Category: Pop (Page 215 of 216)

A band you missed – The Irises

The Irises and their debut album Not Good In Bed would have made the top spot of my Best of 2004 list last year, if the Beastie Boys hadn’t also released To The 5 Boroughs as well. Actually, I would have liked to have listed both albums as best of last year, but wasn’t allowed to, so the edging out occurred. Still, I’d like to key you all in on to this fantastic group, especially those of ye who are into power pop or melodic pop of the three-minute variety. I’m still spinning this disc regularly, and that’s truly saying something after a whole year.

The band is fronted by lead singer Roxanne Heichert. She’s got one of those voices that you can get into instantly, which is great, because the music appeales instantly as well. My fave songs on the album are “Perfect Boyfriend,” “I’m That Fool,” and “Loneliness,” but all the songs here are top notch. The Irises understand the whole less-is-more ethic, too. Ten songs and thirty some-odd minutes. Just like the old days. Hopefully they’ll put a new album out soon that’s just as excellent as the debut, but until then you can check out their official homepage and listen to clips of the songs there. However, this is one of those grooves that definitely should be purchased as well. If you missed ’em, check ’em out now.

Whatever happened to…

…the Real People?

They emerged in 1991, in that unfortunate time frame where anyone who wasn’t Nirvana was shit out of luck…but it was even worse if you were a Britpop band. This was post-Stone Roses and Happy Mondays but pre-Oasis and pre-Blur, and, buddy, if you can name more than a handful of British bands to emerge during that window, you either wrote for the NME or worked for a record store. But the Real People were the brainchild of Tony and Chris Griffiths, who knew how to write a great hook. Their first, self-titled disc was solid – the song “The Truth” remains one of the best pop songs of the early ’90s – but the second disc, “What’s On The Inside,” took five years to hit stores…and, although it was a strong, more Beatlesque effort, it came out on an indie label (Granite Records?) and never made it beyond UK release. (I stumbled upon my copy in NYC…and, for Shep Medskerbone’s amusement, I should note that I bought it the same day I picked up the Lightning Seeds’ “Dizzy Heights.”) After that, the band vanished into thin air. They don’t even have a website anymore, and searches for the individual band members doesn’t turn up much. The most recent information I can find comes from this interview, but it’s from 2001, suggests that the band were working on a new disc, but…it never emerged, apparently. There’s also a site that has photos from 2004, but the band’s own website seems nonexistent; it’s a message board that requires approval to access…but I requested approval 2 weeks ago and haven’t heard a word.

Come on, guys, wherefore art thou…?

XTC: “That’s Really Super, Supergirl”

It’s arguable that there are no true deep cuts amongst the songs on Skylarking, the most popular of all XTC’s albums, but “That’s Really Super, Supergirl” isn’t generally one of the tracks that gets mentioned when the album is discussed. With percussion samples from Utopia’s Deface The Music – none too surprising when one recalls that Todd Rundgren was the album’s producer – it’s one of the best pop songs on the disc…and that’s high praise. Plus, you gotta love lyrics like, “That’s really super, Supergirl / How you’re changing all the world’s weather / But you couldn’t put us back together / Now I’m feeling like I’m tethered / Deep inside your Fortress of Solitude / Don’t mean to be rude / But I used to feel super.” For the record, there’s also a demo of the track on the fourth volume of Andy Partridge’s Fuzzy Warbles discs, where he claims, “That’s Streaky The Supercat on harmonica.” Possibly not…

Top 10 bands from the ‘80s that should be inducted into the Rock & Roll Hall of Fame

(Love to the Mayor of Simpleton, for giving me the idea)

The news hit the AP wire today, announcing that four acts from ‘70s and Miles Davis, who died in the early ‘90s at the age of 375, were inducted into the Rock ‘n Roll Hall of Fame. They’re technically the Class of 2006, but I call them the Class of ’81, since any band whose debut album was released in 1981 or earlier was eligible for inclusion. The very fact that only two of these bands were within sniffing distance of the ‘80s leads me to believe that a ton of also-ran ‘70s bands will get in before any of the truly worthy ‘80s bands will, and that, frankly, disturbs me.

