Category: Alternative (Page 87 of 155)

The Futureheads: This Is Not the World

Two albums and one left-field Kate Bush cover into their career, the Futureheads found themselves without a label after 2006’s News and Tributes tanked hard enough for the band’s UK and American labels to pull their respective plugs. In another era, this might have sounded the death knell for such a young band, but this is the wild and crazy digital ‘00s, where global distribution is available to anyone with enough money (and a dangerous surplus of optimism) to start a label. The Futureheads, as it turns out, have both – which is a good thing for anyone with a jones for driving eighth notes, crashing drumbeats, and stridently gulpy New Wave vocals, because This Is Not the World delivers all of them in spades. The quirky personality the band displayed on earlier recordings is kept mostly in check here, in favor of a more traditional verse-chorus-verse pop aesthetic, but the change suits the band – and they get in and out too quickly to overstay their welcome, bashing out the album’s 12 tracks in just under 40 minutes. Longtime fans lamenting the lack of experimentation would do well to switch off their brains, turn this up, and jump around for awhile – and if you’re looking for your first perfect summer record of 2008, look no further. (Nul 2008)

Futureheads MySpace page

Unicycle Loves You: Unicycle Loves You

These Chicago-based indie rockers site classic ’60s pop and psychedelia as big influences, but one listen to Unicycle Loves You’s self-titled debut will probably remind most listeners of Canadian power pop powerhouses the New Pornographers with their harmonizing male/female vocals, chiming jangle pop riffs and upbeat keyboards. They even got the quirk factor down with songs like “Great Bargains for Seniors” and “Woman Bait for Manfish,” the latter of which gets bonus points for featuring a marimba intro. Don’t mistake them for clones of that supergroup from the Great White North though, because their ’60s influences do eventually make their way to forefront with it all coming together on the wonderfully psychedelic closing track “Dangerous Decade.” They also stand out from their Canadian contemporaries thanks to their lyrical cynicism and dark wit, both of which are delivered perfectly via the ever-so-slightly sneering vocals of lead singer Jim Carroll (no relation to The Basketball Diaries guy). Now all they need to do is work on that truly awful band name. (LABEL: Highweel Records 2008)

Unicycle Loves You MySpace page

Young Knives: Superabundance

One part Arctic Monkeys and a lot more parts Adam Ant and Gang Of Four, Young Knives are a British band who garnered some critical attention in their homeland with their 2006 full-length debut Voices of Animals and Men. While their off-kilter post-punk tunes and overall oddness (they call their bass player “The House of Lords”) is the kind of thing that makes the British press go gaga, the only crowd they’re liable to get in America are disaffected Weezer fans and They Might Be Giants fanatics looking to branch out. That’s a shame, because while their sophomore effort Superabundance is a little uneven at times, it’s a thoroughly entertaining record filled with bouncy jams like “Turn Tail,” “Fit 4 U” and the excellent ‘Terra Firma,” which features the awesomely nonsensical chorus “Fake rabbit / Real snake / Terra firma, terra firma.” Other highlights include the “‘The’ band” track “Dyed In The Wool” and “Counters,” one of the most enjoyable songs about offing yourself you’re likely to hear. Young Knives are brought down by their own wackiness, though, on the ballads “Flies” and the immensely grating “Mummy Light the Fire,” the latter of which repeats its title ad nauseam. This album is just too weird to ever break through to the mainstream, but fans of Britpop and geeks the world over should enjoy it. (LABEL: Rykodisc/Warner UK 2008)

Young Knives MySpace page

Teitur: The Singer

Somewhere between the time Faroe Islands native Teitur Lassen debuted and sounded like a young Paul Simon (circa 2003) and the time he released his third album, The Singer, he seems to have forgotten how to write songs with mass appeal. Instead of the melodic ear candy on his debut, Poetry & Aeroplanes, or even his sophomore effort, Stay Under the Stars, The Singer is far more experimental. The melodies are different, bordering on off-key, and the sounds and textures of the arrangements are going to lose more than a few of his faithful fans. The one glowing exception is “We Still Drink The Same Water,” which, despite its creepy feel, comes off like a powerful anthem. Despite the oddities, we’ll give Teitur a pass, because we know his amazing songwriting ability is lurking in here somewhere, and he just needed to explore his own depth this time around. (LABEL: Playground)

Teitur MySpace Page

You Me & Iowa: The Adventures of You Me & Iowa

If you champion indie pop with a cool alt-rock undertow, Los Angeles band You Me & Iowa deserves a chance to win a spot in your digital jukebox. The band’s second album, The Adventures of You Me & Iowa, is neatly crafted and features bouncy rhythms and more than a few melodies that will stick in your head for a while. If you remember the ‘80’s band the Housemartins, you’re going to fall in love with the song “Tommy Hall,” easily the best track on this set. But there is a lot more going on, and in the end You Me & Iowa comes off as a more upbeat Death Cab (“Dress the Stage”) or a more mature Daphne Loves Derby (“Margaret Mourning”). We’ll even forgive them for the Barenaked Ladies’ sound-alike, “Goldfish,” because most of this album is full of twists and turns, yet is very easy on the ears. (LABEL: Scrimshaw Jazz)

You Me & Iowa MySpace Page

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