM: Kanye West and Jamie Foxx perform “Gold Digger”
What started as a college band-off turned into a bizarre series of skits involving girls in super-tight gold skivvies, the Broke Phi Broke fraternity, and a spectacular, but brief, finale where Kanye is wearing…white leather gloves. Dude, the only other guy known for wearing gloves is Michael Jackson. Perv.

10:45 PM: Record of the Year: “Boulevard of Broken Dreams,” Green Day
Another short, sweet speech. Can’t say I blame them, since the album’s been out for 17 freaking months. They’re probably counting the days until they never play the song again. Lord knows, as much as I love American Idiot, I can’t wait to never hear this song again.

10:55 PM: Herbie Hancock and Christina Aguilera perform…something I don’t know
I never thought I’d say these words: Xtina looks fantastic. Her vocal histrionics are still nails on a chalkboard – take a note from the Clarkson kid, woman, there are ways to rip off Mariah without looking like a Xerox copy of her – and I think even Celine Dion has patent pending on some of those hand gestures.

11:06 PM: Best New Artist: John Legend
For once, they got it right. Still, it’ll be a long time before they live down Milli Vanilli, A Taste of Honey, and Marc Cohn beating Seal.

11:10 PM: Album of the Year: U2, How to Dismantle an Atomic Bomb
Give me a fucking break. U2 loses when All That you Can’t Leave Behind is up for Album of the Year, but they win for this? Chalk it up to weaker competition, with a big asterisk; the New Pornographers and Franz Ferdinand both made better records than anything in the five finalists for this award.

I finish the evening feeling the exact same way I did the last time I watched the show: “Man, what a waste of time. I am never watching this again.”

I thought she was left for dead

Here we go again. It looks like Eminem is constantly confused seeing how he and ex-wife Kim are ready to tie the knot again. Between this and Em calling his early retirement not an early retirement, one wonders what could be next on his horizon? I know, how about making his mother his new manager? I guess once you win an Oscar, there’s nothing left to do. I hope he makes a Christian rock album and makes those pals of his in D4 change their wicked ways.

Top 10 bands from the ‘80s that should be inducted into the Rock & Roll Hall of Fame

(Love to the Mayor of Simpleton, for giving me the idea)

The news hit the AP wire today, announcing that four acts from ‘70s and Miles Davis, who died in the early ‘90s at the age of 375, were inducted into the Rock ‘n Roll Hall of Fame. They’re technically the Class of 2006, but I call them the Class of ’81, since any band whose debut album was released in 1981 or earlier was eligible for inclusion. The very fact that only two of these bands were within sniffing distance of the ‘80s leads me to believe that a ton of also-ran ‘70s bands will get in before any of the truly worthy ‘80s bands will, and that, frankly, disturbs me.

And so, without further ado and in no particular order, I submit my top ten list of ‘80s bands that should be inducted into the Rock ‘n Roll Hall of Fame sooner rather than later. U2 is already in, so they’re obviously disqualified.

1) REM. Forget the Bill Berry-less train wreck that the band’s become of late, and remember when they and U2 ruled the rock world the way Darth Vader dreamed of ruling the galaxy with Luke Skywalker. Between 1987 and 1994, they were bulletproof, and there are thousands of bands and nerdy record store clerks who worshiped at their altar.
2) Madonna. If she doesn’t get inducted in the Class of 1983/2008, she will have Guy Ritchie and her children dropped off the Empire State Building. Which is really hard, because there are these tall metal bars on the rooftop deck with sharp points that curl inward. I’m guessing she uses a catapult.
3) The Smiths. Forever changed the face of modern rock, they did. Johnny’s done some good stuff with Electronic and The The, but he has to know that his best work rests within this band’s catalog, feuds with Steven Morrissey be damned.
4) New Order. Simply put, there is no electronic music scene without these guys. Kraftwerk may have gotten there first (something I’ll get to in a minute), but New Order was the band that fused a rock and roll sensibility into those machines, which in turn created a legion of knockoff bands by the late ‘80s. Even the Cure nicked half of their best licks from these guys. “In Between Days,” anyone?
5) Guns ‘n Roses. It may have ended in a haze of lawsuits and coke, but Goddamn, when Guns ‘n Roses was clicking, there wasn’t a band that could come within a thousand miles of them. And forget Appetite for Destruction: their best stuff was all over the Use Your Illusion albums, the greatest single album that never was.
6) Janet Jackson. Because you don’t make it to First Name Only status without earning it, bitches.
7) Public Enemy. Because their records from the ‘80s still scare white people.
8) Run DMC. The kings of rock. There is none higher.
9) Beastie Boys. It’s safe to say that not even Rick Rubin had any idea what kind of band the Beastie Boys would become. After all, find another band who went from the Juvenile But Massive Debut to Groundbreaking, Trendsetting Sophomore Album.
10) Motley Crüe. If only because they lived the life of rock and roll excess to a degree that would even make Bonzo and Keith Moon go, “Whoa, dudes, let’s not go nuts here.” Few bands embody the spirit of rock and roll more than Motley Crüe. Oh, and they also wrote some kickass tunes.

Bubbling Under: Bands and artists I would like to see inducted but will likely need some help
• Duran Duran
• Depeche Mode
• Stone Roses
• Talk Talk
• The The
• Ministry. The birth of industrial, people.
• English Beat/Madness/Specials. Someone from the ska era has to be represented, dammit.

I didn’t list Nirvana (whose first album Bleach came out in 1989 when none of us were looking) because they’re a no-brainer first ballot inductee. Ditto the Pixies (comment entered after Neil totally faced me on their omission).

Five holdovers from the ‘70s
1) Kraftwerk. Man, how on earth are these guys not in? They were and are light years ahead of their time. Hell, Coldplay’s stealing their songs and claiming them as their own, fer crissakes.
2) Van Halen. And so, a generation of shredders was born.
3) T. Rex. Yeah, okay, Bolan’s dead, so he’ll never know you didn’t induct him, but for crying out loud, bands are still ripping him off. That has to be worth something.
4) Cheap Trick. Few bands have meant so much to so many different genres of music. Cheap Trick is that band. Big Star gets all the love, but Cheap Trick was the better band, by a country mile.
5) Rush. Thrown under the progressive rock bus only because no one knew what to do with them. But they have amassed a body of work that today’s popular bands would be lucky to emulate.

Comments, suggestions, hate mail? Bring it, suckaz.

Post script: It just hit me that I left off the Red Hot Chili Peppers, whom I meant to include, so you Fleabies out there, quit hatin’ right now.

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