Category: Electronica (Page 28 of 34)

Ready Fire Aim: This Changes Nothing

Electronic rock is making a comeback of sorts, and Ready Fire Aim is surely hoping that they can catch the crest of that synthesizer wave to celebrity and success. However, while bands like Does It Offend You, Yeah?, MGMT, and the Klaxons are taking the classic synth-pop sound of the ‘80s and infusing it with everything from intelligent dance music, rave-inspired techno and even punk rock, Ready Fire Aim seems content to play it safe and emulate the stars of the past, with predictably boring results. “Wannabe You,” “Welcome Home,” and just about every track on their debut CD features programmed beats lifted straight from the garbage bin of the Violator sessions, and is full of second-rate retreads of something that’s already been done a thousand times over. Most importantly, lead singer Sage Rader’s (if that’s stage name, he’s an asshole, and if that’s his birth name, then his parents are pricks) bland whisper of a voice is obviously trying to come off as sexy, but instead is just incredibly annoying. Some advice for all you kids with computers and a mixing board: If you want to rip off Depeche Mode, or any of the other great electronic acts of the ‘80s, remember that while they often didn’t have any instruments aside from a drum machine and a high-end Casio, they usually did manage to find someone that could sing. This Changes Nothing is instantly forgettable. Talk about a descriptive album title. (LABEL: Expansion Team 2008)

Ready Fire Aim MySpace page

OMD: Live: Architecture & Morality & More

Give OMD credit for knowing the limits of their marketplace potential, and serving up a live record that is right in the wheelhouse of the very people (only people?) who would still consider buying an OMD album at this point in time. Live: Architecture & Morality & More, on paper, is a die-hard’s dream come true, a track-by-track performance of the band’s most highly regarded album, fleshed out with various hit singles from the rest of the band’s catalog. The execution, however, is another matter. The mostly down-tempo album doesn’t exactly leap out of the speakers, Paul Humphreys’ keyboard tracks lack the punch of their studio equivalents, and on the two songs where Humphreys sings lead (“Souvenir” and “(Forever) Live and Die),” his voice wavers all over the place. Such a tantalizing idea – how sweet would it be to see ABC do The Lexicon of Love, or the Human League do Dare, in a similar environment – but two more weeks of rehearsal would have done wonders. (Eagle Records)

OMD MySpace page

Division Day: Beartrap Island

Division Day sure is divided. They can’t decide if they want to be a punk rock band that occasionally branches out into electronic soundscapes, or an experimental electronic band that occasionally takes things up a notch with a tune you can actually dance to. Let’s hope they eventually settle on the former. When they kick up the speed, give their guitar player a real riff to play and let their singer yelp and scream for a bit, they stand out as something worth paying attention to. The energetic “Tigers” highlights the band’s ability to really sound unique when they aren’t afraid to plug their instruments in and let loose. Even better is “Ricky,” an amazing, sinister track with a great squealing guitar riff. Too bad the band seems to avoid doing anything like it for most of the album. It’s almost like Division Day don’t know their own strengths, shying away from explosive songs like “Ricky” and instead moping about in shoegaze purgatory. Of course there’s an audience for that (those My Bloody Valentine fans have to buy something) but it’s not nearly as fun. Oh, and their MySpace page has an awesome cover of Roxy Music’s “More Than This,” which is nowhere to be found on the album. Tease. (Eenie Meenie 2007)

Division Day MySpace page

Seen Your Video: Midnight Juggernauts, “Road to Recovery”

This is what Duran Duran’s Red Carpet Massacre should have sounded like.

For those who don’t know the back story, Duran Duran solicited the help of hip hop overlord Timbaland and his protégé Nate “Danja” Hills to oversee their last album. This idea was sixteen different flavors of bad, because Tim and Nate demand that they be the stars of their work, not the bands singing and playing the songs in question. Duran Duran were reduced to co-stars on their own album. Tragic.

The Midnight Juggernauts right every wrong that Duran made. The drum tracks are positively huge, second only to Daft Punk. The bass lines are fluid and rubbery – nothing on Red Carpet Massacre comes close to the bass line on “Shadows” – and the keyboards are layered without smothering everything around them. And here’s the best part: they’re a trio. That’s right, there are only three guys making all this sound, which I guess makes them the equal and opposite reaction to Wolfmother, and the dance doppelganger of Muse.

Their album Dystopia doesn’t land on US shores until May 27, but it already has a spot on my Best of ’08 list. I haven’t been this excited about a band since, well, Muse. Make sure and check out the clips for “Tombstone,” “Shadows” and “Into the Galaxy” as well.

Road Warriors 56

London’s Hyde Park is the site for the big 90th birthday party bash for former South African president Nelson Mandela. Among the artists scheduled to perform are U2, Paul McCartney, and Queen. Wow, what a lineup and what a tribute to Mandela.

Santana is planning a US tour beginning April 4 in Boston. For a full list of dates for the month-long tour, check out www.santana.com

In support of their Red Carpet Massacre album, Duran Duran will hit the road in North America beginning April 29 in Vancouver and running through May 31 in New York City. For more information, fans can visit www.duranduran.com.

The Coachella Valley Music & Arts Festival seems to get bigger every year. The ninth annual event is scheduled to take place April 25-27 in Indio, California and some of the confirmed acts include Goldfrapp, Portishead, Jack Johnson, Death Cab For Cutie, Flogging Molly, Love and Rockets, Fatboy Slim, Tegan and Sara and Rilo Kiley.

Soulful singer/songwriter Marc Broussard has added dates to his spring tour in Athens, Georgia and Shreveport, Louisiana. Here is the complete list of shows:

Apr. 17 – 40 Watt Club – Athens, GA – For more info click here. For tickets click here. Support Act: Angie Aparo

Apr. 18 – Artisphere – Greenville, SC – For more info click here.

Apr. 22 – Blue Moon Saloon – Lafayette, LA – For more info click here. For tickets click here.

Apr. 24 – House of Blues – Dallas, TX – For more info click here. For tickets click here. Support Act: k.s. rhoads

Apr. 25 – Antone’s – Austin, TX – For more info click here. For tickets click here. Support Act: k.s. rhoads

Apr. 26 – Warehouse Live – Houston, TX – For more info click here. For tickets click here. Support Act: k.s. rhoads

Apr. 27 – The Warehouse – Shreveport, LA – For more info click here. For tickets click here. Support Act: k.s. rhoads

May 24 & 25 – Blues, Brews, & BBQ Festival – Avon, CO – For more info click here.

Aug. 29 – Strawberry Music Festival – Yosemite, CA – For more info click here.

« Older posts Newer posts »