Category: CD QuickTakes (Page 138 of 149)

A Kiss Could Be Deadly: A Kiss Could Be Deadly

If a kiss is deadly, then that is one intense case of herpes. Still, don’t hate A Kiss Could Be Deadly for their idiotic complete-sentence band name. Hate them for their crap music instead. Instantly forgettable and boring, each song on the band’s self-titled debut features the dangerous one-two punch of bland music and utterly generic and forgettable lyrics which only become memorable when they fall into the realm of self-parody, like on the chorus to the puntastic “Poison IV,” which beings with the line “And you – you’re so cliché.” Irony isn’t strong enough of a word. Lead singer Lauren Baird’s whining howl of a voice doesn’t help things, either. She can’t sing, and no amount of harmonizing keyboards or the ever-so-subtle effect of an auto-tuner is going to hide that. The only thing that makes AKCBD (wow, even their abbreviated name is too long) stand out at all is their reliance on keyboards. But adding annoying synthesizers to annoying pop/punk songs doesn’t make them any better. And their electronic edge will probably be their undoing, as it makes them not emo enough for the emo kids but not electronic enough for the electronic kids either. AKCBD (yeah, that doesn’t stop being annoying) is just Paramore with a keyboard fetish. (LABEL: Metropolis 2008)

A Kiss Could Be Deadly MySpace page

Jet Lag Gemini: Fire the Cannons

You’d think after all this time that bands like Jet Lag Gemini would just go away. You know the formula by now: throw in one part pop guitar spewing power chords, one part bass guitar playing paint-by-numbers, one part drummer who can hold a backbeat and go double time at the choruses when necessary, and one part young male vocalist/musician who can sing about the pains of friendships and chicks and do it with soaring melodicism. Yuck. It’s the kind of warmed-over glop that has been populating various “Tony Hawk” video game soundtracks for too many years now and it’s on full display here in the tracks throughout Fire the Cannons. Jet Lag Gemini and bands of its ilk are the last thing on any meter measuring originality. This is safe, dumb, and ultimately boring pop played out for the 14- to 17-year-old-crowd with nary a care in the world. (Doghouse Records, 2008)

Jet Lag Gemini MySpace page.

Derby: Posters Fade

There is just not enough good indie pop out there, but if you look hard enough, you can find bands making it. Case in point: the trio from Portland, Oregon known as Derby, who are back with their sophomore effort, Posters Fade, the follow-up to the band’s critically acclaimed debut, This Is the New You. The hype is something you can take or leave, because ultimately the music-buying public is going to decide if they like it or not. With Posters Fade, Derby has delivered an album full of melodic, lushly (but not overly) produced songs that are just easy to listen to. Imagine a cross between Nada Surf and Collective Soul, maybe a bit more to the Nada Surf side, and that’s Derby. There is also a subtle Beatles influence, especially on the stunning best track, “If Ever There’s a Reason.” For the most part, Derby’s music will not grab you, shake you, and spin you around, but it will make a good soundtrack for watching someone get grabbed and shaken and spun around. (LABEL: Green Submarine)

Derby MySpace page

The Beautiful Girls – Ziggurats

It’s hard to get excited about B-grade dub. Dub is one of those genres that bands who are playing it either really nail it down from the start or just kind of meander with the ideas and have no strong execution of them when all is said and done. The Beautiful Girls are one such band. Ziggurats is filled with a bunch of uninspiring dub-inspired numbers that sound almost comatose at times. For proof, look no further than the first two tracks here, “Royalty” and “Sir, Your Fashion Has the Cold Heart of a Killer (ugh). The former veers between overbaked rawk and listless dub while the latter is about as generic white boy dub as you can get. Both songs sound like they’re about to collapse from either ennui or exhaustion, which is funny considering there’s zero energy floating around here. However, when the band drops the dub nonsense and goes a power pop route, like on “Thought About You” complete with tasty handclaps, things get a little more interesting. Unfortunately, that only happens once out of 13 tracks total here. The rest of the album is spent doing retreads of the “Royalty” groove, or passing gas with uninteresting acoustic ditties (“Dela”). Stick to the pop, boys. (Controlled Substance Sound Labs 2007)

The Beautiful Girls MySpace page.

The Futureheads: This Is Not the World

Two albums and one left-field Kate Bush cover into their career, the Futureheads found themselves without a label after 2006’s News and Tributes tanked hard enough for the band’s UK and American labels to pull their respective plugs. In another era, this might have sounded the death knell for such a young band, but this is the wild and crazy digital ‘00s, where global distribution is available to anyone with enough money (and a dangerous surplus of optimism) to start a label. The Futureheads, as it turns out, have both – which is a good thing for anyone with a jones for driving eighth notes, crashing drumbeats, and stridently gulpy New Wave vocals, because This Is Not the World delivers all of them in spades. The quirky personality the band displayed on earlier recordings is kept mostly in check here, in favor of a more traditional verse-chorus-verse pop aesthetic, but the change suits the band – and they get in and out too quickly to overstay their welcome, bashing out the album’s 12 tracks in just under 40 minutes. Longtime fans lamenting the lack of experimentation would do well to switch off their brains, turn this up, and jump around for awhile – and if you’re looking for your first perfect summer record of 2008, look no further. (Nul 2008)

Futureheads MySpace page

« Older posts Newer posts »