Author: Captain Capm (Page 5 of 118)

Seven Mile Ride: Seven Mile Ride

Seven Mile Ride cranks out music that fits squarely within that sort of journeyman rock groove that has been well trodden before by many other like-minded groups. Vocalist and guitarist Shayne Rushton has one of those semi-gravelly voices that compels you to keep listening, and at times his guitar work can bring to mind the great Roky Erickson (check out those searing notes that cut through the intro on “Take Me Home”). “Face in the Crowd” kicks things off with an almost jazzy vibe that signals this might be something different. When the third tune “Always” rolls around, though, Seven Mile Ride starts sounding more like typical bar band fare than anything seriously breakout. That’s nothing bad in their case; indeed, “Dance Song” is fun and funky, and “Keep to Myself” has a solid strutting rhythm to it. But overall this is pretty safe stuff that doesn’t take too many chances. (Macaca Fuscata Records)

Seven Mile Ride MySpace page

Blue Island Tribe: The 5 Hits of Ecstasy

You’ve heard this one before. A group of white guys decides to hit the same path that better groups like Sublime walked years before, and do their own take on the reggae/ska groove. It sounds exactly like you might expect. Take that one part Sublime, adhere a bit of No Doubt, and slap on a coat of old-school Chili Peppers, and you basically have Blue Island Tribe. The only problem is that they are as faceless as all the other groups that tried out this gig and never became famous beyond their local sand bar. Luckily, they didn’t try to attack any dub here, and there isn’t a big horn section to goose them along, which may ultimately make them sound plainer than other groups of their ilk. Good enough, but just, and not really worth getting any more excited over than the same band down your own street that’s doing the same thing. (Spark A Fire Records 2008)

Blue Island Tribe MySpace page

Bullz-Eye’s Favorite Albums of 2008: Staff Writer Jason Thompson’s picks

Another year in music has come and gone. As I compiled this annual list of my favorite albums, I felt the cynicism creeping over me. Man, the music industry has really gone down the crapper but good. I don’t feel as bad for artists waxing nostalgic about the “good old days” as I might have a few short years back. I’m turning into one of those dudes who “can’t relate” to all the music the kids are digging these days, though I suspect that has more to do with my not being a Jonas Brothers or Hannah Montana fan than anything else. In the meantime, Metallica released a new one whose regular CD mix apparently sounded shitty compared to the “Guitar Hero” edition of the same album, and Axl Rose finally got around to releasing Chinese Democracy, which may have been overshadowed more by Dr. Pepper making good on their promise to give everyone a free bottle of their product if the album was released this year. Yeah, things are a bit of a mess. But here are a nice batch of albums to keep you entertained in this day and age of music biz misery,

Top 10 albums of 2008

1. Kingen: Ride with Me
As soon as I had played this album straight through for the tenth time after shortly receiving it, I figured there wouldn’t be anything else to change my mind about what album would be topping my list this year, and there wasn’t. Sweden’s Kingen created a great brew of real R&B, soul, and rock and roll with a little Louisiana swagger thrown in. The best thing about this album is it isn’t a tribute or nostalgia trip for the artist, but the real deal. Where else are you gonna find that these days?

2. Starfucker: Starfucker
This odd and wondrous pop gem blends strange vocals, goofy synth hooks, and a whole lot of catchy melodies. Their randy name aside, Starfucker have already made some great headway on the indie circuit thanks to this fun and engaging release. Listen to “German Love” once and you’ll never get it out of your head. Sort of like a great Air track, only not so full of itself. The rest of the album goes off in all sorts of directions but never gets too weird for its own good. Pure sugary fun.

3. Earlimart: Hymn and Her
Now stripped down to its two original and essential members, Earlimart continue forth with this hypnotic collection of tunes that goes down the street of the Velvet Underground’s third album, mixing the blissful with the melancholic. Yet it’s all very much more uplifting than downbeat, furthering the proof that this group is still one of the best around. When you’re doing your own thing this well, you never have to look back.

4. Eivind Opsvik: Overseas III
What do you get when you make an album that mixes jazz with a bit of rock and it doesn’t suck? Why, you get this album, of course. Over the course of its extended tracks, Eivind Opsvik throws down the jazz-whathaveyou lead in New York City and lets everyone else follow. This is highly enjoyable stuff without getting too cerebral for those who don’t like too much math in their jazz, or without just sucking all over the place (Spyro Gyra, Kenny G., the rest of the gang). This is almost tranquil listening, with a good groove underneath to keep the heads bobbing.

5.XX Teens: Welcome to Goon Island
If you like your rock to sound like it’s coming straight out of that late ‘70s CBGB’s atmosphere without sounding like wannabes such as the Strokes, then you’ve come to the right place. XX Teens have all the attitude and the musical prowess to put them over with the caffeinated, pilled-up crowd. Razor-thin guitar riffs, crunchy rhythms, and semi-scary lyrics make this a fun trip for everyone who’s sick of the whole doldrums that modern rock has become.