And so, without further ado and in no particular order, I submit my top ten list of ‘80s bands that should be inducted into the Rock ‘n Roll Hall of Fame sooner rather than later. U2 is already in, so they’re obviously disqualified.

1) REM. Forget the Bill Berry-less train wreck that the band’s become of late, and remember when they and U2 ruled the rock world the way Darth Vader dreamed of ruling the galaxy with Luke Skywalker. Between 1987 and 1994, they were bulletproof, and there are thousands of bands and nerdy record store clerks who worshiped at their altar.
2) Madonna. If she doesn’t get inducted in the Class of 1983/2008, she will have Guy Ritchie and her children dropped off the Empire State Building. Which is really hard, because there are these tall metal bars on the rooftop deck with sharp points that curl inward. I’m guessing she uses a catapult.
3) The Smiths. Forever changed the face of modern rock, they did. Johnny’s done some good stuff with Electronic and The The, but he has to know that his best work rests within this band’s catalog, feuds with Steven Morrissey be damned.
4) New Order. Simply put, there is no electronic music scene without these guys. Kraftwerk may have gotten there first (something I’ll get to in a minute), but New Order was the band that fused a rock and roll sensibility into those machines, which in turn created a legion of knockoff bands by the late ‘80s. Even the Cure nicked half of their best licks from these guys. “In Between Days,” anyone?
5) Guns ‘n Roses. It may have ended in a haze of lawsuits and coke, but Goddamn, when Guns ‘n Roses was clicking, there wasn’t a band that could come within a thousand miles of them. And forget Appetite for Destruction: their best stuff was all over the Use Your Illusion albums, the greatest single album that never was.
6) Janet Jackson. Because you don’t make it to First Name Only status without earning it, bitches.
7) Public Enemy. Because their records from the ‘80s still scare white people.
8) Run DMC. The kings of rock. There is none higher.
9) Beastie Boys. It’s safe to say that not even Rick Rubin had any idea what kind of band the Beastie Boys would become. After all, find another band who went from the Juvenile But Massive Debut to Groundbreaking, Trendsetting Sophomore Album.
10) Motley Crüe. If only because they lived the life of rock and roll excess to a degree that would even make Bonzo and Keith Moon go, “Whoa, dudes, let’s not go nuts here.” Few bands embody the spirit of rock and roll more than Motley Crüe. Oh, and they also wrote some kickass tunes.

Bubbling Under: Bands and artists I would like to see inducted but will likely need some help
• Duran Duran
• Depeche Mode
• Stone Roses
• Talk Talk
• The The
• Ministry. The birth of industrial, people.
• English Beat/Madness/Specials. Someone from the ska era has to be represented, dammit.

I didn’t list Nirvana (whose first album Bleach came out in 1989 when none of us were looking) because they’re a no-brainer first ballot inductee. Ditto the Pixies (comment entered after Neil totally faced me on their omission).

Five holdovers from the ‘70s
1) Kraftwerk. Man, how on earth are these guys not in? They were and are light years ahead of their time. Hell, Coldplay’s stealing their songs and claiming them as their own, fer crissakes.
2) Van Halen. And so, a generation of shredders was born.
3) T. Rex. Yeah, okay, Bolan’s dead, so he’ll never know you didn’t induct him, but for crying out loud, bands are still ripping him off. That has to be worth something.
4) Cheap Trick. Few bands have meant so much to so many different genres of music. Cheap Trick is that band. Big Star gets all the love, but Cheap Trick was the better band, by a country mile.
5) Rush. Thrown under the progressive rock bus only because no one knew what to do with them. But they have amassed a body of work that today’s popular bands would be lucky to emulate.

Comments, suggestions, hate mail? Bring it, suckaz.

Post script: It just hit me that I left off the Red Hot Chili Peppers, whom I meant to include, so you Fleabies out there, quit hatin’ right now.

The Cure: “Six Different Ways”

Originally released on the 1985 album The Head On The Door, this quirky track is definitely Cure-sounding, but the arrangement is a change of pace from the many singles that made the band famous. I first heard it during the mediocre James Van Der Beek vehicle “The Rules of Attraction” – it turned out to be the best thing in the movie and has since grown into the role of my “favorite Cure song.”

Listen to a song clip here.

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