Category: Power Pop (Page 17 of 17)

Amie Miriello: I Came Around

Amie Miriello’s debut album, I Came Around, is the first release on Jive/Zomba imprint Bellasonic. In some ways, there are lots of different forces at work, but consider that Miriello’s music most immediately sounds like Alanis Morissette or Nelly Furtado. Add to that production help from Rob Wells (Backstreet Boys), David Hodges of Evanescence and Mitch Allan of SR-71, and this is radio magic waiting to happen. Of course, it doesn’t hurt that Miriello has a dynamic voice, despite the fact that she tends to overdo things at times. The best tracks are the catchy opening title track and the second song “Pictures,” the latter of which sounds like Morissette or another ‘90s popster, Chantal Kreviazuk. And the final track, the R&B-tinged power ballad “Hey,” is also decent. But in between, parts of the album tend to grate on the eardrums. In particular, the vocal acrobatics Miriello attempts on “Beauty of Goodbye” and “Mother Cries Wolf” border on annoying. Taken as a whole, though, this debut is better than average and worth checking out, especially if Top 40 or alt-pop are your cup of tea. (LABEL: Bellasonic)

Amie Miriello MySpace page

The Mood: Synaesthesia

Everything about this album, from the band’s name to the vaguely Talking Heads-ish artwork to the title, suggests snobbishly arty postmodern pop – but the Mood’s Synaesthesia is actually a breezy six-song chunk of good old-fashioned power pop, with tracks such as “Eskimo Scientist” aimed right at the pleasure centers of music fans who still fondly reminisce about bygone groups like Gladhands or Summercamp. Of course, this stuff never sells worth a damn, so the EP is destined to whisper quickly into dust-covered obscurity, only to be pored over by pop nerds years from now…like, say, Gladhands’ La Di Da. Nothing here approaches the classic greatness of that album, but it’s cut from mostly the same cloth, and so few bands are doing this sort of thing anymore that it’s hard not to snap your fingers and bob along. Too short to wear out its welcome and too catchy to resist, Synaesthesia offers up a perfectly serviceable soundtrack to brief end-of-summer barbecues. If there’s a real knock against the EP, it’s that the material is good, but never great — with a few truly stellar songs, who knows what they could do? (Outright Rock 2008)

The Mood MySpace page

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