6. Charlatans: You Cross My Path
I honestly hadn’t listened to a Charlatans album in a long time – at least, not a new one. But these guys were one of the very few Manchester groups of the early ‘90s to keep things going, and usually at a critically acclaimed pace. This album can only continue that trend as there’s hardly a miss to be heard in it. For those still spinning the grooves out of Some Friendly from all those years ago and promptly forgot about them, you’d find a lot to like out of this new Charlatans disc as it’s all of that plus a whole lot more, and a whole lot better, stuff.

7. Tal M. Klein: Plastic Starfish
I’ve been grooving to Tal M. Klein since he was calling himself “Trancenden” (a name that he finally shed as he was sick of people assuming that he was a trance music artist). On his latest nautically-themed release, Klein keeps up the good funk and danceable grooves mixing live instruments with sampled vinyl and whatever else he likes. Basically, it’s another slam dunk for Tal. I dunno how the guy finds the time, seeing as how he’s always grooving up some party and writing up restaurant reviews on Facebook, but he’s the man with the master plan and I am but his adoring fan.

8. Feed The Need: Feed The Need
This album was pitched to me by the group’s manager and turned out to be a very enjoyable listen. This group of teenage musicians has pretty much done the impossible. That is, they created an album of mostly original tunes whose lyrics didn’t sound whiny or tried to come off as “older.” These guys sing what they know about, and do it in a way that at times sounds like groups such as Steely Dan in its earlier years. Now what other teenage group is gonna give you that?

9. Heap: Oddball
Heap came back from a little break after their great debut On the Cheap with this second studio set (a live album occurred in there as well) that pretty much continues the fun grooves of the first album. They’re a rockin’ bar band with a love for the Replacements and they mix their strengths well. One can almost imagine them being the band the ‘Mats would have become if perhaps Bob Stinson had got his shit together and Paul Westerberg didn’t get so sentimental. If you love straight-up rock, this is the band for you.

10. Hills Rolling: Something Delicious
To put it simply, Hill Rolling does a great less-is-more thing, mixing Beatles pop sensibilities with Lou Reed-style guitar playing and arranging. Two of my favorite acts rolled out as one new one. I can’t argue with that, and neither should you.

Best Reissues of 2008

1. Nick Lowe: Jesus of Cool
One of the greatest albums ever finally gets the deluxe treatment and everyone can once again hear what the fuss was all about. This is exactly how a great pop rock album should be made. It’s important yet disposable, witty yet touching, sarcastic and trashy. Okay, Nick, it’s time to finally make the proper sequel to this. I know you have to have a few more tunes as great as “So it Goes” up your sleeve these days.

2. Billy Joel: The Stranger 30th Anniversary Edition
This was the album that made me a music lover back in 1977 when I was five years old and my older brother brought it home. This new edition features a superior remastered sound by original producer Phil Ramone, a live CD, and a DVD, not to mention the token booklet and other goodies. It’s till the music that matters, though, and anyone who can’t instantly get into the first few bars of “Movin’ Out” has no soul. And on “Vienna,” Billy created one of his greatest album tracks of all time.

3. The Jacksons: Triumph
A far more enjoyable album (to my ears) than Michael Jackson’s breakthrough Off the Wall, this was the last stop before Thriller and found the Jackson boys grooving all over the damn place. “Can You Feel It?” is still great disco, while “Lovely One” funks harder than anything any of thse guys did before or since. The newly remastered edition sounds fantastic, though its three bonus tracks are complete throwaways. Still, if you truly want to hear a moment in time when Michael and his siblings were unstoppable, then check this out.

Faces of March: Confessions

This Miami, Florida-based group has gone a long way toward living out its rock fantasies. The band has done it their way, from building and using their own studio, to calling the shots as far as how their music is distributed. Not only are they business savvy, but they’ve got a great debut album to boot. The ten tracks on this disc get in, get the job done, and leave just in time for it to all remain fresh and exciting in your memory. Lead singer Gia has a great voice that hits all the notes perfectly without turning it into an ego trip. Producer Paul Trust has put his patented stamp on the proceedings here, allowing songs like “Drowning,” “Broken,” and “Too Late” to become much more than the sum of its parts. This is an album that, if marketed properly, could actually do some chart damage, or at least get this band noticed. There’s a little something for everyone here, and while some folks might be ready to label this group as being along the lines of Evanescence, et al, Faces of March are intrinsically much more exciting. Definitely worth hearing. (Kurfew Records)

Faces of March MySpace page

Sonic Bliss: Loved to Death

Well, these guys sound a couple decades too late. If you like your “hard rock” trying to masquerade as ‘80s-tinged “heavy metal,” then Sonic Bliss will wow you instantly. Too bad for them the formula really shows its age instantly from the first seconds of “Sahara” and its tired chugga-chugga lead rhythm guitar and Rene D. Berrios’ cartoonish vocals. “Babe I’m Dying” has to be a parody, right? It’s everything critics complained of bands like Styx and Kansas being, but even those groups never got this dopey. And someone told these dudes that covering Stevie Wonder’s “Superstition” with overloaded, screaming guitars and cheeseball gut-busting vocals was a good idea. At best, these guys could make the reel for one of those episodes of “American Idol” featuring some of the funnier auditions, but they’re not destined for anything great. Not by a long shot. (Karloffian Records)

Sonic Bliss MySpace page

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