Category: CD QuickTakes (Page 128 of 149)

Nick Motil: Everything’s Alright

August 8, 2008 /

This six-song EP by singer/songwriter Nick Motil is sure to please fans of artists like James Taylor. In fact, Motil sounds enough like Taylor on “Butterflies” here that you’d almost have to double-check whom you were hearing if you didn’t know beforehand. Motil’s music is tasteful, acoustic-based stuff that will easily tug at the tender heartstrings of music fans who yearn for something that reminds them of yesteryear. While it’s nice to hear Motil do his thing, it’d be nice to hear him stretch out a bit more. After all, not every tune needs to run at a slow canter. But that’s what you get here, a handful of slower-paced tunes that are well produced, well sung, and are completely contemporary. It’s hard not to imagine females everywhere swooning for the likes of “Cliche” and “Try Harder.” But will the guys like it? It’s hard to say. James Taylor had legions of fans, so it’s probably a safe bet that Nick Motil can capture the ears of anyone out there as well. But again, it would have been nice to hear him do something a bit more adventurous – even just one song, even – instead of staying in his comfort zone for the length of this disc. (self-released)

Nick Motil MySpace page

Artists, CD QuickTakes, CD Reviews, Pop

Blind Pilot: Three Rounds and a Sound

August 8, 2008 /

The sticker affixed to promo copies of Blind Pilot’s Three Rounds and a Sound promises “something like a wistful mix of the Shins with a bit of Iron & Wine folkishness,” and that isn’t just idle hipster-baiting – if the Shins and Iron & Wine had a baby, it might sound a lot like these 11 songs. If it did, though, it wouldn’t be a particularly gifted child. This is not to say that Blind Pilot rides the short bus of melancholy, folk-tinged indie popsters – just that there isn’t anything particularly moving or profound about this album. It hits all the cues it’s supposed to, right down to the smudged pastels in the cover artwork, but if you’ve ever spent any time listening to any (or, God help you, all) of the bands that sound like this, there isn’t a single bit of Three Rounds that you haven’t already heard someplace else. Of course, there really isn’t anything new under the sun, and if you’re going to be slavishly imitative, you could do a lot worse than tearing pages out of this particular playbook. Great for background music, and fine for those who enjoy puzzling over lyrical non sequiturs (“I buried a bone / And darling, you don’t know him / Just where you are might be the right place”), but this little patch of ground is starting to yield withered crops. Next time out, some sharper material could work wonders. (Expunged 2008)

Blind Pilot MySpace page

CD QuickTakes, Pop

Middle Class Rut: MC Rut EP

August 8, 2008 /

A band’s press release almost always relies on a simple “A + B” statement to define their sound, and usually the equation involves two bands of such regard that the results are laughable. It’s always the garage band from Gary, Indiana who considers themselves to be the magic combination of Radiohead and Led Zeppelin. Middle Class Rut ambitiously describe themselves as a combination of Jane’s Addiction, Refused, Rage Against the Machine and the Foo Fighters. Now that is a ballsy statement. Not only is Middle Class Rut comparing themselves to three of the biggest bands of the ’90s (and Refused, a hardcore post-punk band from Sweden) with the release of their (somewhat) self-titled debut, they also hold the ideal that people actually want to hear another band that is wearing said influences on their sleeves. Surprisingly though, that ridiculously hyperbolic description is spot-on. And the fact that the result isn’t half bad is even more surprising. “Let It Go” and “All Walks Of Life” recall the anger and energy of their influences, with a hardcore punk edge that explains the somewhat questionable inclusion of Refused in their equation. Sure, they may run out of steam later on, with “So Long” and “I Don’t Really Know” feeling a bit too much like Jane’s Addiction for their own good, but this is one of the only bands who have managed to draw influence from mid-’90s alternative rock and not suck outright. And for that they deserve something. Also with ten songs (one secret) and over 40 minutes in length, this has to be the longest EP ever. (No Label)


Middle Class Rut MySpace Page

Alternative, CD QuickTakes, CD Reviews, Rock

Jimmy Lloyd: Jimmy Lloyd

August 8, 2008 /

Ouch. There’s something here that’s just not working. Maybe it’s the way Jimmy Lloyd tends to be way too repetitive in the lyrics to his songs (“Maybe,” “Half Human”), or maybe it’s the way this album sounds like it was recorded quickly and the band doesn’t sound quite as tight as they should (drummer Ian McGlynn almost sounds lost at times on “Half Human”). Then there are the strained lyrical conceits (“Maybe you have a thing for black guys, maybe your mother didn’t love you enough”; “well I never felt as anonymous as I did in the west Texas rain / It sure as hell wasn’t Christ risin’ beneath the billboard of his name.”) Indeed, Lloyd’s strained singing to hit some of those notes on “Siddhartha in a Chevy” is just painful at times. Springsteen this guy ain’t. “cop Bar” isn’t half as tough as it wants to be and “Are You Ready to Keep Some Secrets” is just plain corny. Lloyd seems competent enough, but there’s nothing on this album to really prove it too well. (self-released)

Jimmy Lloyd’s MySpace page.

Artists, CD QuickTakes, Rock

Janelia: I’m an African

August 8, 2008 /

Janelia is a likable African-American artist who explores her pride in her family’s roots on I’m an African, an 11-song semi-concept lbum about her life as a “second generation” African, born in America. The title track is instantly enjoyable, featuring a bouncing, almost tribal rhythm and excellent melody. It’s borderline reggae, but not completely. “Baba Wa” explores the exploitation of such natural African resources as gold and diamonds an d the violent bloodshed the demand for both can bring. “Ashabi” is a chant sung in African, and “Get on Down” is a celebration of life, friends, and love. The songs on this album are quite good. The production of it is another thing, however. Most of the tunes sound a little thin, and the repeated instrumentation and style sounds a little too familiar after awhile. yet the messages and melodies here are strong, and Janelia is to be commended for bringing her spiritual messages to the groove so succinctly. Definitely worth a listen. (self-released)

Janelia’s MySpace page.

Artists, CD QuickTakes, Pop

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