Tag: Eat Sleep Drink Music (Page 26 of 31)

Robbie Williams: Reality Killed the Video Star


RIYL: Seal, Pet Shop Boys, the phrase ‘Produced by Trevor Horn’

How did it take this long for Robbie Williams, one of the UK’s biggest pop stars, and Trevor Horn, one of the UK’s most successful producers, to make an album together? Perhaps Horn wasn’t interested while Williams was still getting his freak on – “Rudebox” may be a stone cold jam, but it’s not exactly in Horn’s wheelhouse – and Williams is just now ready to make a grown-up pop record. Whatever the reason, Reality Killed the Video Star, the first Williams album to see a Stateside CD release since 2002’s Escapology (2005’s Intensive Care and 2006’s Rudebox are download-only), is everything you’d expect from a Robbie/Trevor joint venture. It’s flush with perky, if mannered, electronic beats, and Williams is still extremely candid in his lyrics (“All we ever wanted was to look good naked,” he observes in the UK #2 smash “Bodies”). Reality isn’t teeming with potential singles the way, say, Sing When You’re Winning was, but there’s not a duff track in the bunch. Well, there is one duff track: “Blasphemy,” his reunion with longtime collaborator Guy Chambers, which yields a lyric that would make Paul Stanley blush. (“Was it a blast for you? / ‘Cause it’s blasphemy.” Wow.)

Robbie_Williams_03

While it’s nice to see Robbie get scrubbed down and dolled up, one gets the sense listening to Reality that this whole grown-up thing is just a phase. As phases go, it’s an extremely pleasant one, but it would not be at all surprising to see Williams go full Lady GaGa with his next one. (Virgin 2009)

Robbie Williams MySpace page
Click to buy Reality Killed the Video Star from Amazon

Seen Your Video: OK Go, “WTF”

You have to feel a little bit bad for OK Go. Ever since they made the one-take, dancing-on-treadmills instant classic video for “Here It Goes Again,” the fifth (!) single from their 2005 album Oh No, they raised the level of expectations for their subsequent music videos impossibly high. You can’t help but wonder if the reason they have taken so long to record a follow-up album is because they were having a hard time coming up with an idea for the album’s first video.

We’re kidding, of course, but still, we’re willing to bet they went through over a hundred treatments before settling on the one for “WTF,” the first single from their upcoming album Of the Blue Colour of the Sky. The press release quotes singer Damian Kulash saying that “there is a lot of Purple Rain on this record,” a statement that we found dubious, to say the least. After all, Trent Reznor once said that Nine Inch Nails were making a Prince record, and the end result was The Fragile. Not quite a Prince record.

But as it turns out, OK Go did channel Prince, though we’d say it’s more Parade than Purple Rain. (Kulash’s falsetto is pure “Kiss.”) Armed with a Yes-like time signature (5/4, for those keeping score at home), “WTF” is one of the band’s best songs yet, and the video is an eye-popper. Using what we believe is referred to in the drug world as the tracer effect, the clips shows the band members walking around a white set, using giant wands to change the colors in the background. The clip looks like it was shot in one take as well, though we’re guessing there are a couple of cuts spliced in there. Either way, it’s a brilliant clip, in a my-head-hurts kind of way.


WTF?

OK Go | MySpace Music Videos

Morningwood: Diamonds & Studs


RIYL: Pat Benatar, Garbage, Paramore

The manner in which success has eluded New York’s Morningwood (previously a quartet, now a duo) is frankly surprising. Their songs are armed to the teeth with punchy guitar riffs, and singer Chantal Claret is an absolute belter, a larger than life personality with an oversized libido to match. (Think Pat Benatar, only this time you actually have a shot at getting her in bed.) After a one-album stay with Capitol, Morningwood has elected to go the self-released route with their sophomore effort Diamonds & Studs (though MTV is assisting with the distribution), and unlike most self-made affairs, this album sounds damn good. Indeed, it’s a modern-day production with an old-school mix job, lacking the overcompression that makes most contemporary albums sound like complete and utter shit. Much like the band’s debut, a few songs stand head and shoulders above the others, namely “Sugarbaby,” which out-Paramore’s Paramore. “How You Know It’s Love,” which jumps from shuffle beat to four-on-the-floor rocker in the chorus, playfully cribs from the band’s “Nth Degree,” and the drum-heavy “That’s My Tune” has ‘club smash’ written all over it.

Strangely, as pleasant as the album sounds while it’s playing, much of it leaves no footprint once it’s gone. Case in point: “Three’s a Crowd.” Fabulous while you’re listening to it, but an hour later, it’s hard to remember how it goes. Morningwood is still putting the pieces together, but there are far worse bands that are out-selling them. Pity. (Morningwood Inc. 2009)

Morningwood MySpace page
Click to buy Diamonds & Studs from Amazon

Rush: Working Men


RIYL: Throwing your money away

Word on the street is that Rush has parted ways with longtime label Atlantic to sign with Roadrunner, and with Working Men, Atlantic’s flogging of their slice of Rush’s catalog (the band signed with the label in 1989) has officially gone from ridiculous to hilarious. It’s a collection of tracks from the band’s live albums Rush in Rio, R30, and Snakes & Arrows Live, and since live albums are essentially a compilation of a band’s hits, that makes Working Men a one-CD compilation of two two-CD compilations and one three-CD compilation. In other words, this might be the most unnecessary album ever made, the Rush equivalent of those budget Super Hits compilations that clog the counters of the Gas ‘n Sips on the highway. There is one unreleased track, a version of “One Little Victory” from the R30 tour. But since “One Little Victory” appears on the Rush in Rio DVD and the R30 Blu-ray, the word “Unreleased” should come with an asterisk.

The performances of these songs, of course, are fantastic – though the audio on the DVD for the Rush in Rio and R30 tracks sounds positively awful – but chances are, if you’re a Rush fan, you own them already, and if you’re not, well, you’re not buying this album anyway. One of the more puzzling releases we’ve seen all year. (Anthem/Zoe/Rounder 2009)

Rush MySpace page

More Than This: The Story of Roxy Music

Bar none the best Eagle Vision video we’ve seen to date, “More Than This: The Story of Roxy Music” is absolutely packed with interviewees, each with a unique perspective on the band’s musical vision, artistic direction and influence. The set is much more focused on the “Eno years” (that way they can include more interview footage of Eno himself), but this makes sense since many consider that period, with all due respect to Avalon, to be their creative peak. The list of rock star fans who sing the band’s praises here is as impressive as it is diverse; Duran Duran’s John Taylor, Bono, Steve Jones, Siouxsie Sioux, and Chic guitarist Nile Rodgers all talk about the impact Roxy had on them, and they even recruited producer Rhett Davies and mixer extraordinaire Bob Clearmountain to discuss how people would ask them to make their records sound like Avalon. Even the extended interview segment – usually a crashing bore – is lots of fun, poking fun at the band’s tendency to have a revolving door at the bass player position. They also included performances of three songs from a 2006 concert. A great tribute to a sorely underrated band. (Eagle Vision 2009)

Click to buy The Story of Roxy Music from Amazon

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