Month: December 2005 (Page 5 of 8)

It’s An Indie World

With Sony/BMG and Warner Bros. recently getting hit with payola lawsuits, more music being purchased digitally, and more new artists becoming hip to the fact that they can survive on their own without “borrowing” money from a major label, the music industry is becoming more indie than ever. Distribution companies such as Redeye are allowing independent artists and indie labels the option of using channels that were previously reserved for the majors. And artists are able to sell their own CD’s online and digitally, as well as through traditional touring….and realizing that they can make and KEEP all or most of the proceeds. No more concern about getting dropped or about the spending the next five years paying a major label all the recoupable expense associated with breaking a new band.

And when the war against payola reaches the radio programmers, it could be the end of FM radio as we know it. Which begs the question: will anyone care? I know I won’t. And once again the best artists are the ones who will get noticed.

Another Starship turd

It’s great to have VH1 Classic and be able to see all the truly awful videos that were made in the ’80s. Take, for example, the clip for Starship’s “Laying It On The Line,” won’t you? If the video for “We Built This City” was bad, then this one is truly craptastic. In it, the band tries to look topical once again by having images of exploding atom bombs superimposed over their faces. Some big, fat greasy dude with a beard and dressed in a helmet that says “US Support” or “UN Support” or something like that and walking around in camo has a bumnch of soldiers on a chain leash in a jungle. They shoot rocket launchers and other weapons. Lead singer Mickey Thomas cavorts around in his gay moustache while also dressed in a helmet with ’80s spandex bimbos clinging to his arms. Grace Slick tries to convince herself she’s still a viable entity in the band. She has weird uber-fashion makeup smeared across her eyes. There are shots of dudes on ATVs riding around. It’s totally awesome.

In the meantime, there’s also plenty of room for the token guitar solo shot with a shrederrific jagged guitar on full display. Mix this all together with some “on stage” shots, and you have one hell of a video. I don’t know what was going on, but I know it was supposed to be Big. If one thing is clear after watching this video, it’s that the cocaine ’80s sure were some goofy times when it came to video storyboards. I did a little search on Starship, and I notice that Mickey Thomas’ website is named “Starship Featuring Mickey Thomas.” Yep, those county fair circuit days are calling, Mick.

Mimi emancipated…AGAIN

They did it with DVDs first: releasing an early, “no-frills” version of a given movie, and then following it up with a “special edition”, “director’s cut,” “hardcore geek nirvana” version–complete with deleted scenes, actor and director commentary tracks, alternate endings, and more.

But do we really need this for CDs?

Whether we do or not, record labels are increasingly jumping on the special-edition bandwagon. Mariah Carey’s “The Emancipation of Mimi” — which had already succeeded in selling 4 million copies following its initial release in April — spawned an “Ultra Platinum Edition”, with four new tracks, in mid-November. Usher, The Killers, Fitty, and even Elton John have all put out reissued, repackaged versions of their albums in the past year as well.

From the labels’ standpoint, it makes sense: Why spend the money to produce and promote a new album, when you can milk the old one a little longer by adding a few new tracks?

Here’s why: You’ll alienate your fan base. That is, you’ll alienate those fans who are still buying entire CDs legally, rather than ripping copies from friends or downloading the desired tracks for significantly less than the cost of a complete disc.

The same record labels who complain that downloading has destroyed their old revenue model…are seeking to piss off every one of the customers who still contributes to that model. Bought that Killers CD the day it came out? Sucker! Shoulda waited for the extra tracks. Now you’ve got to buy the whole thing all over again…unless you step over to the dark side, and simply download the bonus tracks instead.

Instead of working as intended, the “special edition” trend may simply backfire. Rather than serving as a de facto means of forcing people to replace their music catalogues (now that the days of cassette-to-CD collection conversion are long over), the new model might instead just train every person who still buys CDs legally to stop doing so. Why buy now, if the “good” version of the CD won’t be along for another few months? Honest, upright, CD-buying citizens will learn that it doesn’t pay to buy their favorite artists’ discs upon release…and so they will stop doing so. To tide themselves over until the “special” release, perhaps they will wander online…and never set foot in a CD store again.

That’s what happens when you bite the hands that feed you.

« Older posts Newer posts »